Category Archives: My Collection
In the sphere of baseball memorabilia collecting, there are certain artifacts that conjure deeply emotional responses when they are beheld. The jersey or uniform worn by one of the game’s greats, the glove used by a legend during a pivotal World Series game, or the bat that hit the game-winning home-run in a contest in which the score was knotted in a tie; these treasures seem to engender jaw-drops and sheer awe by folks when their eyes fall upon the items. In no other sport is the history of autographs more ingrained and deep-rooted than it is within baseball’s storied past. One of the most-telling indications of the value placed upon signatures from the people who played the game lies with the monetary-worth associated with specific items, such as autographed baseballs.
There are many examples of the considerably-high appraisal values associated with such treasures. To underscore the consistent high-prices, this 2017 Antiques Roadshow segment demonstrates the sort of financial interest the most-desired signatures can generate. Certainly inheriting a treasure such as a team-signed 1927 Yankees baseball is a windfall in terms of monetary value but for those who enjoy such treasures for their historical significance, it is invaluable.
The Chevrons and Diamonds collection features a handful of military service team-signed baseballs from World War II and into the 1950s. Starting with our first, a sphere that was autographed by the 1956 “Rammers” of the 36th Field Artillery Group based in Germany, we slowly began to source, acquire and receive treasures that brought a personal connection to service teams from more than a half-century ago. When we shined a spotlight upon the “Rammers” ball, life was breathed into the artifact as the descendant of one of the signers, a man who turned down the potential for a professional career within the Chicago Cubs organization, saw his grandfather’s autograph in the (story’s accompanying) photos of the ball (see: Countless Hours of Research and Writing; Why Do I Do This? This is Why) which fueled a family’s renewed interest in the veteran’s service and his love of baseball. After being gifted with another signed piece, the 1949-dated ball from the “Stags” of the 25th Infantry Division, the significance of the everyday veteran who also played baseball during their time in uniform was further cemented in seeing infantrymen’s names encircling the ball.
To baseball fans and collectors of baseball memorabilia, these two signed pieces are understandably insignificant and rather undesirable due the lack of recognizable names inscribed on either ball. However, to Chevrons and Diamonds, such treasures underscore the game’s long-standing connection to the armed forces. Owning a baseball that was signed by professional ballplayers that made notable or significant contributions to the game gives a sense of connection to the game’s history.
While acquiring a ball signed by the 1927 Yankees is certainly the pinnacle of baseball autograph collecting, for those who focus on baseball militaria, a piece such as our 1943 Pearl Harbor Submarine Base “Dolphins” team ball (signed by four major and six minor leaguers), can elicit a greater sense of connection to the professional side of the game.
- Seeing Stars Through the Clouds: 1943-44 Navy Team Autographed Baseball
- Dutch Raffeis: the “Flying Dutchman” of U.S. Navy Service-Team Baseball
- Sub-Hunting: Uncovering the Pearl Harbor Sub Base Nine
When we first acquired the P.H. Submarine Base signed ball, we lacked the research resources necessary to properly identify the signatures or associate them to a specific team. In the months that followed, every autograph was subsequently identified and correlated to a matching name on a scorecard or roster, narrowing the ball down to the 1943 team that dominated three separate leagues (securing the championships) in the Hawaiian Islands during that season. The success of the ’43 “Dolphins” prompted Army leadership to respond in kind by building a championship caliber team of their own for the 1944 season. The result of that response was the assemblage of the Seventh Army Air Force squad whose roster was populated almost entirely by major leaguers and top-level minor leaguers that in turn, dominated the 1944 season, relegating the Pearl Harbor Sub Base “Dolphins” to a distant second place.
We are always on the lookout for similarly significant autographed baseballs and in the course of nearly 20 months, we have seen a few significant signed balls from noteworthy wartime service games and teams but were entirely unsuccessful in securing them for our collection. In the past few weeks, the situation changed when a colleague shared some photos of a signed baseball (purportedly from the 1943 Norfolk Naval Training Station “Bluejackets”) that he acquired and was seeking assistance in identifying the signatures that were present. After reviewing a few of the names that were easily discernible, we matched them against the rosters from the 1942, 1943 and 1945 teams (obtained from supporting documentation in the form of scorecards, newspaper clippings and books), I was able to confirm the baseball came from the 1944 team.
I asked the colleague how he determined the baseball bore signatures from the ’43 Norfolk Bluejackets and he responded that the information came from “the person I got it [the ball] from. He got a [different] ball from the last game of the 1943 [season] Red Sox vs White Sox [series] and [had it] signed by the White Sox,” our colleague continued,” and later got the navy players [to sign the Norfolk ball] the same year as he remembered.” Understanding how some timing details can grow foggy as the decades pass, we didn’t press for more information. Our colleague closed the conversation, writing, “He (the veteran) also was in the navy. Each of these guys played for navy and specifically 1943.” Sharing some of our research that validated the actual iteration of the Norfolk team, our colleague responded that the ball was available, messaging that the ball, “needs to go to a place where it can be appreciated for its history and am glad you found it.”
Indeed, we were glad to have found this baseball. Once we had it in hand, a closer examination of the autographs showed that the ball contained inscriptions from nine major leaguers and three minor league players. Twelve players from the 1944 Norfolk Naval Training Station “Bluejackets” roster of 20 signed the period-correct William Harridge Reach Official American League baseball (used by the American League from 1943-1947).
1944 Norfolk Naval Training Station Bluejackets Roster (names present on the ball are in bold):
|Sig Broskie||C, PH||0.368|
|Benny Huffman||C, LF||0.329|
As the season was getting started, the press had concerns as to the capabilities of the new faces on the roster and how the manager, Gary Bodie will address the seemingly gaping holes left by the departed stars of the 1943 season.
“Gone are many members of last year’s championship club, but true to Navy tradition, a winning club is in the offing at the NNTS.
Coach Bodie won’t have some of the stars of the brilliant infield at his command this year. They’re scattered about the four corners of the earth. When the umps called, “Play Ball” in the first game of the season, Shortstop Phil Rizzuto, Second Baseman Benny McCoy, Third Baseman Jim Carlin, and Pitchers Tom Earley, Freddie Hutchinson, Charlie Wagner, Hank Feimster and Maxie Wilson were conspicuously missing. So were Vinnie Smith and Dom DiMaggio – all transferred to other bases.
But veteran Bodie has come up with another rip-snortin‘ combination that promises to be a whirlwind in Navy competition this year. The swashbuckling Bluejackets will eagerly watch the work of big Eddie Robinson, formerly of the Baltimore Orioles, one of last year’s mainstays. Jeff Cross, a St. Louis farm hand at Houston, will be back at third.
Bodie plans to use Jack Conway at Phil Rizzuto’s post, while George Meyer, ex-Texas League veteran, is slated to see service at second base, and will have as his understudy, Henry Schenz, former Portsmouth Cub infielder.
Hailing from Sheboygan in the Wisconsin League is Bill Deininger, second-string catcher on the 1943, who will bear the brunt of the catching duties this year. Benny Huffman, formerly with the St. Louis Browns, will divide the receiving chores with Deininger.
Bodie has a battery of six hurlers to choose from – three righthanders and a trio of southpaws. The lefties are Tommy (Yankees) Byrnes, Russ (Cubs) Meers and Herb (Tulsa) Chmiel, while the righthanders include Johnny (White Sox) Rigney, Frank (Tulsa) Marino and Jack (Binghamton) Robinson.” – Sporting News, April 27, 1944
Out of the gate, the 1944 Norfolk Naval Training Station dominated their competition.
“Seven thousand sailors and officers overflowed the naval base stadium, Easter Sunday, April 9, to watch Gary Bodie’s NTS team open the season with a 12-2 decision over the Portsmouth Cubs, defending Piedmont League champions.
After Capt. H. A. McClure, commanding officer of the NST, start things rolling by throwing out the first ball, the Bluejackets pounded three Portsmouth pitchers for 16 hits, including a homer by Bennie Huffman, formerly of the St. Louis Browns.
The Piedmont Leaguers collected eight hits off Russ Meers (Chicago Cubs) and Frank Marino (Tulsa), and a two-base smash by Rayon Couto, veteran Cuban catcher, was one of the longest blows of the game.
Eddie Robinson (Baltimore), of the NTS, and Francisco Campos, 19-year-old Cuban Cub, set the pace in the hitting with three safeties apiece.” – Sporting News, April 13, 1944
The 1944 Norfolk team, though not as competitive in their league and exhibition play the 1942 Bluejackets, still managed to notch 83 wins against 22 losses (and two ties), pulling them ahead of the noteworthy 1943 Norfolk squad. Mirroring the previous season’s opening series against a major league opponent (against the Washington Senators), the Norfolk team faced St. Louis, that season’s eventual American League Champions, defeating them by a 6-3 margin as browns closed out their spring training season. Norfolk NTS closed out their 1944 year by playing host to the Senators, dominating Washington by a score of 9-4.
“The Norfolk Naval Training Station team swept two games from the Quantico Marines, August 19-20, winning the first 11-5, and the second, 16-4. Johnny Rigney yielded only four hits for his nineteenth victory of the season in the second tilt. The win was the seventy-third for NTS, topping the 72-mark compiled by the strong Bluejacket club of last year.” – Sporting News, August 31, 1944
In the 1942 and 1943 campaigns, the Bluejackets closed out their seasons with a seven-game championship, facing off with their cross-base rivals, the Naval Air Station “Fliers.” However, on September 7, 1944, Norfolk NTS commanding officer, Captain H. A. McClure announced that the “Little World’s Series” had been cancelled, marking the end of the of the season
1944 Bluejackets team leaders:
- Batting average – Hank Schenz – .369
- Home runs – Eddie Robinson and Red McQuillen – 11
- RBI’s – Eddie Robinson – 99
- Doubles – Eddie Robinson and Red McQuillen – 26
- Hits – Red McQuillen – 160
- Triples – Red McQuillen – 11
- Runs – Jeff Cross – 109
- Stolen bases – Jeff Cross – 50
- Winning Percentage – Johnny Rigney – .850%
- Wins – Johnny Rigney – 22
Even the club trainer, Myron John “Mush” Esler, had professional experience serving as the trainer for the Milwaukee Brewers (American Association) for 1938.*
In terms of the collectible aspects of the Norfolk NTS autographed baseball, consideration aside from the significance of the team and the autographs present on the ball, must be given to the condition of the ink of the signatures and ball itself. With regards to the heavily faded condition of the ink and the manufacturer’s markings, it is apparent that the baseball has received a considerable amount of ultra-violet exposure over the past seven decades. The nearly pristine white appearance of the hide covering and stitching are demonstrate both an absence of shellac and exposure to human oils and soiling from handling.
The 1944 Norfolk Naval Training Station Bluejackets didn’t have the “star-power” that was present on the ‘43 squad but the results of Bosun’ Bodie’s formulaic mixture of talented and highly capable former major and minor leaguers mirrored what was seen in previous seasons. Although our team-signed baseball lacks the entire roster, the presence of autographs from the Bluejackets’ stars makes this treasure a home run acquisition.
- Of the signatures present on this ball, first baseman Eddie Robinson who had just eight major league games (with nine plate appearances) to his credit before entering the U.S. Navy following the 1942 season, is currently the oldest living major league baseball player having surpassed his 99th year on December 15, 2019. After three years of Navy service, Robinson spent 12 more seasons in the majors with the Cleveland Indians, Washington Senators,, Chicago White Sox, Philadelphia Athletics, New York Yankees, Kansas City Athletics, Detroit Tigers and Baltimore Orioles. Robinson played in 10 World Series games (six with the 1948 Indians and four with the 1955 Yankees) and proved to be a substantial contributor with his bat. In 23 total at-bats, Eddie has a .348 batting average and a .423 on-base percentage.
- Without evidence to the contrary, one other of the 1944 Norfolk Bluejackets whose autograph graces our ball’s surface is left-handed pitcher, Herbert Chmiel who turned 98-years-old on September 22, 2019. Chmiel’s five professional baseball seasons (1941-42, 1946-48) were spent with seven minor league clubs that straddled his three years in a Navy uniform (1942-1945). Herb Chmiel’s last season as a pro-ball player saw him with the 1948 Los Angeles Angels (Pacific Coast League) where he saw action as a relief pitcher with 14 innings in six appearances.
- “Mush Esler served as a trainer for the University of Toledo from 1939-1940 and in the same capacity for the Cleveland Rams (National Football League) for 1941. Chief Athletic Specialist Mush served in the Navy from March 1942 through December 1945. After the war, Mush served as the trainer for the NFL’s Chicago Cardinals before spending the remaining years of his life as the Chicago White Sox trainer from 1951 until his premature death in 1955 at the age of 44.
When I first saw the photograph, I was struck by what was visible in the image. The stadium’s grandstands appeared to be a modern concrete facility with an unorthodox seating configuration. The absence of a true baseball park layout that also lacked traditional dugouts and caused me to take a closer look. In viewing the image (along with the corresponding caption and clipping) what I discovered quite surprisingly, was that the photo provided a rare glimpse of a rather noteworthy service team baseball game that was the culmination of one man’s monumental organizational efforts.
There have been countless pioneers in the game of baseball throughout its existence though most are relatively unknown in American culture. Apart from cultural icons who forged through some of the most arduous and challenging of circumstances like Jackie Robinson and Branch Rickey, Americans (who are not ardent fans of the game) might offer stone-faced empty stares if asked to name another pioneer of the game. Curt Flood might come to mind for those who understand the business side of baseball regarding the Reserve Clause and Free Agency. Perhaps one might mention Bill Veeck and his trend-bucking game-promotion wizardry throughout his tenure as an executive and team owner (and who was threatening to break the color barrier by buying the ailing Phillies and field an entire roster of former Negro League players)?
One of the earliest World War II ground offensives that the United States armed forces participated in was launched in early November of 1942 with an amphibious assault onto the shores of Northern Africa with the goal of unseating the entrenched Axis troops that had occupied the region since the previous year. The invasion was a large-scale operation that included Allied naval and ground forces from Great Britain (including Australia and Canada), Free France, the Netherlands and the United States. Following the initial push of Operation Torch (November 8-16), the Axis powers put up a strong and costly defense that finally succumbed to the Allies in the Spring of 1943. Included among the American troops that were killed (totaling 526) during the campaign, baseball lost four of its own; Simeon A. “Alex” Box, Joe C. Byrd, Jr., Andrew D. Curlee, Jr. and John C. Eggleton. Baseball saw one of its minor leaguers, Lt. Bobby Byrne Jr., son of former major leaguer (Cardinals, Pirates, Phillies and White Sox) Bobby Byrne, Sr., downed multiple German Messerschmitt fighters as he provided air cover for allied bombers over North Africa. Wounded during the engagements, the younger Bryne was later conferred the Purple Heart and Distinguished Flying Cross medals. Lt. Byrne attained “Ace” status as a U.S. Army Air Forces fighter pilot during WWII and was credited for downing six enemy aircraft.
I first learned about baseball pioneer, Henry John “Zeke” Bonura in a piece authored by Gary Bedingfield that was published in the fantastic book, When Baseball Went to War (edited by Todd Anton and Bill Nowlin) detailing the establishment of a baseball league in North Africa following the Allied victory over the vanquished Germans, Italians and Vichy French in May of 1943. Maintaining troops’ fitness and agility while distracting them from the monotonicity of being an occupying force. Bonura was granted permission to establish fields of play along with organizing more than 1,000 players into six leagues that featured 150 GI teams.
Aside from his organizational skills, the former major league (White Sox, Senators, Giants and Cubs) first baseman (1932-1940) was adept at pressing the flesh from afar, getting the word back to his contacts in in the States regarding the need for equipment and uniforms. With vital resources pouring into supplying and equipping the armed forces for fighting, baseball (and other sporting equipment) was non-essential and was unsupported by tax-payers or war bond-purchasers’ funds.
In his piece, Henry “Zeke” Bonura His Contributions To Wartime Baseball, S. Derby Gislair spotlighted Bonura’s abilities to do what it takes to achieve his goal of bringing the game to the region, “By his resourcefulness, enthusiasm and leadership,” Gislair wrote, “(Bonura) was able to overcome many shortages in needed assistance and construction materials, and he established twenty baseball fields in the area through the use of volunteer assistants and salvaged materials.” The need for equipment was ever-present and “Zeke” tapped on all of his contacts for assistance. “I hear from him and others now in the service, frequently,” stated (in June of 1943) Henry Morrow of the makers of the Louisville Slugger bats, Hillerich & Bradsby (H&B). “Not long ago, I received a letter from Zeke, who is in North Africa. He wanted six bats in his model. The weight limit of packages sent overseas is five pounds. So, I appealed to the Red Cross, and the package of six bats – weighing about 15 pounds – is on the way to Africa,” Morrow concluded. Bonura wrote to his H&B contact, “I am somewhere between the French and the Arabs.”
As the 1943 season progressed throughout the summer of ‘43, Bonura received a visit from the Clown Prince of Baseball, major league pitcher-turned-comedic-entertainer Al Schact. Schact spent his time entertaining troops in North Africa (presumably as he had done around the professional game leading up to WWII at baseball games) and met with Zeke while gaining a better understanding of the need for recreation equipment for the troops. Seizing on the opportunity to help, Schact returned to the states with a motivation to lend a hand having brought back to the states, a captured Nazi helmet from North Africa, which was sold to a Wall Street firm during an auction (Branch Rickey served as the auctioneer), for $150,000 for the bat and ball fund.
Zeke Bonura’s skills of promotion were brought to bear as he promoted the (then) upcoming North African World Series non-stop, using his notoriety to obtain coverage for the games on the Armed Forces Radio Network.
The September, 1943 playoffs narrowed the expansive field to two finalists – the Casablanca Yankees and the Algiers Streetwalkers – met in what became known as the North African World Series. GIs throughout the Mediterranean region were able to tune in via the Armed Forces Radio Network to listen to the play-by-play broadcast of each game.
Playing before stands filled with 4,000 GIs, French and British troops along with local Algerians, the Casablanca Yankees, a team of Army combat medics took the field against the Streetwalkers’ roster that consisted of U.S. Army military policemen (MPs). Taking the mound for the Yankees, former Cleveland Indians southpaw prospect Sergeant Vernon Kohler pitched a 9-0 shutout in the first game. First baseman (and manager), Lieutenant Walt Singer, former left end for the 1935-36 New York Football Giants, provided punch at the plate as he was the Yankees’ most powerful hitter. Singer collected five total hits which included a homerun (in a three-run, bottom of the ninth inning) which proved to be the knockout punch against the Streetwalkers in the deciding 7-6, game-two victory in the best of three series. In the absence of a trophy or championship rings, the victorious Casablanca Yankees were, instead each presented with baseballs signed by the commanding general, Dwight D. Eisenhower.
The North African baseball leagues would continue under the leadership and guidance of Bonura into 1944 despite the exodus of large numbers of servicemen as the battle to liberate Europe from the tyrannical reign of the Third Riech progressed through Italy, France and on towards Germany. The discovery of this lone image from the first game of that 1943 championship series was quite satisfying, despite the significant restoration work required (due to the wartime photo editor’s markings and extensive aging) to make the photograph presentable, here.
To most collectors of American militaria, vintage medals and decorations are easily recognizable with distinctive patterns stamped into each face as well as the ribbons that they are suspended from. In our militaria collection, we have focused on people (family members), a handful of U.S. Navy warships and other places that my relatives and ancestors served. In terms of collecting, medals and decorations are of tertiary importance, though I have acquired several pieces that otherwise captured my interest.
In 2017, a group of photos, game programs (basketball), correspondence and a medal were listed in an online auction. All of the items originated from a veteran who served in the European Theater of Operations (ETO) during World War II with the 69th Infantry Division and played baseball for the unit’s team on his way to pitching in the ETO World Series in 1945 for the 29th Infantry Division team, the Blue and the Grays. After winning the 7th Army Championship, a semi-final elimination tournament, the 29th team faced (and was defeated by) the Red Circlers of the 71st Division.
Focusing primarily upon the photographs, European Theater Baseball (the 29th Infantry Division Blue and Grays at Nurnberg) also addressed the historic and rare imagery in the group (the Earl Ghelf Collection) – how Mr. Ghelf photo-documented the baseball park that was constructed on the grounds of Soldiers Field (formerly known as Nuremberg Stadium). What was not covered in the article was the medal that was central to the group; a German-made piece with a diminutive red and white ribbon with engraving on the reverse. The obverse features a relief bust of an athletically-built man with the words “Dem Sieger” (which translates to, “The Winner”) above the figure’s right shoulder. The engraving on the reverse reads:
7th Army Baseball Champions
E. R. Ghelf
It is apparent that the 7th Army leadership locally sourced the medal and had it engraved and presented to Mr. Ghelf. It was assumed that the entire 29th Division Blue and Greys team was presented with the same personalized medal to commemorate their victory en route to the ETO Championship series. Not having seen another copy previously, the assumption about the entire team receiving them was untested and unproven…Until today.
Some of the best finds that arrive to the Chevrons and Diamonds collection come by way of accidental discovery. When I was researching a ball player in an attempt to find any correlation or connection to military service, an unintentional Google image search yielded a photo of a familiar medal – one that featured the same obverse design as the Ghelf medal (above) along with the same ribbon and suspension.
Recognizing that the image was from an online auction listing, I clicked on the image, opening a current auction listing for another engraved copy of the 7th Army Championship medal. The engraving on the reverse is exactly the same as my copy (save for the name):
7th Army Baseball Champions
|29th Infantry Division Blue and Grays (Seventh Army Champions) 1945|
|Nicholas “Lefty” Andrews||P|
|Earl Ghelf||P/INF||Post-war Minor Leaguer|
|Don Kolloway||2B||Pre and Post-war Major Leaguer|
|Whitey Moore||P||Pre-war Major Leaguer|
|Erwin Prasse||LF/MGR||Pre-war minors and 2nd Team All-American Iowa Hawkeyes End|
|Bill Seal||Pre and Post-war Minor Leaguer|
Without any hesitating, a sniped bid was set ahead of the due diligence in researching the name. The only instance of a roster for the 7th Army (29th Infantry Division) Championship team is located on Baseball in Wartime.com and a quick check revealed no player with that name. Searching through other sources yielded similar results. Who was J. Debratz? Was his name misspelled on the medal? Was he a coach or a manager? The decision was made to proceed despite the auction with the hope that should our bid prove successful, in time, the research could pan out.
Upon auction close, our bid was the only one and the Debratz medal arrived a few days later (a few days before publishing this article). One of the most rewarding aspects of collecting named pieces such as this medal is the satisfaction that follows a research or discovery breakthrough. For the present-time, this medal will be displayed along with the Ghelf copy.
Regular readers of Chevrons and Diamonds might be accustomed to terminology that is employed when describing the photographs that are part of our collection – several of which have been published within our articles. It may seem straight-forward to casual collectors but the pursuit of old photos is not as easy as it may appear at the surface. I have been around photography for most of my life with countless hours behind the viewfinder, in the darkroom and in post-processing within the realm of digital imagery. I have experience with photo-duplication (I.e. taking a picture of a picture) in order to create a negative as well as the with the process of creating an inter-negative from a color transparency (color slide) – both practices have been relegated to the artistic end of the photographic practice rather than within the mainstream of photography.
Experience behind the shutter, navigating around in the darkroom and photographic editing does provide me with a measure of knowledge in recognizing certain aspects and details with photographs but extensive time spent with inherited vintage family photographs (ferrotypes, carte de viste, cabinet cards, real photo postcards, contact prints, etc.) throughout my life provided me with an introduction to this sphere of the hobby and led to further research on the older photographic practices and processes that are long-since retired.
Despite my knowledge and experience in this arena, I am far from being a subject matter expert however am fully capable of protecting myself from both over-paying or being taken by unscrupulous or neophytic sellers.
The precipitation for this article stems from the constant dialog among my colleagues surrounding the need to be able to knowledgably navigate the waters of vintage sports (specifically, baseball) photography collecting. With terms bandied about such as “Type-1, Type-2, Press, News, Wire service, Telephoto, etc.” understanding these terms poses as much of a challenge as it is in determining what a prospective vintage photo might be. Education in this area, while not fool-proof, can certainly provide collectors with enough tools to perform enough due diligence to make the right pre-purchase decisions.
The trend for articles published on Chevrons and Diamonds is anything but brevity and due to the significant amount of material that will be covered, the decision has been made to approach the various aspects of this subject through a series of articles.
At the risk of the following being misinterpreted as an outline (the list is merely a guide for what will be discussed in future articles), such focus areas will included covering the differences between professional and amateur photographs:
- Public Relations/Public Affairs images
- Wire service/Telephoto images
- Half-toned images
- Contact prints
When discussing professional photographers, we will spend some time touching upon some of the well-known shutter-snappers such as:
- George Grantham Bain
- Geroge Burke
- George Brace
- Tai Sing Loo
What should collectors look for in analyzing a print? We will discuss some of the basics that contribute to the value of vintage photographs such as:
- Subject of the image.
Terminology is one of the more difficult topics in this arena due to the subjectivity and the randomness with which they are applied by collectors, sellers, graders and auction houses. Without attempting to re-author the terms, we hope to provide some semblance of standardization and meaning to otherwise (seemingly) useless nomenclature.
As the saying was first written, “one picture is worth a thousand words” which for a collector, only means that they are worth even more. The measure of detail that is captured on film (the uniforms, hats, spikes, gloves, location and venue that are depicted within each image is nothing short of treasured.
How does one determine the difference between a professional photograph and of one captured by an amateur?
Learn how to recognize the manner in which professionals capture subjects and how they typically differ from that of a person taking a snapshot. Note where the subject is framed within the boundaries of the visible area; the back and foreground and where your eyes are drawn. A pro photog knows how to compose the image to emphasize what is being captured. Amateurs tend to place subjects dead center and miss the mark on infusing life into the subjects.
This image characteristic dovetails with the composition however this addresses the perspective of the image. In terms of baseball photography, professional photogs have access to areas that present a common vantage point in their image captures. It is normal to see close-up photographs of players on the field, in the dugout or even the clubhouse. Spectators shoot from a distance and elevation (such as from the grandstand) that has an entirely different subject-orientation from that of the professional. With regards to military baseball, amateur photographers could and often do have the same level of access that is typical for a professional.
Pay attention to the lighting of an image and how the photographer uses the light to enhance the subject. Is the subject faint or washed out (over or underexposed)? Are all of the important details distinguishable? Understanding the camera differences, especially within the realm of sports photography, professionals were employing large bodied cameras (such as a Speed Graphic made by Graflex) with “fast” lens that afforded the photographer with the ability to adjust aperture and shutter speeds. Also, the resultant negative (from the exposed and developed film) was substantially larger (4” x 5” or even 5” x 7”) than what was used by the average person.
A substantial portion of the Chevrons and Diamonds archive consists of personally or individually captured images that would be (and in many instances were) mounted on photo album pages. These photographs were typically printed using a contact-print method (the negative was laid directly in contact with the photo paper as it was exposed) producing an image that is the same size as the negative. These prints are most-commonly 2-¼” square, 2-½ x 3-½ or 3-½ x 4-¼ inches. Professional prints are enlargements made from the negative in dimensions of 5 x 7, 7 x 9 or 8 x 10-inches.
Certainly, there are more characteristics that one can employ to distinguish between these images with the most significant one being common sense. Stay tuned for the next segment in this series.
Keeping a watchful eye out for military baseball items may seem like an easy task to an outsider, especially when it comes to searching for uniform elements such as jerseys, trousers or caps. To those of us who have continually running searches that employ a wide range of keywords, hoping to find that one elusive piece that may have been overlooked by less discerning collectors, the task is a challenge. I have written in a handful of previous articles of the difficulties in finding the crown of the baseball uniform; the baseball cap.
A few searches of online auctions at any given time could, on occasion, yield a vintage ball cap within the results. However, knowing what to look for makes all of the difference in confidently acquiring a piece (especially if it lacks provenance). Studying vintage ball caps, whether from the minor or major leagues or from semi-pros and amateur leagues that operated in the last century will carry the prospective collector far when attempting to identify and date the items.
There are a handful of resources that exist (at present) online. One of them, the Baseball Hall of Fame Museum in Cooperstown, New York shares photographs of examples of the artifacts housed in their facility. Perhaps the most invaluable online resource is MLBCollectors.com which provides incredibly detailed photography combined with dates and some descriptions for uniforms from every major league team which I use to evaluate designs, construction and manufacturer’s tags as known examples for comparison.
To further the comparative analysis, our extensive vintage photography archive provides numerous examples of caps (and uniforms) worn by military ball teams and acts as a catalog of what to be on the lookout for.
The most consistent design used across all branches during WWII was a six-panel crown made of dark (navy) blue wool with a leather sweatband. Whether plain or with an emblem attached to the front panels, these hats were common throughout the armed forces service teams. In addition to what was seen on the military diamonds, caps were worn by some personnel within the ranks of the various branches as part of their working uniforms. From the outside of the caps, they can appear to be identical to those worn by players on the field (in some instances, these hats could be distinguishable by the presence of a military stock or supply number inside of the sweatband). Wool caps were standard military supply system-stocked item for aeronautical materials Class-37 and was available for appropriation in three colors; red, green and blue (the blue color was so dark that it appeared, in many instances to be black).
In observing the many examples of service members’ caps, it has been noted that there are considerable variations that range from differing sweatband configurations, materials (and color variations) on the underside of the bill, manufacturers’ tags (ranging from military stock system, private purchase or none at all). However, from the topside perspective, the caps appear to be identical.
When a WWII-era navy blue wool ball cap became available, it was listed merely as a wool baseball cap that was part of a veteran’s estate. Discussion with the seller confirmed that the World War II veteran most-likely played baseball during his wartime service as there were Navy photo albums (not for sale) that held some images of the sailor in his baseball uniform (though I could only take his word). The cap showed some wear but was in overall good condition so there was no hesitation to bid on it.
- Navy ball caps: a brief history (Military Times)
Available Reproduction Ball Caps:
- History Preservation Associates – USN/USMC Blue Ball Cap
- WWII Navy/USMC Aviator’s Ball Cap (SM Wholesale)