Category Archives: Baseball Glove and Mitts

Dugout Art? Hand-crafted Baseball Militaria Created by Tennessee Historian and Artist

Not all of the Chevrons and Diamonds artifacts and treasures fall neatly into traditional collecting categories. One of the most collected areas of the militaria hobby centers on artifacts (trench art) made by GIs in the field.  For our baseball memorabilia collectors who are unfamiliar with soldier or sailor-made artifacts, we have published a few articles that discuss this very common GI practice (see: Following the Flag and Researching After You Buy – Sometimes it is the Better Option). “How could trench art possibly tie into baseball memorabilia (or baseball militaria),” one might ask?

This 19th Century-vintage “lemon peel” baseball was purportedly retrieved from the Shiloh Battlefield in 1862 (image source: TheNationalPastime.com).

The game of baseball has a long and storied history and was spawned from games that were played in the American Colonies. Perhaps the seminal establishment as the game played by members of the armed forces occurred during the American Civil War with soldiers forming teams and competing on either side of conflict (though there are no accounts of opposing forces facing off on the diamond). Short on recreational equipment during the Civil War, troops had to improvise in order to have a ball or bat to play the game.  While baseballs weren’t mass-produced nor did there exists sporting goods manufacturers, the rules of the era dictated the construction of the small orb.

“The ball must weigh not less than five and three-fourths, nor more than six ounces avoirdupois. It must measure not less than nine and three-fourths, nor more than ten inches in circumference. It must be composed of india-rubber and yarn, and covered with leather, and, in all match games, shall be furnished by the challenging club, and become the property of the winning club, as a trophy of victory.” – The Rules of 1860, as adopted by the National Association of Base-Ball Players.

Commonly referred to as the “lemon peel” ball, these baseballs were created following a specific pattern using standard materials.  However, what was used by troops in the field might vary depending upon the resources that were available. A soldier of that era who crafted a baseball would have been forced to improvise the materials and the results would have born little resemblance to what we see on today’s diamonds (to get glimpse of a baseball purportedly retrieved from the Shiloh (April, 1862) Battlefield, see: A Baseball Salvaged From A Civil War Battlefield).

The unique patchwork and stitching of the U.S. Army Special Services baseball is reminiscent of balls made during the Civil War.

In the tight-knit community of baseball memorabilia collectors, we have encountered some incredible people who are leaving their indelible marks upon the hobby with their attention to history and passion for sharing their knowledge and love of this game. Some of these folks have knowledge that transcends authoritative publications. Among this group are highly knowledgeable (if not experts) in player autographs, identifying equipment such as bats, gloves, mitts and catchers’ equipment. One can gain insights in how to stabilize the leather of 70-100-year-old glove or mitt or how to clean a player’s game-used bat without removing the game-wear. Breathing new life into a glove by re-lacing according to the original manufacturer’s specifications is an art form that only a handful of craftsmen and women possess and one will find such talent among this group.

True craftsmanship is revealed within small segments of collector groups among those who merge the skills of artifact preservation with history and creativity. One such innovator has taken a step into a different direction. The East Tennessee craftsman, a passionate Civil War reenactor and former assistant baseball coach organically developed the skills necessary to accurately restore vintage gloves to their former glory. Having restored more than 500 vintage gloves as he strives to maintain the historical integrity, Don Droke has encountered a considerable share of baseball leather that were beyond saving only to begin to see an accumulation of battered and decayed vintage gloves and mitts.

“’This all came about by a fluke,” Droke said. “My wife and I are Civil War reenactors, and all of the sudden out in the middle of a field, (other reenactors) were playing baseball, so I walked over, looked at their baseball and thought, ‘I can make that.’”  – Piney Flats man has unique way of re-purposing old baseball gloves

Don Droke approached me with the idea of creating a handmade baseball from the salvageable leather remnants of a wartime service glove that was stamped with “U.S. Special Services” markings. The ball that Don created is an amalgamation of Civil War ingenuity, necessity and World War II history. As with all of his projects, Droke began mine with a dilapidated WWII- glove that was issued to and used by soldiers. Working around the glove’s damage and decay, Droke sought out the best areas to cut usable material taking caution to preserve the stampings (including model number, maker, player endorsement signature, etc.) as possible before he applies the sections over the re-purposed windings of a donor baseball. The pieces are cut and pulled tightly so that they lay flat against the inner surface of the ball (picture a globe-shaped, three-dimensional jigsaw puzzle) finishing the work off by stitching them together. The end-result is a one-of-a-kind work of art that showcases the features of the former military-veteran glove.

After spending nearly a year with the McClellan Field (Sacramento, CA) Army Air Forces Team and winning the area championship, Ferris Fain was re-assigned to Hickam Field (Pearl Harborm, Hawaii) forming a dominant squad of former professional ball-players. Droke matched the 7th’s insignia onto one of the ball’s panels.

Over the next several months, Mr. Droke’s artistry and skills evolved as word got out to other collectors. As demand increased for his work, so did his ideas which further inspired creativity. Don reached out to me about doing another ball however, this time it was to pay homage to one of my favorite players, Ferris Fain, former American League first baseman (1947-1955 for the Philadelphia Athletics, Chicago White Sox, Detroit Tigers and Cleveland Indians) who won back—to-back batting titles in 1951 and ‘52. The basis for the ball would be a Ferris Fain signature model (MacGregor brand) first baseman’s glove (Trapper design) from the mid-1950s that was worse-for-wear. What made this project even more unique was the addition of tooling to some of the panels to honor Fain’s battle crowns, his first major league team and his World War II service.

When the ball arrived, I was overwhelmed not only by the craftsmanship in the fitment of the leather and stitching but also by his skills in illustrations on the leather.  Among all of the vintage jerseys, gloves, bats, scorecards and programs, vintage photographs and medals, Mr. Droke’s creations are some of my favorite pieces in our collection.

Catching Corpsman: The Search for a Ball-Playing WWII Pharmacist’s Mate

Baseball gloves are, perhaps the most personal piece of equipment that a ball player owns. Compared with bats, uniforms and even caps, a baseball player could use multiple sets in a season. Bats are a little bit more uniquely associated to players however they may work their way through countless examples throughout a season due to breakage. In contrast, a player could use the same glove for several seasons or even span an entire career with the same leather due to the very individuality, tailoring and customizing and breaking in that fuels the players’ need to hold onto their gloves and mitts, indefinitely.

There are a few different types of baseball glove collectors. Some may pursue specific eras, brands and even player-endorsed signature models (all retail) just to have examples of such. There are also those who focus on seeking out professional players’ game-used gloves in order to own both a piece of the game and the player’s blood, sweat and tears. For militaria collectors, there is a similar aspect of owning a piece that has an historic connection or association. To be a caretaker of a uniform, boots or even a weapon that was carried by a soldier into a known battle is not only an honor but awe-inspiring. As I noted in An Intercontinental Wartime Veteran – S/SGT “Chick” McRoberts’ Rawlings “Bill Doak” Model Glove, the idea of being not only a steward of a military-used baseball glove but one that was carried with a veteran as he traveled through one combat theater to another.

With a handful of these leather baseball tools in my collection, the pursuit has been focused more on sourcing marked gloves (such as the two armed forces branch-marked GoldSmith Elmer Riddle DW model gloves that are already in my collection), I have stumbled upon an area of the glove hobby that I hadn’t considered until acquiring the USS Savannah glove (see: Navy Wartime Leather: Extracting History From a Vintage Glove) from World War II.

Ironically, glove collectors expend considerable effort to remove indelible ink markings in order to “restore” a vintage glove’s appearance. However, preservation of these individual marks is more preferable as they tie the glove to both their history and the veteran who owned it. Similar to military uniform marks, what a service member inscribes on their gloves is varied. With the Savannah glove, it is difficult to narrow down the inscribed information to a single person. With the 5th Army glove, the opposite is true in that S/Sgt McRoberts was more detailed with his pen on the glove’s wrist strap.

Early 1940s Wilson catcher’s mitt.

The 2018 auction listing for the vintage catcher’s mitt was rather vague. Absent from the accompanying photos were details that demonstrated the most important aspect of the glove. The title of the listing was almost ambiguous save for the the mention of “military” leaving it up to the bidder to decide to take the risk or to move on.  What was shown in the photos was the adjustable wrist strap decay showing the dry-rotten leather and heavily oxidized buckle yet the rest of the mitt’s condition was quite good. The listing’s opening bid was incredibly low prompting me to take a chance due to the low-financial risk, should my bid top all others.

Researching such a unique name is much more simple than it is for a common surname. That Benninghoff provided his navy rating and rate (pharmacist’s mate, third class) led my research directly to him.

With a sniped bid and my low-expectation (as to the outcome) set, I let the auction ride for the next few days to countdown without a second thought. The notification email that indicated my auction win (at the opening bid price) left me stunned (and a little concerned as I thought, “what did I just buy that no one else even offered up a bid?”). When the mitt arrived in the mail from Georgia, I checked it for any signs of military stamps or markings, completely overlooking the most glaringly obvious indication. “G. W. Benninghoff PhM3/c” was clearly marked in (faded) ink on one of the edges of the back side. Immediately, Considering that the Navy pharmacist’s mate rating had a large number of their ranks assigned to Fleet Marine Forces (FMF), embedded directly with Marine platoons, serving as the assigned combat medical personnel, rendering aid and care in the midst of combat. In addition to the sailor’s name, a closer inspection of the wrist strap showed that it was in far worse condition than was discernible from the photos.

 

I began my search in earnest hoping that Benninghoff’s name would, as I suspected, be unique enough to locate the veteran’s information among the millions or records. The small number of search results instantly provided the veteran’s full name, dates of birth, death, enlistment and discharge and more. Not only had I found Petty Officer Benninghoff, but also his command assignment (albeit only his last one of World War II).

Gerald Wesley Benninghoff was born and raised in Indiana. By 1930, he was 23 years old, married and providing for his household, working as a grocery store manager. By 1940, Benninghoff was divorced and living in Michigan still managing a grocery store. In response to the newly enacted peacetime selective service, Benninghoff registered in mid-October as he was working in Gary, Indiana for the National Tea Company (which would later be one of the companies that would become The Great Atlantic & Pacific Tea Company that was better known as A & P stores – defunct since 2016). It wasn’t until December 15, 1942 that Gerald Benninghoff enlisted into the U.S. Navy.

Without requesting (and hopefully obtaining) Benninghoff’s service history (through a National Archives Freedom of Information Act submission), locating his service history prior to May, 1945 is a fruitless effort. On May 12, Pharmacist’s Mate First Class Benninghoff reported for duty to the escort carrier, USS Kula Gulf (CVE-108) for duty. The 12th corresponds with the date that the aircraft carrier was commissioned which means that Benninghoff was assigned to a pre-commissioning command as the ship was nearing the end of its construction at Todd Pacific Shipyards in Tacoma, Washington.

Benninghoff served aboard the Kula Gulf for the duration of the war, being transferred off 47 days after VJ-Day (he served just 160 days on the ship), he was discharged by December 17th of that same year. For his 36 months of service, not a single shred of documentation regarding his service or even playing the game while on active duty is available. Though I am satisfied with the research results so far, patience must prevail in hopes that more data is added to online research resources in the coming months.

 

An Intercontinental Wartime Veteran – S/SGT “Chick” McRoberts’ Rawlings “Bill Doak” Model Glove

The availability of authentic military baseball equipment can vary depending upon what one is seeking for their collection. For me, bats and balls have posed the greatest challenge in locating. To date, only one confirmed wartime sphere has been secured. When it comes to glove leather, I have managed to secure two stamped WWII gloves – both of which are GoldSmith Elmer Riddle signature models (one marked, “U.S. Army” and the other, “U.S. Navy”). As a collector of militaria (in addition to baseball-specific military artifacts), locating personally-used and identifiable pieces is far more interesting and lends to greater satisfaction when the results of researching the veteran that is associated with or connected to the piece.

Last year, I located a glove that came close to being personally-associated to an individual service-member (see: Navy Wartime Leather: Extracting History From a Vintage Glove). The glove, ink-stamped with command (the light cruiser, USS Savannah) and several individuals’ names was quite a find for my collection in that it provided a taste of personal connection or at least that of a naval combatant warship. Since acquiring the USS Savannah glove, two more leather pieces have arrived but with each glove, individual attribution was part of what drew me to them.

Perhaps the subject of a series of articles that encompasses the range of gloves that were acquired (by the Bat and Ball or Professional Base Ball fund) for and distributed throughout the armed forces ranks during World War II is fast-becoming a necessity for this site as there is very little information available in any one location. Many glove and military collectors have, in recent years (myself included) in wartime baseball gloves and mitts, seeking out the tools of the trade that were used by service team ball-players and troops on R&R. Aside from the highly sought after stamped gloves (with markings such as “U.S.,” U.S. Army,” “U.S. Navy,” “U.S.M.C.” or “U.S. Special Services”), there are glove makes and models that collectors, in particular, seek out.

In the last few years of researching military-used gloves, I inevitably touched on and subsequently absorbed details regarding the development and progression of baseball gloves and mitts. Through that self-educating process, I opened myself up to the possibilities for my collection and how to be a bit more discerning in what to pursue. Researching an article about Rawlings gloves (see: Besides Their Gloves, Rawlings had Another Significant WWII Veteran) – those that found their way into World War II military service (along with glove designer Harry Latina’s son, Rolle), I have been seeking a Bill Doak model.

While absent stamped marks from the armed forces, these four hand-written characters stood out, leading me to pursue the glove for my collection.

A few weeks ago, a glove surfaced at auction that grabbed my attention featured a 1940s-era Bill Doak model glove. While it lacked any official stampings, what was marked onto both sides of the wrist strap motivated me to pursue it.

My heart leaped with excitement as I was immediately reminded of my Fifth Army Headquarters uniform set and how fantastic it would be to display the two together. Considering my upcoming public showing at a local AAA (Pacific Coast League) ballpark, I was even more motivated to pursue this glove.

The condition was almost an afterthought for me as I zeroed my sights in on the possibility of not only having a 5th Army glove but one that is named to a veteran. \AS few days after closing the deal, the glove arrived and I was not disappointed. Opening the box, I was shocked to detect the scent of leather (albeit with an aged overtone) was prevalent, rather than being overpowered by a musty, moldy odor that a few of my other gloves arrived with.

Showing the Rawlings-branded wrist strap button, heavily-worn inner palm and the hand-inscribed alpha-numeric characters indicating the a correlation to the United States Fifth Army.

The one photo that I previewed that showed the original owner’s personalized markings wasn’t clear enough to reveal all the details that the veteran marked onto the inside of the wrist strap. The largest part of the inscription showed the soldier’s name and rank, “S/SGT Nick McRoberts” along with an eight digit series of numerals, “36053528.” Since WWII army serial numbers were alpha numeric (formatted as “A-100123”), the digits are lacking any context to correlate to something that could be researched. However, the name is unique enough that a simple search for him produced a few results.

Nicholas C. McRoberts, born on December 24, 1915 in Curran, Illinois (in the central part of the state) and was living in Springfield, working in the Department of Public Health in 1940. One month (to the day) after the peacetime Selective Training and Service Act of 1940 was signed on September 16th, McRoberts registered. It wasn’t until November 14, 1941 that McRoberts entered the U.S. Army.

This Doak model is a nice little find but the hidden treasure reveals that its owner participated in the 5th Army’s operations in North Africa and Italy in 1943.

As he noted on the wrist strap of the Rawlings glove, McRoberts found himself with the U.S. Fifth Army in (French Morocco) providing defensive stabilization for the area following the Allies success with Operation Torch that unseated the Pro-Nazi forces of both Vichy France and their local Algerian and Moroccan supporting forces. Despite my best efforts to uncover any further information surrounding McRoberts’ service in North Africa. As the Fifth Army prepared for the invasion of mainland Italy, it is possible that McRoberts saw playing time with a team in one of former major leaguer, Master Sergeant Zeke Bonura‘s North African baseball leagues. According to Gary Bedingfield’s Baseball’s Greatest Sacrifice, Bonura established “baseball leagues as well as softball leagues for male and female service personnel. By the end of the summer, Bonura had set-up 20 baseball diamonds with salvaged materials and supervised 150 teams in six leagues, involving nearly 1,000 players. The culmination of the season was the World Series of North Africa between the Casablanca Yankees and the Algiers Streetwalkers. The Yankees were crowned North African champions.”

On September 9, 1943, the landings on the beaches near Salerno commenced and McRoberts’ Fifth Army comprised much of the main American force. According to what is inscribed on S/SGT McRobert’s glove, he was a part of the operations. Whether or not he found opportunity to place baseball that fall is undetermined with the intense resistance that the German’s committed against the Allied forces.

The palm and heel of a glove are usually the most soiled and hence, the darkest. This glove is significantly lighter in these same areas showing that it has been cleaned.

Where the glove’s story takes a twist is with what is inscribed on the extreme inside end and at the bottom middle area of the strap. Immediately below the “S/SGT” marking appears to be written, “Leonard” (the characters that follow to the right are indecipherable) with “1944.” Over towards the middle of the strap is inscribed “956 Eng.” which does not correlate to anything within the Fifth Army order of battle history. The only unit with this designation that I have located is the “956th Engineer Topographic Company” which is most-likely U.S. Army Air Forces unit (more research forthcoming). Did the glove change hands? Did McRoberts get reassigned to a the Army Air Forces branch following the Italian invasion? These questions will probably remain unanswered.

Nicholas C. “Chick” McRoberts made it home from the War and lived a full life. Absent access to an old obituary, no determination can be made as to whether he played baseball following World War II. He passed away on May 5, 2003 at the age of 88 years. He is buried at Camp Butler National Cemetery near his life-long home in Springfield, Illinois.

I am left to ponder the idea that Staff Sergeant McRoberts possibly carried this glove from the United States to the African Continent, on to Italy and then back home leaving it soiled with Algerian and Italian dirt to co-mingle with the soil of Central Illinois.

Navy Wartime Leather: Extracting History From a Vintage Glove

If you are fortunate enough to be treated to a behind the scenes tour of a museum to see their archives of artifacts that are not on display, you would be hard-pressed to avoid touching an object with unprotected hands. I have had the honor of such tours in a few local area museums and was able to handle some artifacts. Perhaps one of the reasons that I enjoy collecting is that the onus is upon me to care for and preserve the pieces which allows me the tactile interaction with history.

Collecting and researching baseball militaria-related artifacts for the last decade has been quite a slow process in terms of locating and acquiring verifiable pieces. It has been the mission my mission to share this collection of artifacts with the public through Chevrons and Diamonds, publications and with public displays. Allowing fans of the game to have a glimpse of pieces that were worn or used by service members (possibly professional ball players) during a time of national crisis while sharing the story of how this nation pulled together against a common enemy (even through the game) is fulfilling and solidifies many of the reasons for this pursuit.

One area of collecting baseball militaria that affords the need and ability to handle the artifacts lies within the equipment from the game. In this collection are a smattering of pieces (besides jerseys and uniform items) such as bats, balls and even spikes. One area that has been particularly slow in development for this collection has been surrounding the most common element – gloves. With millions of gloves and mitts being provided to troops both within the combat theaters and domestically, it would stand to reason that there would be an overwhelming supply of surviving artifacts that permeate the baseball memorabilia market. However, scouring online venues and antique stores reveals a contradicting story…or does it?

How can one determine if a glove was issued to and used by service members during wartime service? Aside from the small percentage of equipment that was marked with proper military branch designations (U.S. Army, U.S. Navy, U.S.M.C., U. S. Special Services, U.S.A.) or possess rock-solid provenance from the original owner, there is no real way to accurately associate a piece. Collectors must perform due diligence in researching the markings applied to gloves prior to accepting a piece as an authentic wartime piece. Research the manufacturer’s markings, the model number and the logos to determine when the glove was made. Does the patent number (often stamped into some makers’ gloves) correspond with the other information? There are many resources available for researching nearly every aspect of a glove.

The handwritten “CPO” and “USS Savannah” markings are of the most easily discernible inscriptions on the glove.

Several months ago, I came across a rather unique glove, purportedly tied to wartime service. The information associated with the item noted that it was from the USS Savannah and that it dated from World War II. The accompanying photographs shows that the glove was stamped with the ship’s name (ink markings) and had what appeared to be signatures in several places. The glove design, hand-shaped, single-tunnel and split fingers, dates it to the late 1930s through into the early 1950s. In the absence of a glove model database (I have yet to find one), I have not been able to verify the model number (322-14) for this Wilson-made glove.The ink stamps and markings are the only remaining elements that I can use to make verifying attempts.

One of three locations marked with the USS Savannah ink stamp.

Reaching out to the BaseballGloveCollector.com, I sent photos of this glove in a last ditch effort to determine the age. I was little surprised to learn that Spalding model numbering, configuration (###-##) that is present on my glove, concluded after the 1938 model year, having been in use for most of the 1930s. The expert that reviewed my inquiry determined that the USS Savannah-marked glove dates from 1938, corresponding with the year in which the ship was commissioned.

Nearly every aspect of the glove is in fantastic condition with only some degradation of the lacing that holds the tunnel in place between the thumb and the index finger. The leather is very soft and supple and lacks cracking or the commonly present musty odors that exist with my other 60-75 year-old gloves.

Showing the maker’s logo and the model number (322-14) of the Spalding softball glove.

The glove is stamped (using rubber ink-stamp) in a few places with the ship’s name. Due to era of the glove, the only possible vessel that aligns is the light cruiser (CL-42) that was commissioned in 1938 and served through World War II, decommissioning in 1947. Six navy warships have born the Georgia city’s name with the immediately preceding vessel, a submarine tender (AS-8) that was decommissioned in 1933 and the fleet refueling oiler (AOR-4) that was commissioned in 1970 narrowing the possibilities down to the Brooklyn-class cruiser.

The USS Savannah’s war record in the Atlantic commenced with neutrality patrols in 1941, prior to the United States’ entry into WWII. She saw action in support of the invasions of North Africa, Sicily and Salerno. She was struck by a radio-guided German bomb, killing 35 men. In all. Savannah lost 197 of her crew from German counter attacks as she provided gunfire support of the allied forces landing at Salerno. requiring extensive repairs lasting from December 1943 through July of 1944 when she returned to operations in the North Atlantic.

Turning to the inscriptions on the glove, I searched through U.S. Navy muster sheets for the USS Savannah for the names that were legible. Despite the derivations of the inscribed names and the subsequent searches, I was unsuccessful in cross-referencing anyone to the USS Savannah. As disappointing as these results are, the lack of positive results doesn’t necessarily equate to disproving the glove as an artifact from the cruiser. Over the 45 months of WWII, there would have been a few thousand men who served aboard the ship and not all of the muster sheets are available in the online and searchable resources…yet.

I am deferring the dating of the glove to experts in the field of vintage glove collecting. As I await a verdict from an authority, I am very certain that the piece was part of the morale, welfare and recreational equipment that was used by USS Savannah (CL-42) crew members in the 1940s. True to many shipboard items (that tended to “grow legs” and disappear – sailors will be sailors, after all), the glove was marked in several locations with the ship’s name as a feeble theft deterrent. In my best judgment, this glove is authentic and is a great addition to the collection.

A slight restoration such as restringing the tunnel may be in order for this beautiful wartime piece and ensuring that it remains free from moisture and extreme environmental fluctuations will help to keep this glove in great condition for years to come.

Close to Completion: Restoring a 1950s Ferris Fain Signature Model Bat

Recognizing Sgt. Ferris Fain’s Army Air Force service, I stanged this photo with his restored bat, a singed baseball (modern) that Fain inscribed his American League batting championship years (1951 and ’52) along with a 1943 U.S. Army-stamped Goldsmith glove and a 7th AAF shoulder sleeve insignia (Fain’s unit and team during the war).

Last week I mentioned (see: My First Baseball Militaria At-bat; I Lead-off with the Marine Corps) that I was preparing for a public showing of my collection of baseball militaria at a local minor league ballpark. As a brief follow-up (ahead of an upcoming article about that experience) I should say that the experience and reception was incredible and a great success! Since I am on the subject of reviewing my recent open ended articles that may have left some readers wondering, I did have a great experience with my first restoration of a vintage baseball bat (read: Nothing To Write? I Think I’ll Just Restore a Vintage Bat, Instead).

In recent years, I connected with a few groups of fellow baseball memorabilia collectors with the idea that I wanted to learn from and share my own information among a gathering of others who have a wealth of knowledge. Sharing with and drawing from others who have been collecting for decades longer and in areas that I hadn’t previously committed much energy has served me well and opened my eyes to the extent of passion that others possess. In terms of collecting bats, I only had a smattering of pieces of lumber that I either acquired in anticipation of obtaining a player’s signature or that I landed while working at the aforementioned minor league ballpark, decades ago. Though my scant collection included some game-used wood from players who never went far with their professional careers, it was fun to have their bats (which were signed at one point since I obtained them). The other sticks in my collection were vintage store-model (they look very similar to what professional players receive from manufacturers but are sold in sporting goods stores for amateur use or autographs) bats.

The grit and grime on this poor old (60-plus years) stick was not going to easily give way. (Image source: eBay).

Last year, I obtained an early 1950s store model, Ferris Fain signature bat that had seen a lot of use and abuse. In addition to the heavy wear, accumulation of dirty grime and house paint spills, the bat had extremely faint manufacturer’s stamps and the player’s signature mark was nearly impossible to see. Professional model bats (for game use) have deep and distinct, burned-in markings that are quite difficult to obscure with use and time but the same is untrue for these lightly-marked store-purchased pieces of lumber. Rather than the burned-brands, thes Louisville Sluggers have foil-stamped (the stamps are subtle) marks that get worn or rubbed off with use. By no means am I a vintage bat expert but I have some excellent resources to draw from. In terms of Hillerich and Bradsby (maker of the most famous brand, Louisville Slugger), this reference is very detailed in providing information to discern age and models of ‘Slugger bats.

The Hillerich and Bradsby oval brand is very faint due to the typical shallow impressions seen on store model bats. The years of use have worn away the black foil that helped the lettering versus the burned branding seen on pro-model bats) to stand out (Image source: eBay).

Store model bats, though sought after by collectors, are quite affordable and can be great display pieces when shown with other items (jerseys, caps, gloves, autographed photos, cards, etc.) when costly game-used bats are unavailable or unobtainable.  Player-signature store model bats were made bearing the autographs of the more prevalent stars of the game. Some signature models were continued far beyond the career years of players that transcended the game. However, with some of the more mercurial stars like Fain whose career burned brightly and faded quickly due to his all-out style of play and propensity for injuries (and fighting), signature bats are considerably more scarce. Scarcity doesn’t necessarily drive demand or values upward as they do for well-knowns such as Mantle or Williams (with store-model bat production in orders of magnitude far above Fain models) however, for collectors like me, landing one of his bats in any condition is a bit of a boon. In terms of baseball militaria, a Fain signature (store model) bat would not be a part of any collection as he wouldn’t have had such a bat made for him until he was established in the major leagues in the years following his wartime service in the Army Air Force.

Ferris Fain’s faint signature and the Louisville Slugger trademark are barely discernible among the filth (Image source: eBay).

When I brought this bat home and shared it among my fellow collectors, the reception for such a beat-up old stick was mixed with one collector (whom I greatly respect) offering the suggestion of unloading it in favor of one in better condition. The recommendation was that my bat wasn’t worth any restorative effort. Taking this input with a grain of salt, the collector also gave me guidance on how I should proceed and the careful steps that I should take along with the products that I should use in order to protect the patina and signs of use while cleaning it up.

Removing the grime
This bat was quite darkened by usage and years of handling and storage (no doubt in someone’s garage among the paints and garden tools). The surface was heavily oxidized to a dirty gray hue and had a variety of stains and markings from various objects that made contact with the bat. Soaking a small area of a paper towel with Goo Gone, I began to gently massage the handle of the bat exercising a bit of caution and hesitancy as the dirt began to slightly dissipate on the wood’s surface.  Moving around the handle and downward (towards the barrel), I continued to wet the paper towel and lift away the dirt a little bit at a time. After nearly an hour, I completed the entire surface and noted that very little was removed despite the appearance of the nearly blackened paper towels that I had been using. After a few more hours of working the bat and noting only slight improvements (while absolutely none of the paint was removed), I decided that something more aggressive than paper was required to cut through the years of soiling.

Needing something with a bit more abrasive power, I grabbed a section of 0000 steel wool, wetted it with the Goo Gone and repeated the cleaning cycle. The steel wool began to peel away the layers of dirt with relative ease leaving a warm, aged color to the wood while retaining the usage markings and indentations in tact. The paint required a bit more attention but was no match for the fine grit of the steel pad.

Restoring the Foil Stamps
Fortunately with store-model Louisville Slugger bats, the brand and signature markings can be distinguishable even if the black foil (which resembles the burned-in brand has faded or been worn off. Since none of the black foil remained on my bat, I decided to replace it with something indelible and that would hold up to the final step in the restoration process (reconditioning the wood surface with oil).  Any novice restorer might be convinced that locating an extra fine tipped pen (to re-trace the near-needle-thin lines) would be well-suited for such a task. However, ink would be problematic when met with linseed oil. If one were to forego the oil-reconditioning, the ink would be subject to oxidation and fading with time. What my fellow collector recommended was to use a pen that, instead of paint as its medium, acrylic black paint would be used to fill in the stamps and markings. The challenge that I faced in seeking a paint pen marker was to locate one with an extra-fine head and unfortunately, the best option was a 1.5mm tip. I used the Molotow ONE4ALL Acrylic Paint Marker, 1.5mm and a boatload of patience.

At my age, free-hand tracing of fine lines required the use of ample light and magnification to be able to see the original markings. Using a jeweler’s magnifying lamp afforded me with the best opportunity to carefully guide the pen through each stamped indentation.  For those who are not familiar with the mechanics of paint pens, they can be quite a challenge as they require depressing of the tip (in order to draw the paint downward) which can be a bit messy and cause more paint to flow onto the bat’s surface than intended. I recommend using a newspaper to press the tip of the pen to the desired paint-saturation. I spent a few hours, stopping to rest my eyes and hand at intervals and to allow the paint to dry and avoid transferring it to my hand and to other areas of the bat.

Once the painting was done on both the brand and the signature stampings, I didn’t like the crispness of the paint. I also had a few spots where I was unable to keep the pen tip within the lines. I followed the painting with careful and deliberate application of dry steel wool removing the over-painted areas and the shiny paint surface to match the used and aged condition of the bat.

The restoration nearly completed (save for the linseed oil finish), the bat already displays nicely with the signed baseball, original type-1 print, the glove and the two Hillerich & Bradsby pieces of advertising ephemera.

All that remains with the restoration of the Ferris Fain bat is to carefully apply linseed oil to properly treat the surface of the wood. Looking through my wood finishing supplies I see that I am lacking in linseed oil which will leave this Fain bat unfinished at present.

 

 

 

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