Category Archives: Equipment
Collecting vintage baseball artifacts, especially game-used pieces, is one of the more difficult and costly arenas in the hobby. With challenges ranging from limited availability to near-impossibilities in authentication and the existence of rock-solid provenance, collectors have to navigate a minefield of pratfalls when they set out to purchase such treasure. Baseball militaria adds in a layer of complexity that even after a decade of researching, documenting and making educated comparisons, pose a considerable challenge even for me.
If I was to be queried as to what my favorite baseball militaria artifacts are to collect, without hesitation my response would be jerseys and uniforms as they present such a vivid and tangible connection to the game. Enjoying my growing archive of vintage military baseball photographs, my attention is almost always focused on the details of the players’ uniforms. I study the designs, cut, fit and form zeroing in on the trim, lettering and other adornments. Other uniform elements also draw my attention such as the stockings, cleats and, what is perhaps my most favorite baseball garment (regardless of it being modern, vintage or reproduction), the baseball cap.
Collectors of game-worn uniform items from the professional game understand that jerseys are typically the most sought after artifacts, especially when they are attributable (with provenance) to a well-known player. Baseball caps offer a more “affordable” foray into this sphere of baseball memorabilia in contrast to jerseys but can still carry substantial price tags for those pieces connected to legends of the game, such as Lou Gehrig’s early 1930s at more than $200,000. In contrast to Gehrig’s steep price, another Hall of Fame player’s cap sold around the same time but for a fraction of the cost – Paul Waner of the Pittsburgh Pirates uniform hat from the same timeframe – had a final bid price of less than $10,000. To compare these prices against jerseys from these players, a 1937 Gehrig game-worn home Yankees flannel jersey was sold for $870,000 in August of 2017 by Heritage Auctions. This year, another Lou Gehrig flannel old for an undisclosed price but SCP Auctions President David Kohler remarked that it was among the most expensive artifacts that his firm had ever handled and fetched the highest price paid for a Gehrig jersey (see: 1937 Lou Gehrig Jersey Emerges; Sold for Record Price), which in my estimation was well over $1 million.
In the baseball militaria sphere where collectors with reduced financial capabilities (and smaller bank accounts) exist, there is a similar cost-differential between jerseys and caps. Despite what many antiques pickers and online sellers may believe about these woolen treasures, most World War II era, unattributable (to a professional or named player) military jerseys sell for prices ranging from $50-170 dollars. Currently, a seller has some long-running auctions for two different road gray and red-trimmed USMC jerseys (one from WWII and the other from the mid-late 1950s) and both are considerably over-priced which is keeping the prospective buyers at bay.
When one considers the immeasurable number of uniforms and ballcaps used by the hundreds upon hundreds of unit and service teams throughout the more than 4.5 years of World War II, it is mind-boggling that so few of these fabric artifacts have survived. In nearly a decade of collecting photographs of military baseball uniforms and documenting their designs and usage, the Archive of Military Baseball Uniforms has only a smattering of examples (even with the few additions that are soon to be added) further indicating that so few were preserved for posterity. Once the war ended and the troops returned home, the disposition of all the baseball equipment was similar to that of military surplus. Many of the baseball uniforms were donated to many organizations, schools and even lower level minor league teams. While the number of surviving jerseys is very small, existing military team baseball caps numbers are downright microscopic. In the decade that I have been researching and collecting baseball militaria, I have seen less than five confirmed caps, three of which are now in my collection.
I have studied hundreds of vintage photographs ranging from high-gloss, professional images to raw and very personal snapshots of baseball imagery dating from World War II to before the Great War. With considerable focus placed upon headgear of armed forces players, I have garnered a good sense about what was worn by ball-playing servicemen (and women). Two of the caps that landed in my collection (see: Marine Corps Baseball Caps: The End of My Drought?) in succession only weeks apart are both lids worn by Marines during WWII. In the absence of absolute provenance, relying on photographs, research and comparative analysis is the only means at my disposal to conclude with a fair amount of probability that the caps can be paired with jerseys that I acquired in my collection.
One cap that I have yet to commit a full article to is one that defies every research attempt. Combing through so many photographs (my own and images across the internet and in publications), I have not yet found a single reference to specific teams from the Third Air Force. Prior to the attack on Pearl Harbor, the 3rd AF was responsible for providing air defenses for the southeastern United States (which included anti-submarine patrols for the coastal states). However the role for the Third changed to one of training within the confines of the country while other numbered air forces took the fight to the enemy overseas. The cap is clearly a 1940s vintage which means that it was used by team that was part of a domestic USAAF training unit.
There are some common features of this cap that are shared with my blue Marine cap. The shells use the same wool weave and and material weight and have leather sweatbands. Other than the materials, the the similarities end with the design – the cut of the panels and the shape of the bill. The underside of the Marine cap utilizes a white wool material while the 3rd AF cap is made with a more traditional green cotton material. The AF cap has a tag attached to the inside of the sweatband but if it possessed any information, it has long-since faded. One difference between the AF and blue Marine cap is the elastic segment in the sweatband (similar to that found in my red Marine cap). On the front panel of the 3rd AF cap is a vintage Third Air Force should sleeve insignia (SSI) patch sewn (machine-stitched) across the center.
In lieu of concrete evidence supporting that the Third Air Force cap was actually game or team used, I lack the confidence (at this point) in making claims that the cap is more than a vintage lid with a period-correct 3rd Air Force SSI. Even without the confirmation, I will continue to display this cap along with the remainder of my baseball militaria.
My flannel and cap collection will never generate the scale of interest that fellow baseball collectors have in Gehrig, Ruth or pieces from any other legends of the game however these pieces of baseball history are considerably more scarce than their professional player counterparts.
Once again, fraud being perpetrated upon the unsuspecting collectors is pushing me to expose the deed and provide a measure of awareness for those who are unfamiliar with collecting baseball militaria. Online sellers, predominantly within the liar-laden sphere of auctions in what is known as eBay. Fraud and deception are so rampant and blatant that the company that facilitates criminals and deceivers also has in place a substantial program to thwart them after the transactions have been completed. With an item, such as the subject of this article is addressing, is listed for sale, it is incumbent upon the buyer to perform due diligence before pulling the trigger to bid or click the “buy it now” (BIN) button as the folks at eBay lack the expertise to discern fakes from real artifacts.
I have written several pieces regarding fraudulent military baseballs being sold online (see: Fake Military Baseballs) where I have covered many features that are consistent among faked balls. The sellers, hoping to capitalize upon the emotions of the prospective buyers by listing one of the most difficult-to-find artifacts from this time in baseball history, love to capitalize on the understanding that there are so few authentic items with which to perform comparative analysis. In the absence of genuine artifacts for verification, common sense should prevail as one analyzes the artifact using the details presented in the listing.
The latest example of a fraudulent military baseball is listed by a seller with nearly 5,000 transactions and 100% rating which certainly lends a certain measure of credence to the listing. However, one cannot rely solely upon the seller’s positive sales history to lend credibility any item that is listed. Not to disparage the seller and accuse them of intentional fraud as it is quite possible that the item was obtained from a reputable source.
STAMPED U S M C
FROM ESTATE OF VETERANS MARINE
IN WELL PLAYED CONDITION BALL
The description indicates that the seller obtained the ball from a veteran’s estate. One can only assume that the ball was either given to the veteran or he purchased it from a source that was in the business of faking baseballs for profit. What the eBay seller is guilty of doing, at the very least, is perpetuating deception by pushing the bad ball back onto the market and validating it by associating the listing alongside his lengthy, credible sales history.
As with all of the other faked examples that have been on the market over the last decade, this baseball does nothing to set itself apart from the fraud-field, aside from the use of “U. S. M. C.” stamped on one of the panels. On the surface, this might seem to be a legitimate mark as the unsuspecting buyer would assume that the Marine Corps applied this stamp to every piece of issued gear. In giving the benefit of doubt and accepting this marking at face-value, one would have to ignore that the baseball has two diverging planes of use and aging. In addition, the USMC stamp itself would not have made an appearance on the baseball as these were not “issued” by the Corps or sourced by the War Department for the military supply system.
Visible above (and to the left) of the USMC stamping are faint markings that are residual from the manufacturer’s marks (also stamped onto the baseball with an ink stamp) – though the mark is indistinguishable for identification purposes. Due to wear (either from game-use or synthetic as part of the faking process), the manufacturer’s mark is nearly eliminated which then calls into question the Marine Corps stamp. With such heavy usage and staining, how is the Marines stamp so vivid and showing very minimal wear?
It is quite obvious that the USMC lettering was applied after most of the original wear. Aside from the aging (it has been roughed up after the stamp was applied), the stamp shows that it was applied twice, possibly in an attempt to obtain better coverage for the letter “C” while leaving a sloppy, unprofessional marking.
The issues with the ball are substantial and call into question the validity of the seller’s claims. Besides the concerns regarding the apparent synthetic aging and that there are no existing valid examples of any baseballs bearing the USMC marking, the seller’s actions displayed within the listing are enough to steer anyone away from submitting a bid. Authentic military baseballs (such as those provided to the troops by the Professional Base Ball Fund that were marked accordingly) are valued in the $40-70 range, condition-dependent. This seller has this faked ball listed with a starting bid of $150. Along with the price gouging, the exorbitant shipping costs coupled with the seller’s no-returns policy are both red flags.
It is difficult to determine where the deception lies with this auction listing. What is certain is that potential buyers need to perform their due diligence before they decide to pursue such purported artifacts – especially when they are as overly-priced as this one. As an aside, I did reach out to the seller to provide the reasons supporting my recommendations that the auction listing be discontinued and the ball destroyed. Expecting to receive some sort of pushback in response to the message, I was surprised that the seller considered the information that I provided. In addition to the reasons that I listed in my message as to the why the ball is not genuine, I also recommended that it not be sold to prevent it from being used to defraud another interested party. The seller’s response was to merely reduce the opening bid amount by $100 and to cherry-pick some of the details from my email.
Within the first half of 2019, I was able to land some very significant artifacts. For a fairly decent stretch, my collection was bolstered with a few important photographs that included ball players who played their way into the Hall of Fame. As Spring wound down and the summer heat began to arrive, for a myriad of reasons, the run of acquisitions was stunted as if the faucet was not only closed, but tightened shut with a wrench. Though my ability to pursue artifacts was cut-off, the availability of some rather impressive pieces has only continued.
One of the most significant artifacts that I had to watch pass by was an historically important baseball uniform. I had to watch the bidding over the course of several days culminate in a relatively inexpensive purchase for the winner of the online auction listing. As I wrote in Breaking the Color Barrier in the Ranks and on the Diamond, African American baseball militaria artifacts are decidedly scarce. With this in mind, watching a uniform set (which consisted of a jersey and trousers) from a ballplayer who served with the 47th Quartermaster Regiment and purportedly on the Red Ball Express, pass me by was a source of frustration and considerable disappointment.
The Red Ball Express was the name for the 6,000+ truck convoy supply line (originally) stemming from the Normandy beachhead in France to the front as it progressed inland. Consisting of more than 75% African American drivers and crew, these men braved bombings and strafing attacks by Germans bent on disrupting the flow of ammunition, water, food and other supplies to keep the troops equipped and fed as they pushed the Wehrmacht backwards towards their homeland. The Red Ball Express was a risky endeavor for truck crews as supply lines were a prime target for the enemy as disrupting them could reduce the effectiveness of the front line fighting troops.
The uniform that was listed and sold belonged to a man who (apparently) did not continue with the game, at least not in any professional capacity as he attended college years after returning from his wartime service, becoming a teacher, high school administrator and school board member in Alexandria, Virginia. Dr. Gilbert Mays was a lifelong Virginia resident and passed away at the age of 94 on March 5, 2014.
“Dr. Mays worked in Richmond from 1958 to 1970 for the Virginia Department of Education as a supervisor for mathematics and science in secondary education. His job focused initially on black schools during the era of segregation, but his job came to encompass oversight of all secondary schools for math and science studies.
He was recruited to the Alexandria school system in 1970 as it was still struggling to integrate black and white students. He was briefly assistant principal at T.C. Williams High School before being named principal at Minnie Howard Middle School in 1971. He returned to Williams in the late 1970s as executive associate principal and retired in 1985.
Gilbert Mays was born in Dolphin, Va., and was a 1953 graduate of Saint Paul’s College, a historically black college in Lawrenceville, Va. He received a master’s degree in 1958 and a doctorate in 1977, both in education from the University of Virginia.
He served in the Army in Europe during World War II and participated in the truck caravan known as the Red Ball Express, which kept the military supplied with gasoline and other staples. Earlier, he was among those who tested an early prototype for the Jeep at Fort Holabird in Baltimore.” – Washington Post obituary, March 13, 2014
Regardless of Dr. Mays’ profession, this baseball uniform would have been an honor to house within my own collection.
- The Road to Victory: The Untold Story of Race and World War II’s Red Ball Express (by David Colley)
- Liberty Roads: The American Logistics in France and Germany, 1944-45 (by Nicolas Aubin)
- Red Ball Express: Supply Line from the D-Day Beaches (Us Army Transport) (by Pat Ware)
- The Red Ball Express (2016 documentary narrated by and starry Tim Reid)
- Red Ball Express (1952 drama starring
- Red Ball Express Facts: information and articles about the Red Ball Express, prominent figures in Black History
- 47th Quartermaster Regiment, K-company, Gilbert Mays Uniform
A few months ago, I was contacted by a college professor, Peter Dreier of Occidental College, who was seeking information, documents, data or photographs that would be beneficial to his research pertaining to the European Theater of Operations (ETO) World Series games played between the 71st Infantry Division Red Circlers and the OISE All-Stars teams at Nuremberg Stadium. Sadly, I didn’t have a single shred in terms of new details or insight that could be of assistance in his effort to create a presentation (for the Baseball Hall of Fame Symposium) or to his book project regarding Sam Nahem and his decision to fill his Overseas Invasion Service Expedition (OISE) All-Stars roster with the best baseball players he could find.
At a time when Jim Crow laws and sentiments were still very pervasive in our country, the sting of segregation faced by people of color was also very prevalent in the armed forces. When I served in the 1980s and 90s, all signs of segregation were effectively eliminated and everyone whom I had the honor to serve with was and remains a brother. While I do not deny that there existed (during my time in uniform) residual-yet-waning effects of racism within the ranks, I personally witnessed hearts and minds transformed as we pulled together as a team. It is difficult to fathom what existed during World War II in that Americans couldn’t serve together. Segregated units (for both African Americans and Japanese Americans) was the standard for the armed forces – with ground and aviation troops in particular. It was a terribly irony that any American would enlist to fight against tyrannical and horribly racist nations only to face returning home to racial separation and bigotry. As was with Branch Rickey and Jackie Robinson pioneering change within professional baseball, so too was were men like Nahem and others with the game within the ranks.
In respecting Mr. Dreier’s work and efforts and not to steal the thunder surrounding his book regarding Nahem, I will do my best to avoid giving anything away regarding his project. One facet of Peter’s work will center on Sam Nahem’s pulling together of the team which including the potentially controversial decision to include African American servicemen onto the team. Though some would assert that adding the likes of Willard Brown and Leon Day to the OISE rosters was the first instance of an integrated ballclub, instead it was part of the beginning of turning the tide for integration (Jackie Robinson, a WWII veteran and former U.S. Army officer and star of the negro leagues would sign with the Brooklyn Dodgers after the end of the 1945 major league baseball season). In the summer of 1944, Hal Harrison would join major leaguers the likes of Joe DiMaggio, Dario Lodigiani, Walter Judnich, Myron McCormick, Charles Silvera, and John Winsett on the 7th Army Air Forces baseball and Army All Star teams in the Hawaiian Central Pacific League.
The ETO Series was a best three of five games that went the distance. The OISE All Stars were, by comparison to their competition, a cobbled together group of semi-pro, minor and negro league talent that faced off against the formidable Red Circlers who were stocked with two former major leaguers, Johnny Wyrostek and Herb Bremer along with six veteran minor leaguers (the 71st was so talented that the roster featured fifteen players who possessed professional league talent and played on minor or major league teams either before or/and after the war). Following the game 1 blowout of the OISE men, the series could have easily appeared to be a lopsided sweep with the Red Circlers plowing through their second consecutive serious, effortlessly (the 71st swept the champions of the 7th Army, the Blue and Greys of the 29th Infantry Division in three games, just a few weeks prior).
Overseas Invasion Service Expedition (OISE) All-Stars
On the heels of the 9-2 rout on September 2, 1945, starting pitcher, Leon Day was given the task to turn the tide and did so tossing a complete game, 2-1 four-hit victory to even the series at a game a piece on September 3rd. The OISE team would claim the ETO championship before heading to Leghorn, Italy to take on the Mediterranean Theater champs, the 92nd Division. The Nahem, Brown and Day’s squad swept the 92nd routing them in three games, 19-6, 20-5 and 13-3. Day was a 10-year veteran of the Negro National League before entering the Army in 1943. Leon Day had compiled a 24-14 record with Baltimore, Brooklyn, Homestead and Newark before donning his OISE flannels after hostilities ended in Germany. By the time Day hung his spikes, he began a long wait from Cooperstown that would come 42 years later following veterans committee vote. Just seven days later, Day would pass away on March 14, 1995. Day’s OISE teammate and fellow Negro League veteran, Willard Brown would join him in Cooperstown eleven years later though Brown didn’t live long enough to see his election having passed a little more than a year after Leon.
For a collector of baseball militaria for the past decade, finding pieces pertaining to African Americans who donned the uniform of their nation and their unit’s flannels is beyond difficult and more towards the realm of impossible. In my collection are exactly two pieces and yet only one of them, a photograph, is a vintage artifact.
Recently, I was able to obtain a signature of one of these two war veterans and members of Cooperstown. I received the authenticated Leon Day autographed ball much to my elation. Though the ball isn’t in line with what I collect in terms of uniforms, photographs, equipment and ephemera, it does fit well in that this veteran served as a member of the 818th Amphibian Battalion.
When I saw an auction listing for a group of two or three small snapshots that were seemingly removed from a veteran’s wartime photo album, I jumped at the chance to add it to my collection as one of the images showed a group of African American soldiers wearing flannels and army uniforms. The photo, though out of focus and poorly exposed, is (to me) an invaluable piece of history. When I shared the photo with a group of baseball collector colleagues, one of them called attention to who he suspected was a notable professional ballplayer in both the Negro and Major leagues.
Usually when I acquire vintage photographs, my first action is to clean and scan (at the highest resolution as is possible) them to create a digital copy of the image. From the initial scan, I begin to adjust and correct any exposure issues and then begin to repair damaged areas that may be present on the image’s surface. The most common repairs are the removal of foxing and cracks that occur with the aging of the silver oxide emulsion due to exposure to air and light. Since the scans are substantially detailed, I am afforded the opportunity to inspect the details in hopes of uncovering additional information that wasn’t previously known regarding the subject of the image. With this particular image, the lack of crisp focus and poor exposure settings, I was unable to discern anything that would lend to identifying the units, location or identities of the men pictured.
When I read my collector colleagues remarks regarding the very tall, light skinned man (pictured second from the left) and that he suspected him to be “Sad Sam” or “Toothpick” Jones, a ball player who served in the Army Air Forces and went on to play in the Negro and Major Leagues. Jones was a latecomer to baseball having played football and basketball as a youth athlete. While stationed stateside in Florida, he began playing baseball for small tenant unit team due to the segregation that existed with his command’s team. As it turns out, his team was actually the more competitive squad on which he played at first base and catcher, pitching occasionally. Jones would pitch for 12 seasons in the major leagues (from 1951-1964) with six teams amassing a 102-101 win-loss record with a career ERA of 3.59. He led the league in strikeouts three times (1955 and ’56 with the Cubs and in 1958 with the Cardinals) and earned two trips to the Mid-summer Classic (1955 and in 1959 with San Francisco). His best season in the majors was with the Giants in 1959 when he posted a 21-15 record and 2.83 ERA, leading the National league in both wins and earned run average.
The likelihood that the man in my vintage photograph actually being “Toothpick” Jones seems to be considerable though there is no way for me to authenticate it as such. Regardless of the identities of the men in the image, the photograph is a cherished addition to my photo archive and will serve as a testament to the invaluable dedication and contribution these men made to their country and to the game. It is an honor for me to be a caretaker of such a treasure.
Last week I mentioned (see: My First Baseball Militaria At-bat; I Lead-off with the Marine Corps) that I was preparing for a public showing of my collection of baseball militaria at a local minor league ballpark. As a brief follow-up (ahead of an upcoming article about that experience) I should say that the experience and reception was incredible and a great success! Since I am on the subject of reviewing my recent open ended articles that may have left some readers wondering, I did have a great experience with my first restoration of a vintage baseball bat (read: Nothing To Write? I Think I’ll Just Restore a Vintage Bat, Instead).
In recent years, I connected with a few groups of fellow baseball memorabilia collectors with the idea that I wanted to learn from and share my own information among a gathering of others who have a wealth of knowledge. Sharing with and drawing from others who have been collecting for decades longer and in areas that I hadn’t previously committed much energy has served me well and opened my eyes to the extent of passion that others possess. In terms of collecting bats, I only had a smattering of pieces of lumber that I either acquired in anticipation of obtaining a player’s signature or that I landed while working at the aforementioned minor league ballpark, decades ago. Though my scant collection included some game-used wood from players who never went far with their professional careers, it was fun to have their bats (which were signed at one point since I obtained them). The other sticks in my collection were vintage store-model (they look very similar to what professional players receive from manufacturers but are sold in sporting goods stores for amateur use or autographs) bats.
Last year, I obtained an early 1950s store model, Ferris Fain signature bat that had seen a lot of use and abuse. In addition to the heavy wear, accumulation of dirty grime and house paint spills, the bat had extremely faint manufacturer’s stamps and the player’s signature mark was nearly impossible to see. Professional model bats (for game use) have deep and distinct, burned-in markings that are quite difficult to obscure with use and time but the same is untrue for these lightly-marked store-purchased pieces of lumber. Rather than the burned-brands, thes Louisville Sluggers have foil-stamped (the stamps are subtle) marks that get worn or rubbed off with use. By no means am I a vintage bat expert but I have some excellent resources to draw from. In terms of Hillerich and Bradsby (maker of the most famous brand, Louisville Slugger), this reference is very detailed in providing information to discern age and models of ‘Slugger bats.
Store model bats, though sought after by collectors, are quite affordable and can be great display pieces when shown with other items (jerseys, caps, gloves, autographed photos, cards, etc.) when costly game-used bats are unavailable or unobtainable. Player-signature store model bats were made bearing the autographs of the more prevalent stars of the game. Some signature models were continued far beyond the career years of players that transcended the game. However, with some of the more mercurial stars like Fain whose career burned brightly and faded quickly due to his all-out style of play and propensity for injuries (and fighting), signature bats are considerably more scarce. Scarcity doesn’t necessarily drive demand or values upward as they do for well-knowns such as Mantle or Williams (with store-model bat production in orders of magnitude far above Fain models) however, for collectors like me, landing one of his bats in any condition is a bit of a boon. In terms of baseball militaria, a Fain signature (store model) bat would not be a part of any collection as he wouldn’t have had such a bat made for him until he was established in the major leagues in the years following his wartime service in the Army Air Force.
When I brought this bat home and shared it among my fellow collectors, the reception for such a beat-up old stick was mixed with one collector (whom I greatly respect) offering the suggestion of unloading it in favor of one in better condition. The recommendation was that my bat wasn’t worth any restorative effort. Taking this input with a grain of salt, the collector also gave me guidance on how I should proceed and the careful steps that I should take along with the products that I should use in order to protect the patina and signs of use while cleaning it up.
Removing the grime
This bat was quite darkened by usage and years of handling and storage (no doubt in someone’s garage among the paints and garden tools). The surface was heavily oxidized to a dirty gray hue and had a variety of stains and markings from various objects that made contact with the bat. Soaking a small area of a paper towel with Goo Gone, I began to gently massage the handle of the bat exercising a bit of caution and hesitancy as the dirt began to slightly dissipate on the wood’s surface. Moving around the handle and downward (towards the barrel), I continued to wet the paper towel and lift away the dirt a little bit at a time. After nearly an hour, I completed the entire surface and noted that very little was removed despite the appearance of the nearly blackened paper towels that I had been using. After a few more hours of working the bat and noting only slight improvements (while absolutely none of the paint was removed), I decided that something more aggressive than paper was required to cut through the years of soiling.
Needing something with a bit more abrasive power, I grabbed a section of 0000 steel wool, wetted it with the Goo Gone and repeated the cleaning cycle. The steel wool began to peel away the layers of dirt with relative ease leaving a warm, aged color to the wood while retaining the usage markings and indentations in tact. The paint required a bit more attention but was no match for the fine grit of the steel pad.
Restoring the Foil Stamps
Fortunately with store-model Louisville Slugger bats, the brand and signature markings can be distinguishable even if the black foil (which resembles the burned-in brand has faded or been worn off. Since none of the black foil remained on my bat, I decided to replace it with something indelible and that would hold up to the final step in the restoration process (reconditioning the wood surface with oil). Any novice restorer might be convinced that locating an extra fine tipped pen (to re-trace the near-needle-thin lines) would be well-suited for such a task. However, ink would be problematic when met with linseed oil. If one were to forego the oil-reconditioning, the ink would be subject to oxidation and fading with time. What my fellow collector recommended was to use a pen that, instead of paint as its medium, acrylic black paint would be used to fill in the stamps and markings. The challenge that I faced in seeking a paint pen marker was to locate one with an extra-fine head and unfortunately, the best option was a 1.5mm tip. I used the Molotow ONE4ALL Acrylic Paint Marker, 1.5mm and a boatload of patience.
At my age, free-hand tracing of fine lines required the use of ample light and magnification to be able to see the original markings. Using a jeweler’s magnifying lamp afforded me with the best opportunity to carefully guide the pen through each stamped indentation. For those who are not familiar with the mechanics of paint pens, they can be quite a challenge as they require depressing of the tip (in order to draw the paint downward) which can be a bit messy and cause more paint to flow onto the bat’s surface than intended. I recommend using a newspaper to press the tip of the pen to the desired paint-saturation. I spent a few hours, stopping to rest my eyes and hand at intervals and to allow the paint to dry and avoid transferring it to my hand and to other areas of the bat.
Once the painting was done on both the brand and the signature stampings, I didn’t like the crispness of the paint. I also had a few spots where I was unable to keep the pen tip within the lines. I followed the painting with careful and deliberate application of dry steel wool removing the over-painted areas and the shiny paint surface to match the used and aged condition of the bat.
All that remains with the restoration of the Ferris Fain bat is to carefully apply linseed oil to properly treat the surface of the wood. Looking through my wood finishing supplies I see that I am lacking in linseed oil which will leave this Fain bat unfinished at present.