Category Archives: Baseball Glove and Mitts

Tools of the Trade: Wartime Equipment used by (Former) Professional Ballplayers

Chevrons and Diamonds was founded with the principal purpose to inform and educate readers who are interested in the rich history surrounding the game of baseball and its intertwined history with the armed forces of the United States. Incorporating artifacts such as uniforms, photographs, ephemera and game equipment, we research every possible angle and aspect of a piece in an attempt to share details about players, teams, units or anything that can illustrate and demonstrate each item’s associated history. With many of our readers sharing our interest in collecting baseball militaria artifacts, we end up fielding a fair volume of questions surrounding authenticity, valuation or preservation.

One of the most common areas that readers ask questions about concerns baseball equipment used by troops during World War II. Discovering a common baseball glove or mitt with additional markings such as “U.S.” or “U.S. Army Special Services” at a flea market, estate or garage sale tends to create a bit of a stir for the baseball militaria collector but can leave most other people wondering what they are seeing. Many assumptions are made by both novice and expert alike surrounding the markings as to their purpose and what they may indicate. Perhaps the most common understanding is that all equipment disseminated to each branch bears such markings.

Baseball equipment used by members of the armed forces was not issued to them in the same way that military equipment was provided. Troops were issued uniforms and personal gear along with the appropriate tools that were needed to perform their duties (including weapons and ammunition). These materials were purchased through war department appropriations contracts with dedicated funds allocated through Congress. Every piece of equipment was accounted for through accounting and inventory operational procedures. Though sports equipment was managed through the war and branch departments followed supply department practices, the way that a glove reached a soldier, airman, sailor or marine was far different.

Sports and recreational equipment was not purchased using funds appropriated by Congress (taxes and war bonds). Recognizing the need for troops to maintain physical fitness, athletic agility, hand-eye coordination and dexterity as well as providing for respite from the rigors of combat and operational monotony, baseball men such as Clark Griffith (owner of the Washington Senators) took action to begin raising funds for the purpose of providing baseball equipment for the troops (see: Ted Williams: BATtered, Abused and Loved). Besides Griffith’s efforts, major and minor league club owners donated equipment and uniforms, both newly purchased and used, to the troops. Manufacturers such as Rawlings, GoldSmith MacGregor, Hillerich and Bradsby, Wilson and Spalding all got into the game and donated to the cause. Hollywood stepped up to the plate and contributed as they participated in actor and comedian Joe E. Brown’s tremendous fund-raising efforts (see: Service All-Stars Raising Funds on the Diamond for their Comrades in the Trenches).

While absent stamped marks from the armed forces, these four hand-written characters stood out, leading me to pursue the glove for my collection.

Ultimately, millions of gloves, bats, balls and bases as well as catchers’ and umpires’ protective kits were acquired and distributed throughout the domestic and combat theaters. Our educated opinion is that, despite the abundance of military-marked sports equipment, only a small percentage of the bats, balls, gloves and protective gear was actually marked before being distributed to the troops. With two examples of non-military-marked gloves in the Chevrons and Diamonds Collection that bear personalization from their wartime owners (see: Catching Corpsman: The Search for a Ball-Playing WWII Pharmacist’s Mate and An Intercontinental Wartime Veteran – S/SGT “Chick” McRoberts’ Rawlings “Bill Doak” Model Glove), it is a safe conclusion that much of the wartime-manufactured equipment could have been used by service personnel despite the absence of military stamps.

For baseball collectors, game-used uniforms and equipment have significant meaning. Owning a jersey worn by a famous major leaguer provides a connection to that player and to his on-field exploits. Holding a bat that was used to hit notable home runs or the glove that caught the game-ending out of a historical game is the ultimate for baseball memorabilia collectors. For baseball militaria collectors, this principal holds true; however, provenance is far less attainable for a number of reasons. Regardless of the player’s stature as a professional, service in the armed forces is the great equalizer. A private, whether he is Joe DiMaggio or Joe Smith, is still a private. Their uniforms, bats and gloves were not provided to them through their professional channels that they were accustomed to with endorsement contracts. Once a professional player enlisted or was drafted, his contracts with glove and bat companies ceased. Bats used by players were acquired through the same channels for all men and women who were serving with an exception. In 1943, Zeke Bonura requested a shipment of his signature bats to share with players in his North African baseball leagues. See World Series Champions on Two Continents: the 1943 Yankees).

Unless a player brought his equipment home with him (like S/SGT McRoberts or PhM 2/c Gerald Benninghoff) after his service during the war and provenance is attached to the item by that player, proof of personal attribution is nearly impossible on military-used equipment.

Bats and gloves sold to the general public typically bear player endorsements and stamped signatures with the idea that an amateur or youth player would want to use the equipment of his/her on-field heroes. These same “store-model” bats and gloves were the commonly-used consumer examples that were also purchased or donated for service personnel to use. Until we acquired proof, we could only assume that this same equipment was used by the game’s top (former) professionals while playing on wartime service teams.

Ted Williams, of Oahu’s “Marine Flyers” poses next to his former “Red Sox” and “Cloudbusters” teammate, Johnny Pesky of the NAS Honolulu “Crossroaders” (Chevrons and Diamonds collection).

A few weeks ago, we acquired a type-1 press photo showing Ted Williams (in his Marine Flyers flannels) kneeling next to his former Red Sox and Cloudbusters teammate, Johnny Pesky, (clad in his Naval Air Station Honolulu Crossroaders flannels) at Pearl Harbor’s Furlong Field in 1945. Close examination of the photograph’s details on the bat held by Pesky provided confirmation of our assertions surrounding professionals and the fund-supplied equipment. The bat held by Pesky bears the signature stamp of George “Babe” Ruth with “U.S.N.” stamped directly above the “autograph.” The Hillerich and Bradsby center brand featured the markings that confirm the bat is not a professional model. Rather than the typical “125” placed at the upper center inside the oval (directly above the “Hillerich & Bradsby Co.” word mark that stretches across the oval’s center), Pesky’s bat is clearly stamped with “125BRS” (perhaps indicating “Babe Ruth Special?”), the mark of a consumer bat.

One photo does not prove that all equipment used by wartime active duty major and minor leaguers was fund-purchased but it certainly supports our assertion. Logic would also dictate that actively serving baseball players would be hard pressed to travel between duty assignments bogged down with unnecessary sports equipment in addition to their duffle bags, seabags and flight bags filled with their full complement of uniforms and personal gear. Additional proof along the lines of the Williams and Pesky photo would certainly lend credence to our theory.

As the Chevrons and Diamonds vintage photo archive continues to grow, each image is scanned at the highest possible resolution and corrected to ensure that we have the best possible digital copy preserved for subsequent use in our articles and other related projects. All of our images are heavily scrutinized for details that can help to tell the story of the game or provide useful evidence in support of (or dispel) theories regarding military baseball. A new acquisition arrived in the past day that provided additional support to this idea surrounding professionals and fund-supplied equipment.

Gene Woodling wearing his Navy flannels takes a knee. This photo was heavily modified by a newspaper photo editor requiring heavy-handed correction when added to our collection. Note Woodling’s U.S.N. stamped glove (Chevrons and Diamonds collection).

Twenty-year-old Cleveland Indians rookie Gene Woodling enlisted into the United States Navy following the conclusion of the 1943 baseball season. With just eight games of major league experience (plus four seasons and 462 games in the minor leagues), Woodling was tapped by the Great Lakes Naval Training Station Bluejackets’ manager, Mickey Cochrane, (following the completion of his boot camp training) to play centerfield for the team during the 1944 season (batting .342 for the year). Following his Great Lakes tenure, Woodling was transferred to Pearl Harbor and would play on the Navy’s All-Star team in the Service World Series, facing the Army’s All-Star lineup. Our newly acquired photo shows Woodling kneeling in his two-color, pinstriped Navy flannels  with his left hand inserted into what appears to be a GoldSmith MacGregor “DW” Model Elmer Riddle signature glove (see: A War Veteran Who Never Served). The wrist strap is clearly marked with the familiar “U.S.N.” stamp.

The glove on Woodling’s hand appears to be a GoldSmith MacGregor “DW” Elmer Riddle model. Clearly marked on the wrist strap is the Navy’s “U.S.N.” (Chevrons and Diamonds Collection).

With these two examples showing major league professionals with fund-appropriated equipment, our assertion seems to be supported by the visual evidence within each photograph. Collectors may still acquire period-correct equipment for their collections with certain confidence of wartime use despite the lack of military markings. However, gloves and bats bearing branch markings add so much more to a collection and make for fitting accompaniments for both militaria and baseball displays alike.

 

Related Chevrons and Diamonds Articles:

 

75 Years Later, WWII Navy Baseball is Still Giving

The quest for baseball militaria quite often results in being outbid, a day late for a great deal or finding an artifact in a condition of utter disrepair and doesn’t warrant being added to a collection but would be better served with an unceremonious disposal. Finding a wool flannel jersey riddled with holes and decay from years of improper storage and being feasted upon by moths and silverfish is not a find at all. Locating a rare and vintage bat that has been used as gardening implement rather than properly stored should cause even the most carefree collector to pause. Some of these treasures are sadly too far gone to be kept and, in some cases (such as with a pest-infested and heavily damaged jersey), they need to be discarded.

This USN-marked ELmer Riddle DW Model glove was in rough shape when we acquired it.

The Chevrons and Diamonds Collection is populated by many artifacts, some of which are in conditions that would have been avoided by memorabilia hobbyists and museum curators. One of the more challenging artifacts (in terms of preservation and stabilization efforts) was a wartime GoldSmith Elmer Riddle “DW” model glove that was marked with “U.S.N.” that was heavily damaged from water. The horsehide on the glove was rife with dry-rot, mold and extensive cracking and so malodorous that it required storage in a resealable bag. Despite the glove’s state, we were able to preserve what remained and save it from complete destruction. We question the expended effort to save the DW glove (documented in our story: A War Veteran Who Never Served) and have come to the conclusion that there are alternative solutions for heavily deteriorated artifacts.

In the last year, this site has been the beneficiary of a plethora or historical data, research and anecdotes from a baseball historian who, through his efforts and his books, shined a spotlight on Navy wartime baseball and established a foundation upon which all other military baseball historians have built upon. My first contact with Harrington E. “Kit” Crissey, Jr. followed a social media group posting that was a request for assistance in identifying three faces in a group of four World War II-era vintage snapshots that featured four Navy baseball players. A colleague in that group suggested that I reach out to Mr. Crissey and provided me with his contact information. In addition to Kit’s quick response to my inquiry, the ensuing email correspondence regarding his experiences, interviews and even friendships that he held with many of the major and minor leaguers (who donned Navy flannels during the War) was truly eye-opening. After the Chevrons and Diamonds article, Matching Faces to Names: Identifying Four 1945 Navy All-Stars was published, a friendship developed. In addition to our enlightening conversations and research collaboration on countless projects, Kit’s generosity in sharing precious and rare artifacts has opened the doors into so many areas of research and advanced our efforts (seemingly) by light-years.

This group of snapshots were part of a WWII Navy veteran’s collection and was the vehicle that led to establishing a friendship with Harrington E. “Kit” Crissey.

Crissey, aside from being a wealth of knowledge and research resources, has been a source of encouragement in this endeavor. To be able to respond in kind and enlighten our readers (including Mr. Crissey) in other aspects of wartime baseball; particularly in the area of baseball militaria artifacts. The delightful conversation that followed the publication of Vintage Leather: Catching a Rawlings Mickey Owen Signature Mitt (with Kit) set the idea-gears into motion.

Droke matched the 7th’s insignia onto one of our Ferris Fain glove-baseball’s panels – shown here with the 7th AAF patch and the same Fain model glove.

As we approach the anniversary of that initial contact, it seemed fitting that a very tangible gift that is representative of this game and the incredible history that is mutually appreciated between us, would be fitting to send to Kit. During a phone conversation with Kit regarding our vintage wartime Mickey Owen catcher’s mitt and how his interest was piqued, he described the feeling of donning a vintage catcher’s mitt and how different they feel from their contemporary counterparts used in today’s game. The sheer weight of the mitt, the stiffness of the extensive padding and thick leather covering leaves one wondering how a catcher can securely close his hand around a pitched ball as it makes contact. A smile was discernible in his voice as Kit talked about the feel of a vintage catcher’s mitt.

Representative of what was made by Civil War soldiers (on both sides) and used between marches and battles. This ball (and the Confederate-wrapped box) were made by Don Droke in early 2018 (image source: Pam Henderson).

I glanced at my 7th Army Air Forces baseball that was handcrafted for me from leather salvaged from a deteriorated early 1950s Ferris Fain “Trapper” first baseman’s mitt and knew that I wanted to bring to a confluence three concepts; the feel of a vintage mitt, the tactile nature of holding a baseball and wartime Navy baseball history. Without hesitation, my mind set upon the artful hands of another baseball and military historian and craftsman, Mr. Don Droke of East Tennessee in hopes that he could draw upon his skills and experience to undertake this project. Taking hold of the Ferris Fain/7th Army Air Forces baseball, I began to search my mind for illustrations that would best embody the Navy game during WWII.

One of Don Droke’s earliest baseballs made from glove-sourced leather from a Mickey Mantle model glove (image source: Don Droke).

Since February of 2018, Don “the Drokester” Droke has been transforming tattered, worn, decayed and generally un-salvageable baseball gloves and mitts into treasured heirlooms. Leather and horsehide that used to absorb the energy and impact of a fast-moving orb is carefully removed, cut, trimmed and stitched over an old and de-skinned baseball. In nearly two years, Don has created several dozen unique baseballs from gloves bearing the stamped or tooled signatures or caricatures of legendary players, extracting their stamped signatures or embellishing the hide with enhancements to further honor and represent a player or significant accomplishment, depending upon what the artist or the customer commissions.

Droke is an historian with a passion for sharing living historical portrayals through reenacting, story-telling and artifacts, the baseball-making was born from his love of the game while serving as a Civil War Reenactor. Some of Don’s earliest hand-made baseballs were replications of those made by troops (on both sides of the conflict) in the early 1860s. Civil War baseballs were hand-made with available materials such as canvas or leather from an old boot and, aside from being orbital in shape and bearing stitching, hardly represent what we see on today’s diamonds.

“Though the process of making the baseballs can be tedious, and takes some finesse, Droke is able to complete a new ball in about six to eight hours — granted, he does so while enjoying Cincinnati Reds games, as sitting down and making ball after ball would ‘suck the fun out of it.'” – Piney Flats man has unique way of repurposing old baseball gloves – Johnson City Press (Tennessee) | Jonathan Roberts • AUG 4, 2019

Despite the heavy wear and cracking from dry-rot, this Wartime Spalding “Marvel” Model 102 stamp is still discernible (source: eBay Image).

For this project, Don started with a well-worn Spalding “Marvel” model 102 catcher’s mitt that was used by naval personnel during WWII as indicated by the “U.S.N.” stamp on the heel. Had the condition been better, this model of catcher’s mitt is truly worth preserving however, the water damage and wear on this particular example was extensive leaving it un-salvageable. According to Droke, the mitt’s condition did not leave much usable leather for making a ball due to the considerable dry rot and cracking and might have to supplement the project with hid from another sacrificed glove.

Once the glove was dismantled, Don located the primary areas on the glove that would surround the outer windings of the baseball, paying particular attention to the features that would tie into the project’s theme. Rather than attempting to match the two-piece, inter-locking shapes, each of Don Droke’s hand crafted baseballs feature panels that are cut to emphasize a feature extracted from the glove which results in unique stitching patters that are reminiscent of the field-made Civil War-used baseballs. Don isolated the “U.S.N.” stamp from the mitt’s heel area cutting out a circular shape and laying it in place on the donor baseball’s outer windings. Each subsequent piece was cut from the glove and trimmed to fit in concert with the adjacent pieces, much like fitting together a three-dimensional spherical puzzle.

Depending upon the project’s specifications, Don can spend several hours each day for three to four days which, besides cutting and assembling the baseball but also pre-conditioning the leather (as was done with this mitt) and thinning the hide (with a Dremmel tool) to ensure consistent material thickness. A more recent enhancement to Droke’s glove baseballs is the application of hand-tooled designs (such as team logos, player illustrations or player-statistics) which this particular project included.

This stamp was the primary material objective. Don shows how the wartime “U.S.N.” stamp-panel fits on the donor baseball (image source: Don Droke).

Note and sketches show how Don Droke was preparing for tooling the artwork directly into the re-purposed mitt leather (image source: Don Droke).

Don’s artistic creativity was brought to bear on this Navy-themed ball with the addition of the 1942 Norfolk Naval Training Station Bluejackets team jersey applique (an “N” for Norfolk with “N” “T” “S” superimposed), the Great Lakes Naval Training Station Bluejackets jersey script applique and an anchor design with N T S across the shank. Also added to the ball was the outcome of the 1944 Army versus Navy World Series held in the Hawaiian Islands (the Navy won with a record of eight wins against two losses and a tie).

The panels are coming together for fitting ahead of the final step, stitching the ball together (image source: Don Droke).

Over the course of four days, Don spent time meticulously cutting and fitting 75-year-old, heavily weathered and damaged leather to create both an aesthetically pleasing baseball but also to accommodate specific illustrations and the “U.S.N” stamp, fitting them all together. Each illustration was selected from vintage photographs of baseball uniform jersey and jacket emblems in order to capture the impact made by professional ballplayers who, like millions of Americans, left the comforts of their pre-war life behind in order to restore peace to the globe. Navy wartime baseball played a significant role in lifting morale and providing much needed sports equipment such as bats, balls, gloves and mitts (including the Spalding mitt used for this project) to troops in all combat theaters and at domestic bases.

After Don pulled and tied off the last stitches, he snapped a few quick photos of the finished baseball and then it sunk in that we would not be seeing or holding this treasure before it arrives to Kit Crissey’s door. Watching this project; the transformation from something that would otherwise have been discarded being made into a subtle, yet beautiful piece of folk art is satisfying.

Stitching is complete. The illustrations are beautifully framed by the ball’s stitching and are finished off by a hand-rubbed polish that makes the 75-year-old mitt leather truly shine (image source: Don Droke).

While it may seem counter-intuitive for this article’s featured image to be placed at the very end of the story, however we were truly saving the best part for last. The final punctuation for this story is to hear the reaction of this treasure’s recipient, Mr. Crissey.

During the making of our Navy Baseball, Don Droke was also tending to his cattle during a severe cold snap that struck East Tennessee. Despite his efforts in , this ailing little calf perished (image source: Don Droke).

Commission a Ball
For our readers who would like to commission their own baseball from Don “The Drokester” Droke, be prepared to provide your own glove or mitt and to pay his very reasonable fee and get in line behind Don’s customers. Feel free to contact Don via email (theglovester2000@yahoo.com) or visit his page on Facebook, but please be patient in awaiting his response. Between Mr. Droke’s family, his career, farm, Civil War re-enacting, vintage baseball glove collecting, baseball-making or taking in a minor league game or just relaxing at home, watching his beloved Cincinnati Reds, Don will return your email and quite possibly converse with you about his favorite things in life as he takes note of your baseball project.

Resources and Recommended Reading:

  • Teenagers, Greybeards and 4-Fs: Vol. 1; The National League – 1981, Harrington E. “Kit” Crissey, Jr.
  • Teenagers, Greybeards and 4-Fs: 2; The American League – 1982, Harrington E. “Kit” Crissey, Jr.
  • Athletes Away: A selective look at professional baseball players in the Navy during World War II – 1984, Harrington E. “Kit” Crissey, Jr.

Vintage Leather: Catching a Rawlings Mickey Owen Signature Mitt

As the National Football League wound down the 2019 season with the final regular season contest at Seattle’s Century League Field on Sunday, December 29, the common description of the sport, that it is “a game of inches,” was on full display in the final play as the Seahawks tight end Jacob Hollister was tackled just shy of scoring the game-winning touchdown (the San Francisco 49ers captured the division title). Actor and Director Billy Crystal described his earliest memory of passing through Yankee Stadium’s grandstand tunnel during a pre-game batting practice for an early 1950s game. In his recollection, Crystal’s memory was relatable as he recounted inhaling such scents including the diamond’s freshly cut grass evoking some of my earliest ballpark memories.

As my age advances and the physical impacts resulting from the hazards of military service continue to emerge as greater challenges for me, I am becoming acutely aware of the changes. Of the many residual effects that I contend with is substantial hearing loss and its continual degradation which is emphasized when I attend a baseball game but I can still enjoy the fantastic sound of the crack of the bat when a hitter gets a solid connecting with a pitch.  One of the most unmistakable sounds from the game is the “thump” of a fastball striking the catcher’s mitt, indicating to all within earshot the sort of pitcher occupying the mound. As each hard-thrown pitch lands into the mitt, the distinctive sound is unmistakable.

When I played baseball, the last position that I wanted to play was behind the dish. The idea of donning the protective gear and spending the game crouched down behind the batters while attempting to put a glove onto the incoming pitches (to prevent them from skipping to the backstop, especially when there are runners on base), didn’t hold my interest. As much as I enjoyed pitching, I lacked the mechanics to deliver the ball with decent velocity which relegated me to playing in the infield or outfield. Taking stock of my interest within the game, I was always fascinated by the catcher position and that this role acted as the on-field manager. The catcher is responsible for positioning the defensive players as well as calling pitches. Hall of Fame catcher, Mickey Cochrane was a player-manager who led his Detroit Tigers to consecutive American League championships (1934-’35), winning the World Series in 1935 from behind the plate (he also led the dominant Great Lakes Naval Training Station Bluejackets baseball team during WWII). Catchers have ascended to become major league managers more than any other baseball diamond position.

Through the efforts of several wartime philanthropic endeavors, many thousands of pieces of sports equipment were purchased and distributed to troops throughout the combat theaters (see: Ted Williams: BATtered, Abused and Loved) for recreation and distraction from the intensity and monotony of the war. As we have been acquiring wartime military-marked, game-used equipment, catchers’ mitts have proven to be quite elusive. Our collection of marked-gloves consists of those used by position players or pitchers. In 2019, we acquired our first military-used catcher’s mitt, a late 1930s-early-1940s Wilson Professional model that was hand-marked by the original owner who served in the Navy during WWII, Pharmacist’s Mate 1/c Gerald W. Benninghoff (see: Catching Corpsman: The Search for a Ball-Playing WWII Pharmacist’s Mate). Since the Benninghoff mitt was only marked with the sailor’s name, it is impossible to determine if it was provided to him (through one of the wartime sports equipment charities) or if he purchased it.

Several years ago, we were watching an auction listing for a wartime Rawlings catcher’s mitt with “U.S.” markings.  When that auction closed well above our budgeted financial limit, we decided to exercise patience while waiting for another example to surface.  The mitt listed in that auction was a signature model that recognized one of the game’s rising defensive stars behind the dish. Though by the end of 1940, St. Louis Cardinals catcher, Mickey Owen had proven himself with his glove and command of the Cardinals’ pitchers, his offensive stats were mediocre leaving him expendable with the rise of his back-up, Walker Cooper. Owen led the National League picking off would-be base-stealers in 1939 and 1940, taking down 61 and 60 percent (respectively). Despite his consistent play, the Cardinals traded Owen to the Brooklyn Dodgers in December 1940 for $65,000, catcher Gus Mancuso and minor-league pitcher John Pintar.

Mickey Owen’s first signature model catcher’s mitt was a professional model as seen in this page of the 1938 Rawlings catalog (source: KeyManCollectibles.com).

For a major league catcher to have a player endorsement contract with an equipment manufacturer, he would have had to have been quite established in the league. However, for Mickey Owen, his first signature model appeared in the 1938 Rawlings catalog following his rookie campaign that saw him splitting the 1937 season with Bruce Ogrodowski behind the plate. Considering that Owen batted a paltry .231 and had a minuscule .265 slugging percentage, it seems that Rawlings saw the catcher’s upside, especially since he was playing on the storied St. Louis roster.

Though he was a decent major league catcher throughout his 13 season, Mickey Owen is more of a recognizable figure due to an unfortunate defensive misstep that is much on par with the Bill Buckner incident (in the 1986 World Series). In his first year with the Brooklyn Dodgers, Owen saw his team capture the National League pennant, edging out his former team by a slim, 2.5 game-margin, though his own offensive performance for the 1941 season was considerably off the pace of his previous campaigns in St. Louis.

The first year of the Rawlings model “MO,” Mickey Owen signature catcher’s mitt as shown in the maker’s 1943 catalog (source: KeyManCollectibles.com).

For their first appearance in World Series in 21 years, the Dodgers faced the Yankees (their first of 12 World Series match-ups with the “Bronx Bombers”). After Game 3, the Dodgers were hosting the Yankees and were trailing in the series, two games to one. Owen was producing at the plate, hitting .285 over the first three games (two hits for seven at bats and one walk and two runs-batted-in).  In Game 4, the Yankees grabbed the lead in the top of the first inning on a two-out single by Charlie Keller plating Red Rolfe. In the top of the fourth inning, Johnny Sturm knocked a two-out single that scored Bill Dickey and Joe Gordon giving the Yankees a 3-0 advantage. With two outs in the bottom of the fourth inning, Mickey Owen drew a two-out walk followed by another by Pete Coscarart. Both Owen and Coscarart scored on a double by Jimmy Wasdell. which pulled the Dodgers to within a run. Dixie Walker led off the bottom of the fifth inning with a double followed by a two-run Pete Reiser homerun which gave the Dodgers the 4-3 advantage over the Yankees which they held onto heading into the top of the ninth inning. Dodgers manager Leo Durocher left pitcher Hugh Casey in to finish the game after facing the Yankees since the start of the sixth inning. Casey consecutive ground-outs to Sturm and Rolfe before facing Tommy Henrich. Henrich worked Casey to a full count and was a strike away from seeing the Dodgers pull the series even. Casey threw a sharp breaking ball that coaxed a swing attempt by Henrich. Strike three was called which should have ended the game however, the pitch also got by Owen and rolled to the backstop as the Yankees right fielder reached first.

The wheels came off the cart for Brooklyn as Casey was rendered ineffective and the Yankees plated four runs as Casey allowed five more Yankees base runners on two walks, a single and two doubles before retiring Johnny Murphy for the final out of the top half of the ninth.  Pee Wee Reese, Walker and Reiser would be retired in order to close out the game and giving the Yankees a 3-1 lead in the series. The demoralized Dodgers lost game five 3-1 sending the Yankees to their ninth World Championship and Owen became the scapegoat for the Series loss.

This U.S.-marked Mickey Owen signature model catchers mitt by Rawlings dates from the early 1940s and displays well along with my signed photo of the former Cardinals and Dodgers player.

Mickey Owen’s signature model mitt was available in the Rawlings catalog from 1938 and through thought World War II. Model “MO” is a high end mitt the features leather edging, lace wrist strap with sheepskin (for comfort) on the underside. When we received the glove a while ago, the leather was fairly dry and was quite dirty from use on the diamond. After a light cleaning, the red clay dirt gave way to reveal much of the silver foil remaining in the manufacturer’s stamps. In addition, the “U.S.” was similarly marked. The only damage this mitt shows is the water stain in the palm and a few spots of mildew, caused perhaps by sitting on a garage or basement floor for too long. Treating the mitt with glove conditioner revealed many of the stamps that were previously indistinguishable due to the tight, dry leather. With only a single conditioning treatment (and more to follow), this U.S.-stamped Mickey Owen mitt will display quite nicely and it has already become a great addition to the our glove collection. Adding icing to this cake would be if the mitt had provenance or was attributable to a specific service member. Unfortunately, there are no other markings and the mitt had no connection to a veteran.

Mickey Owen’s selective service call-up didn’t happen until the spring of 1945 in his fifth season with Brooklyn and his last game in a Dodgers’ uniform was against the Cardinals at Ebbets Field on May 21, 1945. In the contest, a make-up game (rescheduled from May 10 due to a rain-out) was quiet in terms of his offensive performance, going 1-for-4 ( a double in the bottom of the 6th inning) at the plate. The Dodgers were shut out by St. Louis, 4-0. A few days later, Owen was reporting for duty in the armed forces.

Prior to Mickey Owen’s induction into the Navy, the catching position for the Sampson Naval Training Center‘s baseball team in the 1945 season was predominantly held by former Rochester receiver, Tony Ravish. By early June, Owen was donning Sampson’s flannels and making an impact for the team. According to The Sporting News, his June 10 debut, he clouted the longest home-run ever made at the Sampson Naval Training Center Field, slapped out two singles, walked once, reached first base on an error and stole two bases to score five times in five trips to the plate, helping the Bluejackets beat Cornell University, 13 to 1. In a June 28 match-up against the industry league team from Curtiss-Wright in Buffalo, New York, Mickey Owen connected for three hits which was half of the total compiled by his Sampson Naval Training Center team as he led the sailors to a 6 to 2 victory. Facing the Eastern League’s Grays of Williamsport, Pennsylvania (a class “A” affiliate of the Washington Senators), Owen went 2-for-2, including a double to help his team to an 8 to 2 victory on August 31st.

Now cleaned and conditioned, this U.S.-stamped Rawlings Model “MO” Mickey Owen Mitt is in excellent, though used condition.

After the surrender of the Japanese, bringing about the end of World War II, Dodgers president Branch Rickey went to work planning Brooklyn’s 1946 season roster. Rickey expressed concerns that Mickey Owen would not be released by the U.S. Navy in time for spring training and began seeking alternatives for the starting backstop position. Manager Leo Durocher recognized the glaring hole left by Owen’s absence in speaking about the 1946 roster, “Its catching that makes me wakeful at night. I’m not kidding myself.” the “Lip” commented, “I’d give a lot to find another Mickey Owen some place. But you can’t shake that kind of guys off Prospect Park trees. We need a high-grade, hard-hitting receiver more than we need anything else I can think of at the moment.” The Sporting News| December 27, 1945

By the end of February, 1946, word of Owen’s impending release from the Navy had reached Dodgers management and the press. Owen was expected to be discharged from the Navy on April 2 and spoke with a reporter as he was shopping for a camper trailer while on leave (near his home in Springfield, Missouri) to use.

Prior to his release from the Navy, Owen negotiated with Jorge Pasquel, president of the Mexican League, obtaining a five-year contract offer which included a $12,500 signing bonus. Unfortunately for Owen, he was still under contract with the Dodgers and in doing so, created incredible controversy and a legal fight between Major League Baseball and the Mexican League. Ultimately, Owen played for the Veracruz team in 1946 joining with 17 other former major leaguers who were summarily suspended (for five years) by Major League Baseball’s commissioner, A. B. “Happy” Chandler. Owen’s actions gained the ire of Branch Rickey who stated he would never play for the Dodgers again. After the 1946 season, Mickey Owen was unable to play organized baseball but would resume his career in 1949 with the Cubs. Having been was waived by the Dodgers and following reinstatement by a federal judge who sided with fellow Mexican League veteran, Danny Gardella who sued Major League Baseball, Owens played sparingly for four more seasons with the Cubs and Red Sox before retiring after the 1954 season.

Slipping a hand into this catcher’s mitt, one can imagine the “thumping” sound of a fastball slamming into its thickly padded leather while considering the events taking place around the war-torn world. The only thing that seemed to make sense back then was the game.

Dugout Art? Hand-crafted Baseball Militaria Created by Tennessee Historian and Artist

Not all of the Chevrons and Diamonds artifacts and treasures fall neatly into traditional collecting categories. One of the most collected areas of the militaria hobby centers on artifacts (trench art) made by GIs in the field.  For our baseball memorabilia collectors who are unfamiliar with soldier or sailor-made artifacts, we have published a few articles that discuss this very common GI practice (see: Following the Flag and Researching After You Buy – Sometimes it is the Better Option). “How could trench art possibly tie into baseball memorabilia (or baseball militaria),” one might ask?

This 19th Century-vintage “lemon peel” baseball was purportedly retrieved from the Shiloh Battlefield in 1862 (image source: TheNationalPastime.com).

The game of baseball has a long and storied history and was spawned from games that were played in the American Colonies. Perhaps the seminal establishment as the game played by members of the armed forces occurred during the American Civil War with soldiers forming teams and competing on either side of conflict (though there are no accounts of opposing forces facing off on the diamond). Short on recreational equipment during the Civil War, troops had to improvise in order to have a ball or bat to play the game.  While baseballs weren’t mass-produced nor did there exists sporting goods manufacturers, the rules of the era dictated the construction of the small orb.

“The ball must weigh not less than five and three-fourths, nor more than six ounces avoirdupois. It must measure not less than nine and three-fourths, nor more than ten inches in circumference. It must be composed of india-rubber and yarn, and covered with leather, and, in all match games, shall be furnished by the challenging club, and become the property of the winning club, as a trophy of victory.” – The Rules of 1860, as adopted by the National Association of Base-Ball Players.

Commonly referred to as the “lemon peel” ball, these baseballs were created following a specific pattern using standard materials.  However, what was used by troops in the field might vary depending upon the resources that were available. A soldier of that era who crafted a baseball would have been forced to improvise the materials and the results would have born little resemblance to what we see on today’s diamonds (to get glimpse of a baseball purportedly retrieved from the Shiloh (April, 1862) Battlefield, see: A Baseball Salvaged From A Civil War Battlefield).

The unique patchwork and stitching of the U.S. Army Special Services baseball is reminiscent of balls made during the Civil War.

In the tight-knit community of baseball memorabilia collectors, we have encountered some incredible people who are leaving their indelible marks upon the hobby with their attention to history and passion for sharing their knowledge and love of this game. Some of these folks have knowledge that transcends authoritative publications. Among this group are highly knowledgeable (if not experts) in player autographs, identifying equipment such as bats, gloves, mitts and catchers’ equipment. One can gain insights in how to stabilize the leather of 70-100-year-old glove or mitt or how to clean a player’s game-used bat without removing the game-wear. Breathing new life into a glove by re-lacing according to the original manufacturer’s specifications is an art form that only a handful of craftsmen and women possess and one will find such talent among this group.

True craftsmanship is revealed within small segments of collector groups among those who merge the skills of artifact preservation with history and creativity. One such innovator has taken a step into a different direction. The East Tennessee craftsman, a passionate Civil War reenactor and former assistant baseball coach organically developed the skills necessary to accurately restore vintage gloves to their former glory. Having restored more than 500 vintage gloves as he strives to maintain the historical integrity, Don Droke has encountered a considerable share of baseball leather that were beyond saving only to begin to see an accumulation of battered and decayed vintage gloves and mitts.

“’This all came about by a fluke,” Droke said. “My wife and I are Civil War reenactors, and all of the sudden out in the middle of a field, (other reenactors) were playing baseball, so I walked over, looked at their baseball and thought, ‘I can make that.’”  – Piney Flats man has unique way of re-purposing old baseball gloves

Don Droke approached me with the idea of creating a handmade baseball from the salvageable leather remnants of a wartime service glove that was stamped with “U.S. Special Services” markings. The ball that Don created is an amalgamation of Civil War ingenuity, necessity and World War II history. As with all of his projects, Droke began mine with a dilapidated WWII- glove that was issued to and used by soldiers. Working around the glove’s damage and decay, Droke sought out the best areas to cut usable material taking caution to preserve the stampings (including model number, maker, player endorsement signature, etc.) as possible before he applies the sections over the re-purposed windings of a donor baseball. The pieces are cut and pulled tightly so that they lay flat against the inner surface of the ball (picture a globe-shaped, three-dimensional jigsaw puzzle) finishing the work off by stitching them together. The end-result is a one-of-a-kind work of art that showcases the features of the former military-veteran glove.

After spending nearly a year with the McClellan Field (Sacramento, CA) Army Air Forces Team and winning the area championship, Ferris Fain was re-assigned to Hickam Field (Pearl Harborm, Hawaii) forming a dominant squad of former professional ball-players. Droke matched the 7th’s insignia onto one of the ball’s panels.

Over the next several months, Mr. Droke’s artistry and skills evolved as word got out to other collectors. As demand increased for his work, so did his ideas which further inspired creativity. Don reached out to me about doing another ball however, this time it was to pay homage to one of my favorite players, Ferris Fain, former American League first baseman (1947-1955 for the Philadelphia Athletics, Chicago White Sox, Detroit Tigers and Cleveland Indians) who won back—to-back batting titles in 1951 and ‘52. The basis for the ball would be a Ferris Fain signature model (MacGregor brand) first baseman’s glove (Trapper design) from the mid-1950s that was worse-for-wear. What made this project even more unique was the addition of tooling to some of the panels to honor Fain’s battle crowns, his first major league team and his World War II service.

When the ball arrived, I was overwhelmed not only by the craftsmanship in the fitment of the leather and stitching but also by his skills in illustrations on the leather.  Among all of the vintage jerseys, gloves, bats, scorecards and programs, vintage photographs and medals, Mr. Droke’s creations are some of my favorite pieces in our collection.

Catching Corpsman: The Search for a Ball-Playing WWII Pharmacist’s Mate

Baseball gloves are, perhaps the most personal piece of equipment that a ball player owns. Compared with bats, uniforms and even caps, a baseball player could use multiple sets in a season. Bats are a little bit more uniquely associated to players however they may work their way through countless examples throughout a season due to breakage. In contrast, a player could use the same glove for several seasons or even span an entire career with the same leather due to the very individuality, tailoring and customizing and breaking in that fuels the players’ need to hold onto their gloves and mitts, indefinitely.

There are a few different types of baseball glove collectors. Some may pursue specific eras, brands and even player-endorsed signature models (all retail) just to have examples of such. There are also those who focus on seeking out professional players’ game-used gloves in order to own both a piece of the game and the player’s blood, sweat and tears. For militaria collectors, there is a similar aspect of owning a piece that has an historic connection or association. To be a caretaker of a uniform, boots or even a weapon that was carried by a soldier into a known battle is not only an honor but awe-inspiring. As I noted in An Intercontinental Wartime Veteran – S/SGT “Chick” McRoberts’ Rawlings “Bill Doak” Model Glove, the idea of being not only a steward of a military-used baseball glove but one that was carried with a veteran as he traveled through one combat theater to another.

With a handful of these leather baseball tools in my collection, the pursuit has been focused more on sourcing marked gloves (such as the two armed forces branch-marked GoldSmith Elmer Riddle DW model gloves that are already in my collection), I have stumbled upon an area of the glove hobby that I hadn’t considered until acquiring the USS Savannah glove (see: Navy Wartime Leather: Extracting History From a Vintage Glove) from World War II.

Ironically, glove collectors expend considerable effort to remove indelible ink markings in order to “restore” a vintage glove’s appearance. However, preservation of these individual marks is more preferable as they tie the glove to both their history and the veteran who owned it. Similar to military uniform marks, what a service member inscribes on their gloves is varied. With the Savannah glove, it is difficult to narrow down the inscribed information to a single person. With the 5th Army glove, the opposite is true in that S/Sgt McRoberts was more detailed with his pen on the glove’s wrist strap.

Early 1940s Wilson catcher’s mitt.

The 2018 auction listing for the vintage catcher’s mitt was rather vague. Absent from the accompanying photos were details that demonstrated the most important aspect of the glove. The title of the listing was almost ambiguous save for the the mention of “military” leaving it up to the bidder to decide to take the risk or to move on.  What was shown in the photos was the adjustable wrist strap decay showing the dry-rotten leather and heavily oxidized buckle yet the rest of the mitt’s condition was quite good. The listing’s opening bid was incredibly low prompting me to take a chance due to the low-financial risk, should my bid top all others.

Researching such a unique name is much more simple than it is for a common surname. That Benninghoff provided his navy rating and rate (pharmacist’s mate, third class) led my research directly to him.

With a sniped bid and my low-expectation (as to the outcome) set, I let the auction ride for the next few days to countdown without a second thought. The notification email that indicated my auction win (at the opening bid price) left me stunned (and a little concerned as I thought, “what did I just buy that no one else even offered up a bid?”). When the mitt arrived in the mail from Georgia, I checked it for any signs of military stamps or markings, completely overlooking the most glaringly obvious indication. “G. W. Benninghoff PhM3/c” was clearly marked in (faded) ink on one of the edges of the back side. Immediately, Considering that the Navy pharmacist’s mate rating had a large number of their ranks assigned to Fleet Marine Forces (FMF), embedded directly with Marine platoons, serving as the assigned combat medical personnel, rendering aid and care in the midst of combat. In addition to the sailor’s name, a closer inspection of the wrist strap showed that it was in far worse condition than was discernible from the photos.

 

I began my search in earnest hoping that Benninghoff’s name would, as I suspected, be unique enough to locate the veteran’s information among the millions or records. The small number of search results instantly provided the veteran’s full name, dates of birth, death, enlistment and discharge and more. Not only had I found Petty Officer Benninghoff, but also his command assignment (albeit only his last one of World War II).

Gerald Wesley Benninghoff was born and raised in Indiana. By 1930, he was 23 years old, married and providing for his household, working as a grocery store manager. By 1940, Benninghoff was divorced and living in Michigan still managing a grocery store. In response to the newly enacted peacetime selective service, Benninghoff registered in mid-October as he was working in Gary, Indiana for the National Tea Company (which would later be one of the companies that would become The Great Atlantic & Pacific Tea Company that was better known as A & P stores – defunct since 2016). It wasn’t until December 15, 1942 that Gerald Benninghoff enlisted into the U.S. Navy.

Without requesting (and hopefully obtaining) Benninghoff’s service history (through a National Archives Freedom of Information Act submission), locating his service history prior to May, 1945 is a fruitless effort. On May 12, Pharmacist’s Mate First Class Benninghoff reported for duty to the escort carrier, USS Kula Gulf (CVE-108) for duty. The 12th corresponds with the date that the aircraft carrier was commissioned which means that Benninghoff was assigned to a pre-commissioning command as the ship was nearing the end of its construction at Todd Pacific Shipyards in Tacoma, Washington.

Benninghoff served aboard the Kula Gulf for the duration of the war, being transferred off 47 days after VJ-Day (he served just 160 days on the ship), he was discharged by December 17th of that same year. For his 36 months of service, not a single shred of documentation regarding his service or even playing the game while on active duty is available. Though I am satisfied with the research results so far, patience must prevail in hopes that more data is added to online research resources in the coming months.

 

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