Monthly Archives: April 2018

Seeing Stars Through the Clouds: 1943-44 Navy Team Autographed Baseball

Writing about baseball artifacts is a pleasure and tedious considering the volume of research that is poured into each artifact and subsequent article that is published on ChevronsAndDiamonds.org and that is beginning to show with the backlog of posts that is growing (inside of my head, at least) with the recent additions to my collection. With my last article (My Accidental Discovery: A Photographic Military Baseball Holy Grail of Sorts), I spent a few weeks researching; gathering details about the DiMaggio photograph, comparing it with others, delving into other aspects of his time in the Army Air Force and then committing it to more than 3,400 words. I often ask myself, “How does one manage a full-time career, a marriage and family (an active life) and still maintain a research and authoring schedule like this?” in the midst of a research project.

Several weeks ago, I was able to acquire my second military baseball (my first, a 1956-dated, team-signed ball from the 36th Field Artillery Group) after it was listed in conjunction with among a spate of items (originating from the same collection) that were all related to military baseball teams the Central Pacific area, in and around the Hawaiian Islands during World War II. Judging by the number of bids and potential buyers who were watching the three other auctions compared to a few who were watching (and had submitted bids on) what was listed as an autographed Navy-team baseball from the 1940s. The ball (aside from the signatures) is a easily datable, official National League (“Ford C. Frick”) Spalding baseball from 1943. With a glance at the auction listing’s photos, (aside from the obvious coating of shellac covering the ball) I recognized a few names on the ball though several were hard to discern.I decided since the bid amount was so low that it was worth risking (based solely on the verifiable age of the ball). With only a few hours remaining, I set my bid amount and waited.

The two stars flanking “Official”denote that this ball dates from 1943. The golden toning of the ball is due to  (image source: eBay image).

I wanted to spend time investigating all of the signatures on the ball – to delve into each one to make an attempt to identify the names and thus, determine which team the ball was associated with but with so little time remaining, I moved ahead with submitting my bid with the hope that if I was unsuccessful with my plan to identify that I could turn around and re-list the ball. Hours later, the notification came that I was the highest bidder, much to my surprise. Hours following payment, I received notification from the seller that the ball was shipped and a tracking number was provided. Two days later, the ball was in my hands and that’s when it struck me that I was holding something that was connected to the players who participated in the legendary (at least, to me) games in the Hawaiian Islands during the War, that until now, was limited to scorecards and photographs.

I was elated to have a chance at this ball even though it was lacking signatures from the stars of the major leagues such as Pee Wee Reese, the DiMaggio brothers, Vander Meer, Hutchinson or my favorite, Ferris Fain. I wasn’t able to positively identify all of the signatures and two of them are almost completely faded or entirely illegible.  There are a few major league ball players and several minor leaguers that have been identified. Those with an asterisk (*) were located on the Navy versus Major League All-Stars: Weaver Field, Submarine Base, April 19, 1944 score book (the double asterisk indicates a possible correlation between the signature and a name listed on the score book).

Panel 1 (image source: eBay image).

Panel 1:

The first panel of signatures shows one name that I cannot positively identify (Charlie, the second from the top) and the one at the bottom is so heavily faded that I can’t make out a single character. Three of these players (Signalman and pitcher Anderson, Electrician’s Mate 2/c and shortstop Bishop and Chief Specialist and pitcher Masterson) all played in the major leagues. Catcher and Coxswain McCorkle and Torpedoman 1/c and pitcher Mozzali had minor league careers with the latter serving as a scout in the St. Louis Cardinals organization for 18 years followed by two seasons (1977-78) as a coach with the big league club. John Powell, listed on the April 19, 1944 program for the game between the Navy and the Major League All-Stars as a center fielder and an MS 1/c is still being researched.

Panel 2 (image source: eBay image).

Panel 2

  • Raymond Kerin (?)
  • Dutch Raffeis (?)
  • Illegible ….ski
  • Jim Brennen*
  • Bob Tomkins
  • Ed Quinn

This panel is one of the more challenging of the four with three names that either illegible in part or entirely. While Jim Brennen shows also on the April 19, 1944 program (listed as “J. D. Brennen,” EM2/c, pitcher), the other players require further research. My efforts to date have been unfruitful but it is possible that searching military records via Fold3 or Ancestry might yield positive results. Combing through the various rosters (on the known printed scorecards and throughout those online at Baseball in Wartime) is a seemingly futile venture but at present, it is all that is available. I hold out hope that in the months and year ahead, that there more artifacts will surface.

Panel 3 (image source: eBay image).

Panel 3

  • Gene Rengel
  • Bob White**
  • Floyd Snider*
  • Phil Simione*
  • E. Patrick
  • Ray Volp.

The third panel held signatures that were far more legible and hadn’t suffered fading though I didn’t fare much better in determining who the men are who signed this side of the ball. Two of the names, Snider (right fielder and signalman) and Simione (a center fielder and boatswain’s mate, 2nd class), are also listed on the April 19, 1944 scorecard (linked in the previous paragraph). Rengel, White and Patrick are still to be determined. Ray “Volp.” added the period at the end of his name leaving me to wonder if he abbreviated his signature. Five of these six names will have to be researched as service members while I believe that Snider went on to play four seasons of class “D” professional baseball, having played in 1942 with the Dothan Browns (of the
Georgia-Florida League).

Panel 4 (image source: eBay image).

Panel 4

The last panel (which, in this case consists predominantly of the “sweet spot” of the ball) contains four very legible signatures and three of them are located on printed rosters within scorecards from the Central Pacific wartime baseball leagues. Also, (potentially) three of the men all had professional baseball careers following their service. One of these men, James J. “Jim” Gleeson, an outfielder who spent five seasons in the major leagues (1936 with Cleveland, 1939-40 with the Cubs and 1941-42 with Cincinnati) before joining the Navy. Following his war service, Gleeson returned to the game he loved, playing for six more seasons, but only at the minor league level. After 1951, his playing days were done, Jim continued his baseball career, serving as a scout, coach, and manager in the minors and spent many years as a coach with the Yankees on fellow Navy veteran, Yogi Berra’s 1964 Yankees-pennant-winning staff. Third baseman and Pharmacists’ Mate 3/c John “Hubie” Jeandron  recommenced his professional career in 1946 at the class A level, bouncing around through class C and B levels until finishing his baseball career after the 1953 season. Gunner’s Mate 3/c and first baseman Frank T. Hecklinger (incorrectly listed as “E. T.” on the scorecard roster) also restarted his professional career but played in only 234 total games between the 1946 and 1947 seasons at the class C and B levels in the minors.

The prominent Spalding logo with Jim Gleeson’s signature easily discernible (image source: eBay image).

To many collectors, having a ball with signatures from a handful of minor leaguers and three non-star major leaguers wouldn’t merit much interest or be featured in a collection. Nevertheless, this ball is significant as it originates from games that were, to many men and women serving during WWII, distractions from the rigors and monotony of war giving them a fun departure from the harsh reality and a taste of the normalcy of home. This ball is a cherished addition to my collection and will serve to demonstrate how men from the highest levels of the game competed alongside of average Joes demonstrating unity in the fight against a common enemy in the cause of freedom from tyrants and oppression.

My Accidental Discovery: A Photographic Military Baseball Holy Grail of Sorts

The hits just keep coming. I don’t know how to properly assess the current state of the baseball militaria “market,” but I have been seeing quite a spate of historically significant artifacts being listed for sale over the last several months. In previous months (years, actually), the well has been fairly dry in terms of the sorts of pieces that have been turning up but I am in awe the currently emerging trend. In terms of determining some measurement or rate of success, I am taking a bit of a retrospective look into what I have landed as compared to what has been listed (in concert with those items where I was outbid by more aggressive buyers). As with baseball statistics, the rate of success (such as in batting average) is only part of the picture. Yes, I have landed a fair percentage of the artifacts listed at auction, however it is the quality of the items that I brought home that lies at the heart of my success.

Two of the most recent Chevrons and Diamonds articles touched upon baseball in the Pacific Theater with both the All-Stars games in the Central Pacific and the late-war All-Stars Western Pacific tour. While both of these articles spotlighted auctions that I did not win, all four listings (that were covered in the articles) provided me with invaluable insight and research for upcoming efforts. As hard as it was to not have success with securing any of those pieces, what did come home was comparable, if not invaluable for my collection.

While I have several forthcoming articles currently in varying states of research and drafting, I am finding that, for the majority, their focus lies within the realm of baseball within the Pacific theater. Today’s piece lies directly at that epicenter: World War II baseball in the Hawaiian Islands.

In researching so many of the professional players who enlisted during WWII, I have read or listened to many interviews with players discussing their time in the service of their country. Each one of these men with the opportunity to discuss their war service unhesitatingly reflects upon how the nation was unified in the struggle against the tyrannical Axis forces. These men talk of setting aside their ball-playing careers to join millions of Americans who left their jobs and homes to carry the fight to the enemy. I have had the opportunity to speak with a few legends (Bob Feller and Duke Snider, on separate occasions) in the early 1990s to discuss our time serving in the Navy and to exchange our experiences – having them ask ME about what I did and where I went during my naval career was gratifying. However, not all of the players who set aside their professional flannels, spikes, bats and gloves did so without reservations and self-concern.

Joe DiMaggio and Ted Williams at the All-Star Game during their incredible, record-setting 1941 Season (image source: National Baseball Hall of Fame).

Without a doubt, one of the most recognizable baseball players of all time is Yankees’ long-time center-fielder, Giuseppe Paolo DiMaggio, simply known as “Joltin'” Joe DiMaggio, the “Yankee Clipper.” When the United States was drawn into World War II following the December 7, 1941 Pearl Harbor attacks, Joe DiMaggio had only months earlier, concluded one of the greatest offensive seasons by a ball player. That year saw two accomplishments which, after 76 years, each seemingly remains insurmountable. Aside from Ted Williams’season in which he finished with a .406 batting average (which ranks 18th among single-season records) his .400+ average performance is the last of the 20th Century and the only one since Bill Terry’s .401 average 11 years earlier. Considering those two .400+ batting averages, at the beginning of each successive decade (as compared to the seven time it happened during the 1920s and three times in the teens), the difficulties in hitting were obviously on the rise.

William’s accomplishment aside, a ostensibly impossible (to break) record was breached and a new, significantly higher mark was set by the Yankee’s DiMaggio in 1941. The game of baseball is difficult and using the small wooden bat to make contact with a small leather ball (traveling at speeds ranging from 80-105 mph) is so challenging that missing failing to do so, seven out of 10 attempts is considered an impressive achievement (obviously, Ted Williams’1941 season reflected a failure rate of only six times in ten). Failing to put the ball into play and get on base during a game (or even a brief string of games) is a normal occurrence. It is so normal that when players begin to hit safely in a succession of ball games, players, managers, the press, etc. take notice and talk about it when that streak begins to approach 20 games. By 1941, 26 batters had hit successfully in 30 or more consecutive games with the Baltimore Orioles’ (of the National League) “Wee” Willie Keeler holding the record at 45 games (set over the course of the 1896-97 seasons). By today’s standards, 45 games seems to be insurmountable yet Philadelphia’s Jimmy Rollins reached 38 in 2006 (not to overlook Pete Rose’s 44-game streak in 1978 or Paul Molitor’s 39 in 1987).

More impressive than Keeler’s 45 game-streak was the one accomplished by the Yankee Clipper during the 1941 season. Not only did he surpass Keeler’s mark, he blew past it with 11 additional games, setting the record at 56. Keeler’s record stood for more than four decades and though there were some players who drew close to Willie’s record (Ty Cobb -40- in 1911 and George Sisler -41- in 1922), by 1941, it seemed unreachable. During the streak, both Williams and DiMaggio were slugging it out offensively for both average and power. During DiMaggio’s streak, he would hit .408, clout 15 home runs and drive in 55 runs. He would finish the year in third place behind Williams and Cecil Travis (.357) for batting average and fifth for home-runs (behind Ted Williams-37, Dolph Camilli-34, Charlie Keller-33 and Tommy Henrich-31) with 30. “The Streak” and the .406 seasons are so well-documented and how they happened is known by even the most nominal baseball fan. So impressive was the 56-game streak that mathematical analysis has been brought to bear in order to determine a measurement of probability (or perhaps, impossibility?) of its occurrence.

Joe DiMaggio and his Yankees’ would place a period on the 1941 season by winning the World Series, beating their opponent four games to one on their way to four titles during the decade (after having closed out the 1930s with five titles; four consecutive from 1936-1939). I would be remiss in mentioning that the 1941 National League pennant-winner was my beloved Dodgers having overcome decades of futility on their way to becoming perennial contenders for the next five decades.

It is well-publicized that two days after the Japanese sneak-attack on Pearl Harbor, Bob Feller enlisted into the United States Navy, motivated to serve as so many other American young men (my maternal grandfather, included) in those first few days and weeks. Many from baseball’s major and minor league ranks set their careers aside and joined the fight in the first few weeks. However, several of the games biggest stars did not immediately sign up to serve, Joe DiMaggio included.

Despite the countless images, documents and accounts of Joltin’ Joe’s time during World War II, DiMaggio did not set his career on hold to join the armed forces until February of 1943 after playing the entire 1942 season, despite the early-January, prevailing question (by Commissioner Landis) as to whether the game would continue (and President Roosevelt’s decision and response). Joe was not alone in his avoidance of serving. DiMaggio’s rival batting leader from the Red Sox, Ted Williams hired an attorney to have himself reclassified as 3-A (“Registrant deferred because of hardship to dependents”) being the sole-provider for his mother following receipt of his draft notice in January of 1942. William’s received a torrent of negative publicity and finally enlisted into the Naval Reserve in May but played the entire season (the last game of the year, September 27th, his Red Sox faced DiMaggio’s Yankees where Williams mustered a single, going 1-3 with an intentional walk while Joe was 2-4 scoring two and knocking in three runs, including a 2-run homer) before heading into the Navy’s V-5, aviation cadet training program in early 1943. Joe DiMaggio (apparently begrudgingly) enlisted into the U.S. Army Air Forces (USAAF) on February 17, having previously been granted (like Williams) a 3A deferment status. It should be noted that with the exception of a handful of notable professional ballplayers enlisting in the opening several weeks of the War, most players didn’t join the ranks until the waning months of 1942.

In Joe DiMaggio: A Biography (Baseball’s All-Time Greatest Hitters), according to author David Jones, “DiMaggio resented the war with an intensity equal to the most battle-scarred private. It had robbed him of the best years of his career. When he went into the Army, DiMaggio had been a 28-year-old superstar, still at the height of his athletic powers. By the time he was discharged from the service, he was nearly 31, divorced, underweight, malnourished, and bitter. Those three years, 1943 to 1945, would carve a gaping hole in DiMaggio’s career totals, creating an absence that would be felt like a missing limb.” Though he may have desired to serve as a combat soldier, the Yankee Clipper would find himself serving in a morale-boosting capacity, as a team-member on various Army Air Force service teams, much to enjoyment of thousands of GIs serving both domestically and throughout bases within the Pacific Theater.

By the time that Joe DiMaggio arrived in the Pacific to play baseball with the 7th Army Air Force team (based at Hickam Field), he had already spent the previous 16 months playing for his Santa Ana Army Air Base team as well as an All-Star team managed by Babe Ruth that squared off against the Boston Braves on July 12, 1943.  Nearly a year and half spent away from his $40k+ annual salary as he was earning $50 per month along with his GI-counterparts. Aside from performing for the troops, Joe was away from his wife an their shaky-marriage and their small son.

He suffered, according to William Cole in his September 2010 Honolulu Star Advertiser article, Misery filled baseball star’s days in isles during WWII, considerable gastrointestinal problems due to stress leading to being “admitted to the station hospital at Hickam for eight days” on July 9, 1944. The slugger’s time away from duty continued, as on “July 27 DiMaggio was again hospitalized and returned to duty a month later,” which seemed to develop into a cycle. Cole wrote, “He was rehospitalized Sept. 4 for two weeks. Another hospital trip on Oct. 12 led to a stay at Tripler General Hospital for four days.”  Cole references a 1945 psychiatric report conducted following Joe’s continued hospital visits throughout the remainder of his time in the service, citing” Although he denies nervous or mental disability, he admits that he has always been moody, and it would appear that he has always been high-strung, irritable, easily aroused and quick-tempered.”  According to Cole, “DiMaggio definitely didn’t like the public relations role he was fulfilling.”

The physician noted in his report (as conveyed in Cole’s article), “When he (DiMaggio) was in Honolulu, for instance, he felt he was exploited by being put on exhibition, and, what is more, he feels not to the profit of the Army but rather to increase the income of civilians by gate receipts. He feels that he should have been utilized at all times as a physical instructor, and shows a definite aversion to playing baseball while in the Army.”

Honolulu Stadium (circa 1960s): Drier Manor was located across Isenberg Street (which runs along the bottom edge of this photo) on the right, inside of the left field foul line (image source: scottymoore.net).

Despite the emotional and health issues that were apparently plaguing DiMaggio, he still managed to continue playing baseball for the troops in Hawaii. Days after arriving via an arduous transit (aboard a ship) Joe would participate in a pair of exhibition games played over a five-day period, DiMaggio would crush two memorable home runs, one in each game. The first one would land outside the stadium’s right field on Isenberg Street, traveling 435 feet, in the first game. The second would be a 450-foot mammoth blast, striking the St. Louis College alumni clubhouse, Drier Manor, across Isenberg Street, to the cheers of more than 20,000 fans in attendance.

I have never been interested in collecting Joe DiMaggio. Perhaps my lack of desire for his memorabilia was due to multiple factors ranging from near-loathing of the Yankees due to my allegiance to Brooklyn and the Los Angeles Dodgers to being priced out of the market as a result of the Yankee Clipper’s immense and enduring popularity among baseball collectors. Being interested in DiMaggio’s military service and is playing time during his time on active duty transcends my anti-Yankees stance though still precludes me from affording anything pertaining to his career; especially his stint with the USAAF…until a few weeks ago (more on this ahead).

Sgt. DiMaggio and Petty Officer Reese sign baseballs for Vice Admiral Ghormley and Brigadier General Flood ahead of one of the 1944 Central Pacific Area Championship Series games (image source: Honolulu Star Adviser).

Sgt. DiMaggio poses before batting in a 1944 game at Seattle’s Fort Lawton base. Joltin’ Joe was in Seattle awaiting transport to Hawaii on his way to his 7th AAF assignment (image source: Seattle Times).

A simple internet search for Joe DiMaggio photos from his wartime service yields plenty of images in uniform ranging from his Santa Ana team to one in a Fort Lawton (located in fort Seattle) uniform, however, it is the home uniform of DiMaggio’s 7th Army Air Force team that dominates the (internet search) results. The 7th AAF uniform is very distinctive with its dark shell and white sleeves which makes it one of the most recognizable of all World War II known and photographed baseball uniforms. The jersey is a dark shell with white sleeves with distinctive lettering across the chest spelling out 7th AAF in white. The soutache that encircles the collar and frames the placket is a thin white line of trim while each sleeve has a thin dark line of trim located approximately one-inch in from the edge.

The trousers that accompany this uniform appear to be color-matched to the dark shell of the jersey but the trim on the pants-legs appears to consist of two 1/2-inch vertical stripes extending from the waistband to the cuffs. The cap is also color-matched but with thin, white trim sewn over each seam of the crown’s six panels.

Due to DiMaggio’s enduring popularity among collectors and fans, this (7th AAF) home jersey was one of the first military baseball uniform reproductions to be made (if not the first) by Ebbets Field Flannels (which they mistakenly identified as a road uniform). It is highly-likely that this jersey is the most-popular repro military baseball garment sold (by any maker) which is why, it should be updated to be historically-accurate, though it was originally made based a photographic study as no known examples survived through the decades.

DiMaggio (front row, 2nd from right) with his 1943 Santa Ana Air Force team (image source: Baseballinwartime.com).

One of the most difficult challenges faced by companies in reproducing from black and white images (when an original uniform is unavailable) is color-accuracy. To even the most experienced photography analysts, discerning unknown colors is a near-impossibility. In a conversation (regarding my recent find) with WWII military baseball expert, Gary Bedingfield, while discussing the 7th AAF uniforms, he shared with me a conversation (via an exchange in correspondence in multiple letters traded between Bedingfield and the baseball veteran) that he had with Yankees’ back-up catcher and DiMaggio’s 7th AAF team, Charlie Silvera.

Showing the 7th AAF team at Hickam’s Furlong Field stadium, their home venue (image source: Baseballinwartime.com).

“Their (the 7th AAF) home uniforms were dark green and white,” Bedingfield relayed to me, “although I’ve never seen a color photo of them, the always look black and white.” Bedingfield continued, “they were softball uniforms (that had been) donated to the team.”

In addition to what can be found on internet searches of the dark/white home variant, there are a few photos of the 7th AAF team (including DiMaggio) wearing the road version of the uniform. Not quite as distinctive, this uniform is entirely gray with a thin, dark line of soutache on the placket, around the collar and on the sleeves. The dark lettering across the chest is aligned in an arc (rather than straight across as is on the home uniform).

Now that I have your attention (or perhaps I lost you, dear reader, after taking you through 2,600 words in such a lengthy 3,400+  word-story), I can delve into the incredible (to me, at least) find while searching through online auction listings.

While seeking something completely unrelated, I stumbled upon a scantly-described (no details regarding size, age, etc.) auction listing that was rife with misspellings but displayed an incredible, type-1 photograph of the “Yankee Clipper” wearing the road gray uniform of the 7th AAF. The listing had one person watching and no bids with less than 24 hour remaining and the price was extremely low for what this was. I hurriedly did some research of the photo in trying to determine when and where it was taken and I zeroed in on the stadium in the background and the photographer’s marking in the lower left corner.

The Prize Photo: Joe DiMaggio, taken in June of 1944 as he poses during a break in the action at Honolulu Stadium for Hawaiian Photographer, Tai Sing Loo (author’s collection).

It was obvious to me that the photo was snapped at Honolulu Stadium, the capital city’s all-wooden ballpark (affectionately dubbed, the “Termite Palace” for reasons that require no explanation) with its unusual grandstand design and the facade on the face of both the upper and lower stands. The photographer, Tai Sing Loo, a well-known Hawaiian photog who snapped some of the most iconic imagery of the Pearl Harbor attack as well as of legendary surfer and renowned athlete, Duke Kahanamoku, snapped and printed the photograph during the game action during one of the two exhibition games soon after DiMaggio arrived on the Island.

I had no reservations in setting up my bid, hoping for the best and that no one else found the image as I had. When the auction closed the next day, I was elated to see that mine was the winning bid and I quickly paid the seller for the the photo. After a few days, I received a notice of shipment without a tracking number (it was shipped very economically, without insurance and tracking!!) I prayed and hoped that it would arrive safely and nervously anticipated its arrival. After a few days, I breathed a massive sigh of relief when I pulled the envelope from my mailbox. I quickly opened the parcel to see that the photo was indeed a Type-1 and in excellent condition.

One of the most interesting and mysterious aspects of this photo surrounds a uniform element that is visible on DiMaggio’s left sleeve. In the three examples of DiMaggio in the uniform, none show the 7th AAF shoulder sleeve insignia (SSI) on the jersey as is clearly visible in the image that I acquired. In viewing the images of the pages of the program from the fourth game of the Central Pacific Championship Series played between the All-Stars of the Navy and Army, there are hints of what appears to be SSIs on the sleeves of both Ferris Fain and Dario Lodigiani in their player photos. Without the insights from the players themselves, there is seemingly no way to know when or why the SSI was used.

As incredible as it was to add such a fantastic photograph of a baseball legend to my collection, it wasn’t the end of my magical run of success with these significant military baseball-related artifacts from the Pacific Theater.

References:

 

 

A Propeller, Wings and a Baseball: A Diamond from Bolling Field

Brick walls. Dead ends. Regardless of the term one employs to describe fruitless research, the end result will always be disappointment.

A while ago, I located a fantastic jersey for a very reasonable price and despite the cursory research and due diligence not yielding specific results, I moved ahead with making a bid to purchase the artifact. What initially drew my attention to this jersey was that it was a departure from my norm in terms of the armed forces branches that were already represented within my collection (which, at the time, consisted of one Navy, two Army and three Marines baseball uniforms or jerseys).  In nearly ten years of actively searching for military baseball items, I hadn’t yet seen anything from the Army Air Forces (or Air Corps).

World War II or earlier) Bolling Field, US Army Air Force jersey. This uniform jersey is made of gray road) wool flannel with athletic felt lettering. The soutache is black rayon.

The online listing showed a rather simple, road gray wool flannel jersey with thin black soutache on the placket, around the collar and located about one inch from the edge of each sleeve. What sets this jersey apart from others is the the application of the lettering. Spelling out “BOLLING FIELD” are athletic felt, two color (gold over navy blue), large block characters. Each letter consists of a gold piece of felt centered over a larger one of blue felt with color-matched stitching that give a illusion of three-dimensional appearance. The careful placement of the “E” (in FIELD) ensured that the button hole alignment wouldn’t interfere with a tasteful alignment of the team name.

Though it is difficult to discern in this image, the base material has become brittle and is separating at the top of the propeller, leaving a break in the gray flannel.

On the left sleeve, a two-piece athletic felt (similar to the lettering) winged-propeller emblem, complete with accenting embroidery (adding feathers to the wing and a baseball at the center of the prop) denoting the Air Forces mission of the base. The back of the jersey is plain and without numerals. The style of the jersey and the overall design is representative of those from the early 1940s which coincides with the what the seller described as being a World War II baseball jersey.

Attempting to determine the age of the jersey or when it was made isn’t necessarily an easy task however there isn’t really anything substantive that can be used to pinpoint the age. The team name provides an era (1918-1948) when the base existed as an airfield (rather than an Air Force Base following the establishment of the U.S. Air Force). Bolling Field was established after the Defense Department’s property was divided between the army and the navy for each branch’s aviation operations in the Washington D.C. area. Named for Ranar C. Bolling, a colonel who, having been recently appointed (by General Pershing) as the chief of air service for II Corps when he was killed (on  March 26, 1918), during Operation Michael while he was scouting in the early days of the offensive. A thirty-year window of age possibilities hardly provided me with specificity so I had to look at the jersey’s other elements.

A commonality among the majority of the military jerseys that I have seen and certainly within my collection is the absence of manufacturer’s tags. Most of the uniforms and jerseys worn by service-member ball players have just a lone size tag. the Bolling jersey has a tag that until I acquired this jersey, I had not seen before.

This jersey was most-likely made by Wilson but sold through their wholesaler and retailer, Lowe and Campbell, as indicated by the tag. Also present in the collar are hand-written digits that could be the a portion of the airman’s laundry number.

If the jersey was made by Spalding or Goldsmith, the tag would be very useful in determining the age (see: Early Baseball Uniforms Manufacturer Tags Database: 1890 – 1942). These two manufacturers employed a measure of consistency (even as the logo changed, it did so in specific periods) over the course of manufacturing an immeasurable volume of baseball uniforms for professional and amateur teams. However, the manufacturer of the Bolling jersey, Lowe & Campbell, has a more murky history in terms of label usage and available, pinpoint-dated examples to draw comparisons. I was able to find a handful of L & C label examples but when attempting to use them as a basis for dating, there is considerable challenge, especially considering the company’s history.

Lowe and Campbell (L&C) was founded in Kansas City, Missouri in 1912 by George C. Lowe and Keedy Campbell during a period of massive growth in the sporting goods industry that was already being dominated by companies (Spalding, Rawlings and Wilson) that, today remain the leading manufacturers and suppliers of sports equipment. L&C’s early years in the industry found their principle customers in schools, colleges and universities and within the the realm of athletic teams sponsored by private industry. Throughout their first decade, the company experience growth, opening up offices throughout the Midwest but by the early 1930s, had become a target of one of the larger sporting goods giants who were seeking to rapidly expand into markets via acquisitions, as was the common practice, rather than expending effort and resources to develop into these areas. Wilson Sporting Goods entered into a merger agreement with L & C in 1931, but rather than to absorb the smaller company, Wilson positioned themselves as the wholesale supplier and retained their acquisition, L&C became a division of the giant as retailers of their products.

Maintaining this corporate alignment well into the next few decades, Wilson expanded the L&C offices into new markets and continued to produce products that carried the company’s logos. The catalogs throughout this era reveal that Lowe and Campbell expanded their product lines to include a greater variety of sport. As with the practices of many sporting goods retailers, their product offerings were predominantly manufactured by different sporting good companies with L&C adding their own tags and company markings. Even prior to the merger, Lowe and Campbell sold re-branded products supplied by manufacturers such as Hillerich and Bradsby, the makers of Louisville Slugger bats.

“After the merger the Lowe & Campbell brand of baseball bats disappear from the catalogs. Wilson baseball bats are added to the catalog by 1940, but they continue to sell Louisville Slugger bats, which dominate the catalogs. Wilson continued to manufacture baseball gloves under the private Branded Lowe & Campbell name. Because of the lack of catalog information it is not clear when Louisville Slugger began to make the Lowe & Campbell brand of baseball bats They do appear in the 1922 Lowe & Campbell catalog along side Louisville Slugger.” – KeyMan Collectibles

Following World War II, Wilson’s growth had continued as they acquired additional small sporting goods companies. Lowe and Campbell’s retail operation was eliminated as they were transformed into a wholesale operation their parent, Wilson functioning as both the manufacturer and wholesaler. The shift away from retail diminished the L&C brand and by 1960, Wilson eliminated it all together, shuttering the division and even closing down the Kansas City facility where Lowe and Campbell began.

Today, the remnants of the sporting goods brand exist via collectors who preserve the artifacts that produced and sold by Lowe and Campbell. However, a re-birth of the L&C brand is in process and the owner, Thomas Martin, whom acquired the brand, shared with me (via the company’s Facebook page) that Lowe and Campbell‘s 2018 fall launch will be headlined with American manufactured sports apparel.

Attempting to chronologically trace the progression of the company’s label history seems to be a futile attempt, especially in determining the of date the Bolling Field jersey. I found various (dates known) L&C branded garments and checked the labels in an effort to piece together a timeline and was unsuccessful at narrowing down transitional patterns.

 

Desiring to tap into the expertise of the new owner of the Lowe and Campbell brand, I asked Thomas Martin about the logos and tags, sharing some of the samples (shown above) in an effort to gain some insight. “No one,” Martin stated, “kept historical dated records of the brand,” but, in his experience with the vintage garments themselves, is able to determine the age, having seen countless products that were made and sold by Lowe and Campbell during the company’s first incarnation. Mr. Martin’s assessment of the label in the Bolling jersey was that it dated from the 1930s, “L&C only used  two logos,” Martin wrote, “the one you have was used in the 30’s.” Martin discussed the logo change as a result of being acquired (in 1931 by Wilson). Garments made by the company in the 1940s began to receive a new logo (see the two bottom-right examples, above) on their tags.

My next research step will be to search through newspaper archives from WWII in the Washington D.C. area seeking any box scores or news articles regarding the Bolling Field team’s game-play. My hope is that the Army Air Force public relations personnel was as open in terms of publicizing the competitiveness of their base team. In my estimation, this team had to have competed against other service teams within the region including the Norfolk Naval Training Station and Norfolk Naval Air Station teams. The only baseball-specific lead (with a possible connection) that I have discovered regarding Bolling centers on Hank Greenberg.

In Hank Greenberg: The Hero of Heroes, author John Rosengren states, “A friend of Hank’s, Sam Edelman, wrote on his behalf to have Hank promoted to the rank of captain and assigned as an athletic director in the Air Corps (sic) at Bolling Field. Two brigadier generals carried the request to the War Department, lobbying for the educational qualifications (for an officer’s commission) to be waived for Greenberg. The Adjutant General denied the request on the grounds that it was ‘contrary to the policies of the Secretary of War.'” No mention is made (within the book) regarding Sergeant Greenberg’s ball-playing at Bolling Field. However, according to Rosengren, Greenberg would eventually be assigned as a director of the physical training program at MacDill Field in Tampa, Florida and would subsequently be assigned to the Orlando Air Base baseball team for an exhibition game against the Washington Senators at Tinker Field. I would love to discover anything that would connect such a legend to the Bolling team.

A recurring statement often read on Chevrons and Diamonds is that further research and time are required to break through the mystery, pushing beyond the dead-ends and brick walls that I have reached with my efforts up to this point.

Resources:

Lowe and Campbell vintage sports uniform examples:

 

Theresa Dischler and her WAAC baseball team at Bolling Field in Washington, D.C. Dischler is in the back row, second from the left image source: Wisconsin Veterans Museum).

(Postscript: Sometimes, my research uncovers fascinating facts that while contextual with my interests, further energy would take me into a different direction. What I discovered appears to be the only piece of Bolling Field baseball history that is available online. This fantastic snippet regarding a Women’s Army Auxilliary Corps veteran, Sergeant Theresa M. Dischler, who also played for the WAAC baseball team at the air field during her time in the service of her country.

U.S. Marines Baseball for Kiwis and Aussies During WWII

As much as I enjoy Ken Burns’ 1994 Baseball documentary series, I continue to discover errors or flaws with the research and production of the material that was presented in the nine-part series. I haven’t viewed all nine episodes (11 if including the 2007-release, two-episode revisit titled The Tenth Inning) consecutively in years and now find myself watching specific segments on their own. Last night, I watched the sixth segment (6th Inning – The National Pastime) that specifically covered the decade of the 1940s including World War II.

In the early 1990s, a resurgence in the baseball memorabilia hobby was in full swing, perhaps fueled by the Baby Boomer generation waxing nostalgic following the releases of books and films such as Eight Men Out (the the 1988 film based upon Eliot Asinof’s 1963 book), Field of Dreams (the 1989 film based upon W.P. Kinsella’s 1982 book), Major League (1989) and A League of Their Own (1992). Men of my father’s generation began seeking their baseball cards that might possibly be stored in their aging parents’ attics and closets after being tucked away for three to four decades. Collector card shops began popping up in neighborhoods across the country and retired ballplayers began to realize that there was money to be made in the new sports memorabilia autograph industry. The Ken Burns series followed the success of the films, spotlighting much of what was already well-known (if not forgotten) about the game while interspersing facts and detail that even the most ardent fans and historians of the game never knew (this is production method that Ken Burns audience is now very familiar with).

As I watched the 6th episode spotlighting the 1940s, Burns’ narrator commenced with the list of baseball notables who passed in the previous decade along with those were were beginning to emerge towards its end. As the series is predominantly focused upon the three New York teams (the Yankees, Dodgers and Giants) and a few ancillary East coast clubs (the Red Sox and Braves of Boston), the 1940s episode commences with Joe DiMaggio’s and Ted Williams’ incredible record-setting 1941 seasons where the former had a 56-game hitting streak and the latter finished the year batting .406 (the last batter to hit for .400 or better for a season). The conclusion of the 1941 year was dotted with the Brooklyn Dodgers breaking away from their two-decades-plus of futility to face the Yankees in the World Series (the Dodgers would lose, four games to one). Then, as abruptly as Japan’s sneak attack was perpetrated upon Pearl Harbor, Burns  switched gears to mention the players who left their careers behind to serve. The impression the producers leave with the viewers is that the game continued despite four players leaving the game (Bob Feller, Joe DiMaggio, Ted Williams and Hank Greenberg) with a mere footnote about other players heading off to war.

One can only assume that Burns was caught up in the success of director Penny Marshall’s film about the All American Girls Professional Baseball League (AAGPBL) and the fantastic story-telling (an excellent script and acting) cinematography and costumes as it grossed more than $132-million against a $40-million budget. The film received two Gold Globe nominations (Best Performance by an Actress in a Motion Picture – Comedy or Musical for lead actress, Geena Davis and Best Original Song – Motion Picture for Madonna and Shep Pettibone) but didn’t win.  Ken Burns’ focus during WWII was predominantly focused on the AAGPBL with an additional few minutes touching upon the social issues surrounding the injustice of the segregated game for returning veterans who fought against racial-tyranny only to face it at home within the game of baseball (and throughout their home nation).  Both of these subject absolutely belonged in the series but the absence of the game being played for and by service members was a massive hole in Burns’ series.

Perhaps the omission of baseball played by service teams (comprised of major and minor league and semi-professional players) isn’t noteworthy enough or maybe Ken Burns’ research wasn’t thorough enough to uncover details surrounding the games that were played for the purpose of entertaining war-weary troops? The reason for the neglect might simply have been the need to limit the scope and length of the series and cutting coverage of military service and games was simply due to his production team’s perception of the target audience and their anticipated lack of interest surrounding this content.

Giving credit where it is due, Burns’ series (in my opinion) did spur legions of researchers and writers to pursue a wide array of baseball-related subjects as the public consciousness was consumed by the nostalgia surround the game. Admittedly, even my own interests were piqued in that same time-frame, although much of it coincided with my first visit to the Baseball Hall of Fame in Cooperstown, NY in 1991. It was during that visit as I soaked-in every object, artifact and photograph that I began to be aware of the the wartime baseball games. Seeing an image of Joe DiMaggio wearing his dark green and white 7th AAF uniform left a lasting impression though I didn’t begin to delve into the military game until 20 years later when I acquired a wartime U. S. Marines baseball uniform.

Besides the artifacts from the game, collecting vintage photographs is one of my favorite aspects of this interest (it is more than a hobby for me). A few years ago, I discovered a listing of three small photographs, each of which were inscribed with hand-written notes (or captions) on the reverse, presumably from the veteran who either snapped the images or simply maintained them in is scrapbook. Taking the inscriptions at face-value, I assumed that the photos were taken in and around a game that might have been played by 1st Marine Division personnel during their R&R following the very trying Guadalcanal Campaign. A few years after I acquired the photos, I shared them in a militaria forum after viewing another collector’s post that contained similar baseball images (with very similar, if not the same, backgrounds). The veteran (presumably Bob Ryan) looked to be playing first base and in the two action images, show the player with his back to the photographer.

 

 

Paying particular attention to the crowd lining the perimeter and the visible structures, I noticed similarities within the other collector’s photographs (his collection focused on Darrell Heath, a semi-pro baseball player who enlisted into the USMC in January of 1942 who would participate and be wounded in the Tarawa landings), especially an image of the player posing in front of a building that was clearly visible in one of my photographs.

“(left to right) Bob Richards, pitcher; Jim Bryant, catcher, Bob Ryan – South Pacific, 1943.”

In the image above, not the  unique feature of the building in the upper-left corner of the background. The same structure along with the white picket fences can also be seen in the other collector’s photograph below:

In this image of former semi-pro ball player, Darrell Heath, the building that is visible in the background is the same as the one that can be seen in my photo of the posed USMC players (image source: US Militaria Forum).

In researching this Wellington game, I have discovered that either there were two games played (one in January and the other in March of 1943) or simply conflicting recollections. In addition, there are multiple discrepancies in the reported attendance figures. One source (Bob Ryan) cites an estimate of 15,000 New Zealanders while a news archive states 20,000 were present. Lastly, Darrell Heath’s biography on the Baseball in Wartime site along with a wartime newsreel both state that there were more than 25,000 people watching the game (on March 5, 1943 – which is a Friday). In the newsreel footage below, the narrator mentions the game being played on a Sunday afternoon:

 

Read the full text of the 1 February 1943 Evening Post article regarding the Marines baseball game.

According to an article published on page 6 in the February 1, 1943 edition of the (now defunct) local Wellington newspaper, The Evening Post, the game was played on Sunday, January 31, 1943 before 20,000 spectators at a rugby and soccer stadium, Wellington’s Athletic Park. The purpose of the game was multi-faceted with fund-raising as the central function. The game was played between two different squads of Marine ball players, dubbed the American and National Leagues and resulted in a 13-0 shutout of the former by the latter.

While the game was certainly historic, I am still left scratching my head in attempting to determine if my photos (along with the Heath images) are truly from the Wellington game. In watching the newsreel clip several times, I was unable to locate any perspectives of the game that aligns with the what is visible in the still photographs. It is possible that the stills were snapped during practices leading up to the game and with the crowds lining the field (specifically in my images), it could be due to the considerable New Zealander-curiosity surrounding this game.

However, I am inclined to give more credence to what the veteran (Bob Ryan) wrote on the back of his photographs, stating that the game (shown in his images) was played in Australia. In my continuing research, I am focusing locating anything that could shed light baseball games being played in Melbourne following the arrival of the 1st Marine Division.

Documented in the book, MELBOURNE’S MARINES | The First Division at the MCG | 1943, a single reference is made to a game that was to be played on March 13, 1943:

“Activities designed to promote better Australian-American relations preceded the MCG party. On radio station 3AR, American performers and ABC artists were featured in a series of broadcasts entitled ‘Hi’ya Digger’. On Saturday March 13, a gymkhana (a meet featuring sports contests or athletic skills) arranged by US forces was held at Mornington oval (at the Melbourne Cricket Ground), with a baseball match starting proceedings at 10 a.m.”

The photos of the Melbourne Cricket Ground (MCG), the temporary home of the 1st Marine Division, still do not show any familiar visual references to what is visible in my photographs. However, the reference to the “Mornington oval” suggests that the Marines baseball game was played on a cricket oval on the Mornington Peninsula (which is located nearly 70 kilometers away from MCG. As of yet, I have not been able to find any period images of the Mornington oval, the existence of which, could help determine the actual location in my images.

Further research is clearly required and hopefully, in time, I will be able to validate these photos and, perhaps shed light on yet another service game that was overlooked by Ken Burns and his fantastic baseball series.

Is My WWII Baseball Real?

So many of my articles and much of my artifact-seeking has been focused upon uniforms and photographs yet, the principle object of the sport that I am keenly interested in, the ball itself, has all but eluded my pursuit since I entered into this endeavor nearly a decade ago. The first breakthrough in my searching for authentic baseballs came at the beginning of this year with my successful acquisition of the team-signed 36th Field Artillery baseball from 1956 and still my archive of artifacts would be well-suited if it included a few more leather-clad, stitched orbs.

This is a prime example of a game-used Professional Base Ball Fund ball, made by the Rawlings Sporting Goods Company (image source: Vintage Sports Shoppe).

Roughly nine-inches in circumference and weighing roughly five ounces, baseballs have been been consistent in their size for more than a century. Until 1974, the animal skin covering of most balls (including those used by both major leagues) consisted of horsehide when the change to cowhide was made. With the exception of wartime military issued (italics for emphasis as baseballs were not government-provided) balls used by service members in league play or pick-up games could vary widely in their origins. Though I have not been able to verify alternative sources, balls (along with other equipment such as gloves, bats, catchers’ gear and uniforms) used by service members were sourced through many different means. Aside from the Baseball Fund during both world wars, balls could be obtained directly from sporting goods stores, government procurement or sent to the players from family members on the homefront.

The Professional Baseball Fund ball is marked with Rawlings’ standard logo for the war years (image source: Vintage Sports Shoppe).

The balls that were provided during WWII via the Baseball Equipment Fund ( commencing with fund-raising via the 1942 season’s Major League All-Star Game held at New York’s Polo Grounds) were manufactured by the  Rawlings Sporting Goods Company and marked accordingly with the manufacturer’s standard stampings along with the unique and easily recognizable Baseball Fund stamps. Unsurprisingly with game usage, the stamps would be diminished as they were rubbed off from continued contact with glove-leather, bat-impact along with striking and skidding across various types of field surfaces. Locating a ball with the markings intact is not unheard of however I have only ever seen one listing of a ball that had been sold.

I am certain that many prospective collectors of military baseballs are seeking (but are unfortunately not available) irrefutable methods to authenticate and validate a ball that has been listed for sale as or is purported to be a service team or military-used piece. Due to the many sources that provided baseballs (including official Reach/Spalding-made American and National League balls) to military personnel, authentication can be a considerable challenge with a ball that lacks identifiable markings or that is without substantiated provenance from the service-member whopreviously owned the ball.

Staff members look over equipment for use by marines in the South Pacific. In the crate are dozens of baseballs, which under close inspection, one can see the markings on the balls. There is not a single ball has the “U.S.” stamp as seen within this crate of balls.

Throughout my years studying this subject and these artifacts along with collaboration with long-time experts in vintage baseballs (including major and minor leagues, collegiate, little leagues and balls sold through various sporting goods and department stores).  There are no doubts as to one particular method of ruling out balls that are being sold as genuine military-used item. No evidence exists (documented, photographic or veteran recollection) that substantiates any baseballs being stamped with bold “U.S.” or “Special Services” markings. Sadly, despite the best efforts of several experts, the fraudulent sales are rampant and thriving in spaces such as eBay. Since I published These eBay Pitch-men are Tossing Spitballs at Unsuspecting Collectors and the update, more than two-dozen new victims have purchased from the most-prominent online fraudster, “giscootterjoe” to the tune of more than $1,000.00. There are a handful of other folks who sell the faked U.S.-marked balls, capitalizing on giscotterjoe’s cottage industry but he is consistent in his listings, following the same, weekly pattern.

Authentication of these baseballs doesn’t require decades of research and comparative analysis to get a sense (even through photographs) of its authenticity. If one played baseball, recalling the damage that is inflicted upon a ball from being batted, bouncing off certain field surfaces (who can forget the scarring balls receive from sandlot gravel or even pavement?), then applying those memories to supposed game-used balls should provide prospective buyers with a strong authentication starting point. Soiling, field stains and bat-marks are random on genuine baseballs. With careful examination, one should be able to see remnants of the manufacturer’s stamps, despite the game use.

As with my recent acquisition, autographed baseballs will require additional scrutinizing. The signatures of soldiers, sailors or airmen are nearly impossible to verify as comparative examples typically do not exist. Researching the names against unit rosters (from the National Archives, unit or base museums or even unit historical publications such as ship cruise-books) which could take time. Common sense tells me that highly unlikely for a fraudster to create a specific unit baseball (such as the  “Rammers”  ball team of the 36th Field Artillery from 1956) with signatures.

Further examination of the signatures to determine if the age of the ink fits the purported date of the ball (60 years of oxidation, ultraviolet deterioration will fade the ink) requires very little expertise and with my ball, the aging appears appropriate. By 1956 the Professional Baseball Fund was eleven years in the past leaving armed forces teams to source their baseballs through normal channels. Though the 36th team-signed ball is a Wilson Official League ball, the model number indicates that it was made for use in little leagues but the stamps verify that it was made in the early-to-mid 1950s. Judging by the stains on all of the panels, the ball doesn’t appear to have been game-used. At most the ball might have made impact contact with gloves but I suspect that the soiling is due to handling.

In last week’s post, I indicated that I landed my second military baseball (a military-team signed 1943 Spalding, Ford C. Fricke National League ball) which is the subject of a forth-coming article. With two balls added to my collection in the last few months, I am only inspired to continue my quest to land at least one of the Baseball Fund-marked balls from the second World War.

 

 

 

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