Category Archives: Hall of Fame Players
A few months ago, I was contacted by a college professor, Peter Dreier of Occidental College, who was seeking information, documents, data or photographs that would be beneficial to his research pertaining to the European Theater of Operations (ETO) World Series games played between the 71st Infantry Division Red Circlers and the OISE All-Stars teams at Nuremberg Stadium. Sadly, I didn’t have a single shred in terms of new details or insight that could be of assistance in his effort to create a presentation (for the Baseball Hall of Fame Symposium) or to his book project regarding Sam Nahem and his decision to fill his Overseas Invasion Service Expedition (OISE) All-Stars roster with the best baseball players he could find.
At a time when Jim Crow laws and sentiments were still very pervasive in our country, the sting of segregation faced by people of color was also very prevalent in the armed forces. When I served in the 1980s and 90s, all signs of segregation were effectively eliminated and everyone whom I had the honor to serve with was and remains a brother. While I do not deny that there existed (during my time in uniform) residual-yet-waning effects of racism within the ranks, I personally witnessed hearts and minds transformed as we pulled together as a team. It is difficult to fathom what existed during World War II in that Americans couldn’t serve together. Segregated units (for both African Americans and Japanese Americans) was the standard for the armed forces – with ground and aviation troops in particular. It was a terribly irony that any American would enlist to fight against tyrannical and horribly racist nations only to face returning home to racial separation and bigotry. As was with Branch Rickey and Jackie Robinson pioneering change within professional baseball, so too was were men like Nahem and others with the game within the ranks.
In respecting Mr. Dreier’s work and efforts and not to steal the thunder surrounding his book regarding Nahem, I will do my best to avoid giving anything away regarding his project. One facet of Peter’s work will center on Sam Nahem’s pulling together of the team which including the potentially controversial decision to include African American servicemen onto the team. Though some would assert that adding the likes of Willard Brown and Leon Day to the OISE rosters was the first instance of an integrated ballclub, instead it was part of the beginning of turning the tide for integration (Jackie Robinson, a WWII veteran and former U.S. Army officer and star of the negro leagues would sign with the Brooklyn Dodgers after the end of the 1945 major league baseball season). In the summer of 1944, Hal Harrison would join major leaguers the likes of Joe DiMaggio, Dario Lodigiani, Walter Judnich, Myron McCormick, Charles Silvera, and John Winsett on the 7th Army Air Forces baseball and Army All Star teams in the Hawaiian Central Pacific League.
The ETO Series was a best three of five games that went the distance. The OISE All Stars were, by comparison to their competition, a cobbled together group of semi-pro, minor and negro league talent that faced off against the formidable Red Circlers who were stocked with two former major leaguers, Johnny Wyrostek and Herb Bremer along with six veteran minor leaguers (the 71st was so talented that the roster featured fifteen players who possessed professional league talent and played on minor or major league teams either before or/and after the war). Following the game 1 blowout of the OISE men, the series could have easily appeared to be a lopsided sweep with the Red Circlers plowing through their second consecutive serious, effortlessly (the 71st swept the champions of the 7th Army, the Blue and Greys of the 29th Infantry Division in three games, just a few weeks prior).
Overseas Invasion Service Expedition (OISE) All-Stars
On the heels of the 9-2 rout on September 2, 1945, starting pitcher, Leon Day was given the task to turn the tide and did so tossing a complete game, 2-1 four-hit victory to even the series at a game a piece on September 3rd. The OISE team would claim the ETO championship before heading to Leghorn, Italy to take on the Mediterranean Theater champs, the 92nd Division. The Nahem, Brown and Day’s squad swept the 92nd routing them in three games, 19-6, 20-5 and 13-3. Day was a 10-year veteran of the Negro National League before entering the Army in 1943. Leon Day had compiled a 24-14 record with Baltimore, Brooklyn, Homestead and Newark before donning his OISE flannels after hostilities ended in Germany. By the time Day hung his spikes, he began a long wait from Cooperstown that would come 42 years later following veterans committee vote. Just seven days later, Day would pass away on March 14, 1995. Day’s OISE teammate and fellow Negro League veteran, Willard Brown would join him in Cooperstown eleven years later though Brown didn’t live long enough to see his election having passed a little more than a year after Leon.
For a collector of baseball militaria for the past decade, finding pieces pertaining to African Americans who donned the uniform of their nation and their unit’s flannels is beyond difficult and more towards the realm of impossible. In my collection are exactly two pieces and yet only one of them, a photograph, is a vintage artifact.
Recently, I was able to obtain a signature of one of these two war veterans and members of Cooperstown. I received the authenticated Leon Day autographed ball much to my elation. Though the ball isn’t in line with what I collect in terms of uniforms, photographs, equipment and ephemera, it does fit well in that this veteran served as a member of the 818th Amphibian Battalion.
When I saw an auction listing for a group of two or three small snapshots that were seemingly removed from a veteran’s wartime photo album, I jumped at the chance to add it to my collection as one of the images showed a group of African American soldiers wearing flannels and army uniforms. The photo, though out of focus and poorly exposed, is (to me) an invaluable piece of history. When I shared the photo with a group of baseball collector colleagues, one of them called attention to who he suspected was a notable professional ballplayer in both the Negro and Major leagues.
Usually when I acquire vintage photographs, my first action is to clean and scan (at the highest resolution as is possible) them to create a digital copy of the image. From the initial scan, I begin to adjust and correct any exposure issues and then begin to repair damaged areas that may be present on the image’s surface. The most common repairs are the removal of foxing and cracks that occur with the aging of the silver oxide emulsion due to exposure to air and light. Since the scans are substantially detailed, I am afforded the opportunity to inspect the details in hopes of uncovering additional information that wasn’t previously known regarding the subject of the image. With this particular image, the lack of crisp focus and poor exposure settings, I was unable to discern anything that would lend to identifying the units, location or identities of the men pictured.
When I read my collector colleagues remarks regarding the very tall, light skinned man (pictured second from the left) and that he suspected him to be “Sad Sam” or “Toothpick” Jones, a ball player who served in the Army Air Forces and went on to play in the Negro and Major Leagues. Jones was a latecomer to baseball having played football and basketball as a youth athlete. While stationed stateside in Florida, he began playing baseball for small tenant unit team due to the segregation that existed with his command’s team. As it turns out, his team was actually the more competitive squad on which he played at first base and catcher, pitching occasionally. Jones would pitch for 12 seasons in the major leagues (from 1951-1964) with six teams amassing a 102-101 win-loss record with a career ERA of 3.59. He led the league in strikeouts three times (1955 and ’56 with the Cubs and in 1958 with the Cardinals) and earned two trips to the Mid-summer Classic (1955 and in 1959 with San Francisco). His best season in the majors was with the Giants in 1959 when he posted a 21-15 record and 2.83 ERA, leading the National league in both wins and earned run average.
The likelihood that the man in my vintage photograph actually being “Toothpick” Jones seems to be considerable though there is no way for me to authenticate it as such. Regardless of the identities of the men in the image, the photograph is a cherished addition to my photo archive and will serve as a testament to the invaluable dedication and contribution these men made to their country and to the game. It is an honor for me to be a caretaker of such a treasure.
How does one follow-up such an amazing acquisition of an historic photographic baseball artifact as the original, Type-1 image of Joltin’ Joe DiMaggio posing in his 7th Army Air Force uniform at at Honolulu Stadium? Considering that I touched upon Ted Williams’ impressive 1941 performance in concert with that of DiMaggio and his 56-game streak, landing an original type-1 of the Splendid Splinter in his service team uniform would seem to be an appropriate, yet nearly impossible accomplishment. As unbelievable as it may seem, that is exactly what happened.
In Ben Bradlee, Jr.‘s fantastic biography, The Kid: The Immortal Life of Ted Williams, Ted’s military service is thoroughly examined including his reluctance (and near boredom) from being called upon to play on the base teams (following his tenure with the Cloudbusters of Chapel Hill in early 1943 while he was still a Naval Air Cadet in the V-5 training program) once he earned his gold aviator’s wings. Williams entered the naval aviation training with his Red Sox team mate, Johnny Pesky at the Navy’s Preliminary Ground School at Amherst College in Amherst, Massachusetts.
Following the completion of their first few months of training Williams, Pesky and others from their class continued training at the University of North Carolina at Chapel Hill in the U.S. Navy Pre-Flight School where both were tapped to play baseball on Navy’s local team, joining forces with other major leaguers such as Johnny Sain, Louis “Buddy” Gremp, Joe Coleman, John “Buddy” Hassett, Joe Cusick and Pete Appleton.
In Bradlee’s book, he delves into a notable exhibition game played between Williams, Johnny Pesky (and other major leaguers that were currently serving) in Boston versus the National League’s Braves. The service all stars were coached by Babe Ruth with a pre-game home run hitting contest between the Babe and the Kid which was a disappointment due to Ruth’s first swing resulting him fouling a ball off his leg, forcing him to withdraw. The Cloudbusters would compete against collegiate and other military teams (such as the star-studded Norfolk Naval Training Station Bluejackets) during Williams’ and Pesky’s tenure.
Ted Williams, after serving as a flight instructor for nearly a year in Florida, was in transit to Hawaii as the atom bombs fell on Hiroshima and Nagasaki prompting the Japanese to accept an unconditional surrender. Upon his arrival at Pearl Harbor, the Splendid Splinter was added to the all-star Navy roster of major leaguers to play in the September-October, seven-game Navy World Series (not to be confused with the 1943 series played at Naval Station Norfolk’s McClure Field). Navy players, originating from National League teams before WWII, defeated their American League counterparts, four games to two despite the AL’s composite tally outscoring the NL, 30-24 total runs (the AL, led in part with a home run by Pesky, took the fourth game by a 12-1 margin). Though he was on the roster, Williams was a non-factor, perhaps distracted by thoughts of shedding his Marine Corps uniform, not having been sent to fight after more than three years of service. Though the rosters were stocked with major league ball players there were only a handful of stars from the big leagues. Culled together from multiple sources (in the absence viewing the program shown above) are the rosters of Navy ballplayers from each of the major leagues (the asterisk denotes election to the Hall of Fame). There is name on the American League roster who I was not able to narrow down (there were multiple players named Harris).
|National League||American League|
|Charley Gilbert||CF||Jack Conway||2B|
|Jim Carlin||3B||Johnny Pesky||SS|
|Billy Herman *||2B||Chet Hajduk||1B|
|Stan Musial *||RF||Ted Williams *||RF|
|Whitey Platt||LF||Dick Wakefield||LF|
|Wimpy Quinn||1B||Jack Phillips||CF|
|Ray Lamanno||CF||Bob Kennedy||3B|
|Ray Hamrick||SS||Rollie Hemsley||CF|
|Clyde Shoun||P||Freddie Hutchinson||P|
|Hugh Casey||P||Bob Lemon *||P|
|Louis Tost||P||Hank Feimster||P|
|Henry Schenz||2B||Jack Hallett||P|
|Gilbert “Gibby” Brack||OF||Edwin “Ed” Wieland||P|
|James “Jim” Carlin||OF||Ken Sears||C|
|Wellington “Wimpy” Quinn||P||Joe Lutz||1B|
|Bob Scheffing||C||Joe Glenn||C|
|Richard “Dick” West||C||Lynwood “Schoolboy” Rowe||P|
The series was in hand for the National League team following their 4-1 victory in the 6th game but as the games were being played for the enjoyment of the ticket-holding service members, the seventh game was played.
|26-Sep-45||6||5||Pesky knocked in the 5th AL run in the bottom of the 9th, Williams was hit-less after popping up for the 2nd out with 2-on.|
|29-Sep-45||6||3||Williams 2-run HR helped end the shutout in the bottom of the 9th.|
|3-Oct-45||1||12||Pesky was 3-3 with a single, double and 2 run HR.|
|5-Oct-45||1||4||Williams was scratched from the line-up due to illness and did not play the remainder of the series.|
|6-Oct-45||4||1||Pesky got a hit and scored a run in the victory.|
Johnny Pesky finished the series batting .346 (9 for 26) with three runs batted in (RBI) and one home run. Pesky’s team mate, Ted Williams batted .272 (3 for 11) with 2 RBI and one home run.
When I discovered the DiMaggio Type-1 photograph (see: My Accidental Discovery: A Photographic Military Baseball Holy Grail of Sorts), I was taken by surprise and was ecstatic to win the auction, virtually unopposed. Less than a week later, lighting struck (me) twice resulting in me discovering a collection of photographs of the Red Sox legends (Williams and Pesky) from their wartime service, wearing their Navy flannels. One of the images, a larger print (roughly 11″ x 17″) shows Pesky in his Cloudbusters uniform, speaking to an apparently delighted nine year old James Raugh* (the Coudbusters’ batboy and mascot) seated on the ballplayer’s lap. Though the image of Pesky posing with Williams is what initially drew my attention, the photo from the 1945 Navy World Series game truly stands out as the showcase photograph of the group. Perhaps the most significant aspect of the collection of photos is that all three of them originated from Johnny Pesky’s collection – these were owned by him.
Johnny passed away in 2012, leaving behind an incredible collection of baseball history. His artifacts stemmed from a career in the game that spanned more than 60 years and consisting of trophies, photographs, balls, gloves, bats, cleats, awards, baseball uniforms and even his 2004 Red Sox World Series Ring. Hunt Auctions, LLC was selected by Pesky’s son (David) to facilitate the liquidation of the baseball treasures. As an aside to the baseball memorabilia listed and sold, being the militaria (especially navy items) collector, I was in awe to see Lieutenant (junior grade) Pesky’s military uniform items while the selling price ($2,000) wasn’t at all a surprise.
The mailer arrived without any issues and upon unpacking everything, I noted that I was provided with a copy of the auctioneer’s certificate from the lots that contained the photographs now in my collection, indicating their origination from the Pesky collection. The enormous size of the package caught me off guard though I knew that one of the photos was larger than any that I had ever acquired. The reason for the larger shipping container was that the photo was mounted on a large, card-stock backing and probably set into a frame, years ago. The two other photos are more reasonably sized.
The second photograph in the group was a great image of both Pesky and Williams (along with Buddy Hassett, formerly of the Brooklyn Dodgers, Boston Bees and New York Yankees) in a kneeling pose at the UNC Chapel Hill’s Emerson Field. All three players are wearing their Cloudbusters home flannels. I was able to locate this print among on of the Hunt Auction listings. As with my DiMaggio photo, this is an image that is not widely distributed across the internet; in fact, it has not been seen elsewhere. It’s uniqueness leaves me wondering what became of the original negatives and how Pesky came to be the one to possess it (and the others) rather than any of the other Cloudbusters team members or if everyone on the team was provided prints and only Johnny managed to keep them throughout his life.
The last photo of the three is as significant in terms of the historical content, who is pictured, and what is written on the print’s back. Rather than to simply scan the image and capture every detail, I decided to additionally scan it at the highest resolution possible and break the image into segments in order to capture the most important details that can be seen. This photo, taken at the 1945 Navy World Series shows the full rosters of each team, lined up on Furlong Field down each base line with Pesky at the image’s center.
I thought that it would be interesting to see who (among my readers) can identify any of the major leaguers in these photos:
When I turned the image over, I noticed a hand-written note that detailed Pesky’s return home from the War. At first glance, I thought that the handwriting might be Johnny’s but then I compared the way his name is written with various examples of his autograph (some dating back to the 1940s).
My analysis ruled Pesky out as the scribe, however there is a possibility that the note was written by his wife (whom he met in 1944). Finding photos from these historic games is very rewarding as there are but a handful that exist (cameras were a rarity among the GIs in attendance) and the press photos (there had to be many) have yet to surface from the newspaper archives.
I am glad to have these photos for several reasons: historical significance, rare glimpses into the military service of some big names from the game and that they were part of the collection of a legend from one of my favorite teams.
*James Raugh would pursue his own baseball dreams, following in the footsteps of Williams and Pesky and playing his collegiate years on the University of North Carolina at Chapel Hill team before signing with the Detroit Tigers organization as right-handed pitcher. Raugh and Pesky would cross paths seventeen years later when the young pitcher, in the fourth season of his professional career with the Victoria Rosebuds (AA – Texas League). Johnny Pesky was in his fifth season managing in the minor leagues and was in his only season with the Rosebuds when he had his former batboy had a dominating season as a starting pitcher (11-4, record with a 3.33 era, 102 strikeouts against 45 walks). Raugh is the subject of 2018 book, The Cloudbuster Nine: The Untold Story of Ted Williams and the Baseball Team That Helped Win World War II (published May 1, 2018 by Skyhorse Publishing), written by his daughter, Anne Keene (foreword by Claudia Williams, daughter of Ted Williams).
- United States Navy Pre-Flight School (University of North Carolina) Photographic Collection, 1942-1945
- When Cadet Ted Williams Came to Chapel Hill
- Ted Williams At War (by Bill Nowlin)
- SABR | The National Pastime # 26: The 1945 All-Star Game The Baseball Navy World Series at Furlong Field, Hawaii (pg. 111)
The hits just keep coming. I don’t know how to properly assess the current state of the baseball militaria “market,” but I have been seeing quite a spate of historically significant artifacts being listed for sale over the last several months. In previous months (years, actually), the well has been fairly dry in terms of the sorts of pieces that have been turning up but I am in awe the currently emerging trend. In terms of determining some measurement or rate of success, I am taking a bit of a retrospective look into what I have landed as compared to what has been listed (in concert with those items where I was outbid by more aggressive buyers). As with baseball statistics, the rate of success (such as in batting average) is only part of the picture. Yes, I have landed a fair percentage of the artifacts listed at auction, however it is the quality of the items that I brought home that lies at the heart of my success.
Two of the most recent Chevrons and Diamonds articles touched upon baseball in the Pacific Theater with both the All-Stars games in the Central Pacific and the late-war All-Stars Western Pacific tour. While both of these articles spotlighted auctions that I did not win, all four listings (that were covered in the articles) provided me with invaluable insight and research for upcoming efforts. As hard as it was to not have success with securing any of those pieces, what did come home was comparable, if not invaluable for my collection.
While I have several forthcoming articles currently in varying states of research and drafting, I am finding that, for the majority, their focus lies within the realm of baseball within the Pacific theater. Today’s piece lies directly at that epicenter: World War II baseball in the Hawaiian Islands.
In researching so many of the professional players who enlisted during WWII, I have read or listened to many interviews with players discussing their time in the service of their country. Each one of these men with the opportunity to discuss their war service unhesitatingly reflects upon how the nation was unified in the struggle against the tyrannical Axis forces. These men talk of setting aside their ball-playing careers to join millions of Americans who left their jobs and homes to carry the fight to the enemy. I have had the opportunity to speak with a few legends (Bob Feller and Duke Snider, on separate occasions) in the early 1990s to discuss our time serving in the Navy and to exchange our experiences – having them ask ME about what I did and where I went during my naval career was gratifying. However, not all of the players who set aside their professional flannels, spikes, bats and gloves did so without reservations and self-concern.
Without a doubt, one of the most recognizable baseball players of all time is Yankees’ long-time center-fielder, Giuseppe Paolo DiMaggio, simply known as “Joltin'” Joe DiMaggio, the “Yankee Clipper.” When the United States was drawn into World War II following the December 7, 1941 Pearl Harbor attacks, Joe DiMaggio had only months earlier, concluded one of the greatest offensive seasons by a ball player. That year saw two accomplishments which, after 76 years, each seemingly remains insurmountable. Aside from Ted Williams’season in which he finished with a .406 batting average (which ranks 18th among single-season records) his .400+ average performance is the last of the 20th Century and the only one since Bill Terry’s .401 average 11 years earlier. Considering those two .400+ batting averages, at the beginning of each successive decade (as compared to the seven time it happened during the 1920s and three times in the teens), the difficulties in hitting were obviously on the rise.
William’s accomplishment aside, a ostensibly impossible (to break) record was breached and a new, significantly higher mark was set by the Yankee’s DiMaggio in 1941. The game of baseball is difficult and using the small wooden bat to make contact with a small leather ball (traveling at speeds ranging from 80-105 mph) is so challenging that missing failing to do so, seven out of 10 attempts is considered an impressive achievement (obviously, Ted Williams’1941 season reflected a failure rate of only six times in ten). Failing to put the ball into play and get on base during a game (or even a brief string of games) is a normal occurrence. It is so normal that when players begin to hit safely in a succession of ball games, players, managers, the press, etc. take notice and talk about it when that streak begins to approach 20 games. By 1941, 26 batters had hit successfully in 30 or more consecutive games with the Baltimore Orioles’ (of the National League) “Wee” Willie Keeler holding the record at 45 games (set over the course of the 1896-97 seasons). By today’s standards, 45 games seems to be insurmountable yet Philadelphia’s Jimmy Rollins reached 38 in 2006 (not to overlook Pete Rose’s 44-game streak in 1978 or Paul Molitor’s 39 in 1987).
More impressive than Keeler’s 45 game-streak was the one accomplished by the Yankee Clipper during the 1941 season. Not only did he surpass Keeler’s mark, he blew past it with 11 additional games, setting the record at 56. Keeler’s record stood for more than four decades and though there were some players who drew close to Willie’s record (Ty Cobb -40- in 1911 and George Sisler -41- in 1922), by 1941, it seemed unreachable. During the streak, both Williams and DiMaggio were slugging it out offensively for both average and power. During DiMaggio’s streak, he would hit .408, clout 15 home runs and drive in 55 runs. He would finish the year in third place behind Williams and Cecil Travis (.357) for batting average and fifth for home-runs (behind Ted Williams-37, Dolph Camilli-34, Charlie Keller-33 and Tommy Henrich-31) with 30. “The Streak” and the .406 seasons are so well-documented and how they happened is known by even the most nominal baseball fan. So impressive was the 56-game streak that mathematical analysis has been brought to bear in order to determine a measurement of probability (or perhaps, impossibility?) of its occurrence.
Joe DiMaggio and his Yankees’ would place a period on the 1941 season by winning the World Series, beating their opponent four games to one on their way to four titles during the decade (after having closed out the 1930s with five titles; four consecutive from 1936-1939). I would be remiss in mentioning that the 1941 National League pennant-winner was my beloved Dodgers having overcome decades of futility on their way to becoming perennial contenders for the next five decades.
It is well-publicized that two days after the Japanese sneak-attack on Pearl Harbor, Bob Feller enlisted into the United States Navy, motivated to serve as so many other American young men (my maternal grandfather, included) in those first few days and weeks. Many from baseball’s major and minor league ranks set their careers aside and joined the fight in the first few weeks. However, several of the games biggest stars did not immediately sign up to serve, Joe DiMaggio included.
Despite the countless images, documents and accounts of Joltin’ Joe’s time during World War II, DiMaggio did not set his career on hold to join the armed forces until February of 1943 after playing the entire 1942 season, despite the early-January, prevailing question (by Commissioner Landis) as to whether the game would continue (and President Roosevelt’s decision and response). Joe was not alone in his avoidance of serving. DiMaggio’s rival batting leader from the Red Sox, Ted Williams hired an attorney to have himself reclassified as 3-A (“Registrant deferred because of hardship to dependents”) being the sole-provider for his mother following receipt of his draft notice in January of 1942. William’s received a torrent of negative publicity and finally enlisted into the Naval Reserve in May but played the entire season (the last game of the year, September 27th, his Red Sox faced DiMaggio’s Yankees where Williams mustered a single, going 1-3 with an intentional walk while Joe was 2-4 scoring two and knocking in three runs, including a 2-run homer) before heading into the Navy’s V-5, aviation cadet training program in early 1943. Joe DiMaggio (apparently begrudgingly) enlisted into the U.S. Army Air Forces (USAAF) on February 17, having previously been granted (like Williams) a 3A deferment status. It should be noted that with the exception of a handful of notable professional ballplayers enlisting in the opening several weeks of the War, most players didn’t join the ranks until the waning months of 1942.
In Joe DiMaggio: A Biography (Baseball’s All-Time Greatest Hitters), according to author David Jones, “DiMaggio resented the war with an intensity equal to the most battle-scarred private. It had robbed him of the best years of his career. When he went into the Army, DiMaggio had been a 28-year-old superstar, still at the height of his athletic powers. By the time he was discharged from the service, he was nearly 31, divorced, underweight, malnourished, and bitter. Those three years, 1943 to 1945, would carve a gaping hole in DiMaggio’s career totals, creating an absence that would be felt like a missing limb.” Though he may have desired to serve as a combat soldier, the Yankee Clipper would find himself serving in a morale-boosting capacity, as a team-member on various Army Air Force service teams, much to enjoyment of thousands of GIs serving both domestically and throughout bases within the Pacific Theater.
By the time that Joe DiMaggio arrived in the Pacific to play baseball with the 7th Army Air Force team (based at Hickam Field), he had already spent the previous 16 months playing for his Santa Ana Army Air Base team as well as an All-Star team managed by Babe Ruth that squared off against the Boston Braves on July 12, 1943. Nearly a year and half spent away from his $40k+ annual salary as he was earning $50 per month along with his GI-counterparts. Aside from performing for the troops, Joe was away from his wife an their shaky-marriage and their small son.
He suffered, according to William Cole in his September 2010 Honolulu Star Advertiser article, Misery filled baseball star’s days in isles during WWII, considerable gastrointestinal problems due to stress leading to being “admitted to the station hospital at Hickam for eight days” on July 9, 1944. The slugger’s time away from duty continued, as on “July 27 DiMaggio was again hospitalized and returned to duty a month later,” which seemed to develop into a cycle. Cole wrote, “He was rehospitalized Sept. 4 for two weeks. Another hospital trip on Oct. 12 led to a stay at Tripler General Hospital for four days.” Cole references a 1945 psychiatric report conducted following Joe’s continued hospital visits throughout the remainder of his time in the service, citing” Although he denies nervous or mental disability, he admits that he has always been moody, and it would appear that he has always been high-strung, irritable, easily aroused and quick-tempered.” According to Cole, “DiMaggio definitely didn’t like the public relations role he was fulfilling.”
The physician noted in his report (as conveyed in Cole’s article), “When he (DiMaggio) was in Honolulu, for instance, he felt he was exploited by being put on exhibition, and, what is more, he feels not to the profit of the Army but rather to increase the income of civilians by gate receipts. He feels that he should have been utilized at all times as a physical instructor, and shows a definite aversion to playing baseball while in the Army.”
Despite the emotional and health issues that were apparently plaguing DiMaggio, he still managed to continue playing baseball for the troops in Hawaii. Days after arriving via an arduous transit (aboard a ship) Joe would participate in a pair of exhibition games played over a five-day period, DiMaggio would crush two memorable home runs, one in each game. The first one would land outside the stadium’s right field on Isenberg Street, traveling 435 feet, in the first game. The second would be a 450-foot mammoth blast, striking the St. Louis College alumni clubhouse, Drier Manor, across Isenberg Street, to the cheers of more than 20,000 fans in attendance.
I have never been interested in collecting Joe DiMaggio. Perhaps my lack of desire for his memorabilia was due to multiple factors ranging from near-loathing of the Yankees due to my allegiance to Brooklyn and the Los Angeles Dodgers to being priced out of the market as a result of the Yankee Clipper’s immense and enduring popularity among baseball collectors. Being interested in DiMaggio’s military service and is playing time during his time on active duty transcends my anti-Yankees stance though still precludes me from affording anything pertaining to his career; especially his stint with the USAAF…until a few weeks ago (more on this ahead).
A simple internet search for Joe DiMaggio photos from his wartime service yields plenty of images in uniform ranging from his Santa Ana team to one in a Fort Lawton (located in fort Seattle) uniform, however, it is the home uniform of DiMaggio’s 7th Army Air Force team that dominates the (internet search) results. The 7th AAF uniform is very distinctive with its dark shell and white sleeves which makes it one of the most recognizable of all World War II known and photographed baseball uniforms. The jersey is a dark shell with white sleeves with distinctive lettering across the chest spelling out 7th AAF in white. The soutache that encircles the collar and frames the placket is a thin white line of trim while each sleeve has a thin dark line of trim located approximately one-inch in from the edge.
The trousers that accompany this uniform appear to be color-matched to the dark shell of the jersey but the trim on the pants-legs appears to consist of two 1/2-inch vertical stripes extending from the waistband to the cuffs. The cap is also color-matched but with thin, white trim sewn over each seam of the crown’s six panels.
Due to DiMaggio’s enduring popularity among collectors and fans, this (7th AAF) home jersey was one of the first military baseball uniform reproductions to be made (if not the first) by Ebbets Field Flannels (which they mistakenly identified as a road uniform). It is highly-likely that this jersey is the most-popular repro military baseball garment sold (by any maker) which is why, it should be updated to be historically-accurate, though it was originally made based a photographic study as no known examples survived through the decades.
One of the most difficult challenges faced by companies in reproducing from black and white images (when an original uniform is unavailable) is color-accuracy. To even the most experienced photography analysts, discerning unknown colors is a near-impossibility. In a conversation (regarding my recent find) with WWII military baseball expert, Gary Bedingfield, while discussing the 7th AAF uniforms, he shared with me a conversation (via an exchange in correspondence in multiple letters traded between Bedingfield and the baseball veteran) that he had with Yankees’ back-up catcher and DiMaggio’s 7th AAF team, Charlie Silvera.
“Their (the 7th AAF) home uniforms were dark green and white,” Bedingfield relayed to me, “although I’ve never seen a color photo of them, the always look black and white.” Bedingfield continued, “they were softball uniforms (that had been) donated to the team.”
In addition to what can be found on internet searches of the dark/white home variant, there are a few photos of the 7th AAF team (including DiMaggio) wearing the road version of the uniform. Not quite as distinctive, this uniform is entirely gray with a thin, dark line of soutache on the placket, around the collar and on the sleeves. The dark lettering across the chest is aligned in an arc (rather than straight across as is on the home uniform).
Now that I have your attention (or perhaps I lost you, dear reader, after taking you through 2,600 words in such a lengthy 3,400+ word-story), I can delve into the incredible (to me, at least) find while searching through online auction listings.
While seeking something completely unrelated, I stumbled upon a scantly-described (no details regarding size, age, etc.) auction listing that was rife with misspellings but displayed an incredible, type-1 photograph of the “Yankee Clipper” wearing the road gray uniform of the 7th AAF. The listing had one person watching and no bids with less than 24 hour remaining and the price was extremely low for what this was. I hurriedly did some research of the photo in trying to determine when and where it was taken and I zeroed in on the stadium in the background and the photographer’s marking in the lower left corner.
It was obvious to me that the photo was snapped at Honolulu Stadium, the capital city’s all-wooden ballpark (affectionately dubbed, the “Termite Palace” for reasons that require no explanation) with its unusual grandstand design and the facade on the face of both the upper and lower stands. The photographer, Tai Sing Loo, a well-known Hawaiian photog who snapped some of the most iconic imagery of the Pearl Harbor attack as well as of legendary surfer and renowned athlete, Duke Kahanamoku, snapped and printed the photograph during the game action during one of the two exhibition games soon after DiMaggio arrived on the Island.
I had no reservations in setting up my bid, hoping for the best and that no one else found the image as I had. When the auction closed the next day, I was elated to see that mine was the winning bid and I quickly paid the seller for the the photo. After a few days, I received a notice of shipment without a tracking number (it was shipped very economically, without insurance and tracking!!) I prayed and hoped that it would arrive safely and nervously anticipated its arrival. After a few days, I breathed a massive sigh of relief when I pulled the envelope from my mailbox. I quickly opened the parcel to see that the photo was indeed a Type-1 and in excellent condition.
One of the most interesting and mysterious aspects of this photo surrounds a uniform element that is visible on DiMaggio’s left sleeve. In the three examples of DiMaggio in the uniform, none show the 7th AAF shoulder sleeve insignia (SSI) on the jersey as is clearly visible in the image that I acquired. In viewing the images of the pages of the program from the fourth game of the Central Pacific Championship Series played between the All-Stars of the Navy and Army, there are hints of what appears to be SSIs on the sleeves of both Ferris Fain and Dario Lodigiani in their player photos. Without the insights from the players themselves, there is seemingly no way to know when or why the SSI was used.
As incredible as it was to add such a fantastic photograph of a baseball legend to my collection, it wasn’t the end of my magical run of success with these significant military baseball-related artifacts from the Pacific Theater.
- Baseball in Wartime profile: Joe DiMaggio
- Joe DiMaggio made a poor soldier, military records show
- Say It Ain’t So, Sergeant Joe
- Air Force History: ‘Joltin’ Joe DiMaggio and the 7th AAF
- Kid from Kapahulu meets DiMaggio at stadium in WWII
- Moiliili bank’s motif a tribute to Honolulu Stadium
Missing out on pieces that would fit perfectly with what I collect is becoming too common of an occurrence for me lately. I am not one who spends my weekends scouring garage and estate sales in search of these precious artifacts but perhaps there might be something to that activity. The problem with taking that approach is that there is a considerable time commitment required just to make it worthwhile and to afford chances to find such treasures. Another challenge is that these military baseball artifacts are so hard to find due to the small population of service members who played the game during their time in the armed forces. I find that it is best to take my chances with the collections, personal items – pieces that are listed by veterans, family members, collectors and pickers.
It is not secret that my tendencies in collecting, both with militaria and in military baseball are towards the Navy and I work harder to land those related items that surface within the marketplace. Often, there are pieces that are of little interest to other collectors or they are listed in such a manner that they elude people who might be using a few different (yet limited or too specific) search criterion or formulas. Even I have missed out on pieces because I was too lazy to search beyond my normal, standby perfunctory methods.
Sometimes, I make discoveries of items that perfectly fit my collection and line up with everything that interest me but are discovered because I was exploring a tangential interest. One example of this was when I was seeking a specific rating badge (a WWII-era bullion Radarman version), I discovered a binder filled with shipyard modernization work orders that belonged to a Chief Electrician (a warrant officer) who used for the heavy cruiser, USS Vincennes (CA-44) that would later be sunk in the Battle of Savo Island in August of 1942.
My collection of Navy baseball artifacts, despite my best efforts, are scantily few. It seems that besides the there being so few pieces in existence, the competition for those items can be quite fierce.
Vintage military photographs are something that I collect. In addition to my naval ship and military baseball photograph archive, I also have several images that were part of a veteran’s photo scrapbook from his service in the 20th Air Force. Among those images of ground activities, bombing missions, wrecked aircraft and airmen enjoying downtown between missions, there are images of several B-29s and their nose art.
Nose art, especially what was seen on B-17 an B-29 bombers, has considerable following for collectors and historians alike. When the number of just these two types of aircraft (12,731 B-17 and 3,970 B-29 bombers) are considered coupled with the notion that the majority of them (that were deployed to their respective theaters of the war), there would be thousands of differing paintings and illustrations to be documented. In recent years, there have been several undertakings by historians who are seeking to locate photographs of every example of nose art for each aircraft. If the photograph exists, these folks want to have it.
In terms of collectors, those who pursue painted bomber jackets in particular, to possess both the jacket and photographic artifacts from the same ship help to make a great display. I have never actually purchased a vintage photo of a bomber or other Air Force aircraft.
A few days ago, while I was browsing through some listings of B-29 photographs taken on Tinian and Saipan (the two principle bases of operation for bombing missions to the Japanese homelands during the latter years of the War), I spotted a vintage photograph that was listed as a “nose art” image. In the thumbnail of the photo in the listing, I could see that there was a large gathering of men posed beneath the aircraft, which wasn’t unusual. What was out of the norm from what I have seen in other images was the sheer number of people lined up in multiple rows. Something about the men also caught my eye as it appeared different from all the photos that I had seen. The Superfortress looked normal though the nose art, from what I could tell, was quite diminutive compared to what was commonly applied to these massive planes.
I decided to open the auction listing and I was immediately astounded. There, in the formation ranks were a few recognizable faces – Johnny Mize, Pee Wee Reese and Fred Hutchinson to name a few – among the 43 visible service members. Twelve of the men in baseball uniforms were wearing the road gray navy flannels while 14 were decked out in the pinstripes and blue home togs. Other men posing in the image are in the Army Air Forces and Navy military uniforms. The image appears to be a type-1 (defined as first generation photograph, developed from the original negative, during the period – within approximately two years of when the picture was taken) and the clarity is impeccable. It is obvious that the photograph was snapped by a professional war correspondent, judging by the exposure and composition, regardless of the cropping out of men on the edges of the group.
I really wanted to land this photograph. Not wanting to risk being outbid, I set my amount for more than twice the highest price that I have ever paid for a vintage photograph. I could see that there were some new-to-eBay folks (those who place bids very early after an item is listed) which gave me a little bit of concern as these people tend to drive prices unnecessarily high (my bid won’t show until just prior to the close of the auction). I waited the remaining five days for the close of the bidding and hoped for the best.
I wish that I could say that my bid amount was enough to bring this photograph home to me but someone else with deeper pockets and, very obviously in possession of the knowledge of the significance of this rare photograph took the same actions as I did and placed a higher bid at the same time (just seconds before the auction’s close) that mine was made. Losing and missing out on this image was a painful lesson to learn. If the item matters this much, I had better step up to the plate and take a real swing.
At least I was able to grab a digital copy (albeit, low resolution) for posterity.
Seeing an historic baseball jersey sell for more than $2 million is mind-blowing. Knowing that the sale price of the only surviving game-worn jersey from Jackie Robinson (from his 1947 rookie season) fell considerably short of the pre-auction estimate (in excess of $3M) and yet it broke the auction house’s previous record for a post-WWII jersey (Sandy Koufax’s 1955 jersey sold for $573,600) is even more awe-inspiring. While these legends’ jerseys will continue to garner riches when they come to market, the uniforms of utility players are valued at mere fractions of the select few elites from the game’s history and lore. To contrast, a recent auction for a jersey from (then) San Francisco Giants Hall of Fame outfielder, Willie Mays sold a few days prior (to Jackie’s auction close) for a mere $701. Yet another jersey from Hall of Famer, Nolan Ryan (from his 1986 season with the Houston Astros) garnered greater interest selling for more than $10,700 shows how wide-ranging game worn apparel pricing and interest can be within the collectors’ marketplace. The same holds true for those who collect militaria, or more specifically, military baseball.
A uniform grouping from a notable general, admiral or decorated service member can garner considerable collector interest as the sales can reap four and on rare occasions, five digit returns. The perceived value of their uniforms are impacted depending on what the veteran did during their service (valor decorations earned, battles that they participated in, etc.). One of my favorite uniform groups (owned by a friend and fellow collector) is that of Rear Admiral Robert W. Copeland who sailed his ship, the USS Samuel B. Roberts headlong into battle against the Japanese battle group, led by the Yamato in the Battle off Samar. His actions ultimately saved the American carrier group that he was protecting by inflicting damage on the Japanese (though his ship was destroyed). The Copeland group would be worth a few thousand dollars to collectors though to me, it is priceless and would be well-received into my collection (he and I share the same hometown). Copeland received the Navy Cross, the Navy’s highest decoration for combat valor (beneath the Medal of Honor) for his heroic actions.
It is difficult to compare uniform groups’ values; the service of a veteran such as Copeland is far more noteworthy than that of one of my own relatives. I would never sell a uniform from my family’s history thought if that were to be a need, I would have to price it comparable to other comparable groups. To me, my uncle’s service and history is priceless but that doesn’t translate to a fellow collector having the same association with the items nor would they be willing to pay a premium price for an otherwise humble military history and uniform.
“RARE Army Baseball Uniform w Jacket 1951-2 Karlsruhe Germany AAA EUCOM $4,999.94
(sic) Super rare genuine post WWII – Occupied Germany collectible. Our soldiers didn’t all leave once the fighting stopped- the cleanup/restoration began and baseball was played to boost moral. This is from a veteran-one of the lucky ones who got to play baseball (in his words), he was a pretty good player in his day, even scouted by the Yankees at one time-with a letter to prove it (not included)!”
$5000 is a lot of money for most collectors, regardless of their income or how much they have invested into their collection (through buying, selling and trading) throughout their years in this hobby. Understanding what factors drive collectors’ interest and how they value items would help sellers be more prepared when deciding to part with artifacts and in particular, family history.
What value can be placed upon provenance in relation to an historical artifact or object? How does one arrive at a valuation of an artifact? How much is an item worth? These questions perplex those who are in possession of antiques, especially when the time comes to decide to downsize a home and pare down collections to a more manageable size. Often, surviving family members left with the considerably uncomfortable task of liquidating a loved-one’s estate grew extremely wearing from wading through a lifetime of personal effects, documents, household items and other pieces in preparation for clearing a home for sale. In many cases, one (or both) of the elder individuals are being relocated into long-term care and the value in the estate is the only means to provide a means to exist in the new care facility. Any object that has monetary value must, from the vantage point of those performing the liquidation, be maximized.
Those familial artifacts that I have inherited possess significantly more than monetary value to me. The military-specific artifacts that I have in my collection that originated from my grandfather, uncles, etc. aren’t necessarily rare or highly desired by militaria collectors however to me, they are priceless. Many items from my uncle’s service ended up being donated or sold in an estate sale before I had the opportunity to lay claim to them. The most desired (by me) pieces from another relative’s estate (who was an avid militaria collector) were essentially given away for nothing (to the estate seller) after I made the decision to leave them off my want-list. My list was prepared by me with the understanding that I would compensate the estate for the honest valuations that I assigned to each object. The most valuable artifacts were omitted from my list due to my limited funds to pay for them. Those items went unsold and the estate seller kept all unsold items and I received everything on my list, free and clear.
I have written several articles about baseball uniforms, jerseys and equipment that I would have been honored to be the caretaker of, showcasing these pieces among my collection. These artifacts are often listed, considerably overpriced by most collectors’ standards. On some occasions, I encounter listings where the seller over-values their pieces with prices that are on par or exceed the value of artifacts from legends of the diamond or the armed forces. Considering the importance that I place upon historical objects from my own family as well as my experiences in selling historical objects in order to fund assisted-living care, it is with that understanding that I don’t initially and negatively react to (these sellers’) exorbitant prices. Several weeks ago, I had such an experience with a family member charged with a similar task and with the goal of working to pay their deceased-veteran family member’s estate debt.
After spending the better part of eight-ten years observing, documenting and purchasing World War II and older military baseball uniforms, I have a solid understanding of their value and what one should expect to pay or sell them for. In addition to my experience with these uniforms, I have paid considerable attention to game-used uniforms of professional ball players (including notable and Hall of Famers). I am often comparing uniforms and jerseys from both the military and professional teams of the same era (1940s) as they are very similar in terms of construction and design.
The auction title and description for the Post-WWII Karlsruhe, Germany baseball uniform caught my attention. The group of baseball militaria included a wool flannel jersey and matching trousers along with a wool letterman-style jacket. The jersey was plain and had a large black flannel “A” on the left breast and numerals (“15”) on the back and double black soutache surrounding the sleeve-cuffs, collar and placard. The trousers lacked embellishments and both garments were devoid of manufacturer’s tags and quite soiled. The most desirable item in the group was the jacket which was a burgundy-colored wool shell, lined with a tan satin material with tan-colored elasticized cuffs, collar and waistband. What really makes this jacket noteworthy are the two dated patches (one affixed to the left breast and the other on the right shoulder) from EUCOM Northern and Western Conferences (1951 and 1952).
After an email exchange with the seller, I was able to conclude that the veteran was assigned to either the USAREUR base at Smiley or Gerszewski Barracks in Karlsruhe, Germany. His group assignment was with the 12th Antiaircraft Artillery (AAA) Group of the 34th AAA Brigade. Leading up to the veteran’s activation and move to Germany, the Korean Conflict caused the Federal activation of several units from this service member’s home state of New Mexico. Along with the three AAA units, the ballplayer’s guard unit, the 717th AAA Gun Battalion was called to federal active duty. The battalion was first ordered to Fort Bliss, Texas where it remained until March of 1952 when it was ordered overseas to become a part of the 12th AAA Group at Karlsruhe, Germany. The patches on the baseball jacket show the 1951 and ’52 seasons which coincide with the veteran being “transferred to the Army Reserve on 20 October 1952,” according to the seller.
Condition is always a factor for vintage collectibles and all three of these pieces have overall minor issues. The jacket’s waistband is has moth-damage on the rear of the garment. For some collectors, the evidence of game-use is a plus while others enjoy pieces to be clean and fairly free from permanent staining. Some of the garments in my own collection have very minor usage stains which by comparison (to the Karlsruhe uniform) are all pristine. I have my doubts as to how much these pieces would clean up when properly laundered after 60-plus years of being stored while filthy.
After some nice exchanges with the seller regarding the auction description (it had several misleading and erroneous details) and what proper valuation should be, the auction was relisted one additional time and remained unsold. Without a doubt, the seller was disappointed that there were no buyers who placed the same value upon this veteran’s items and so, decided to take another approach. Hopefully, there was a family member who saw that the real value in these items were that they should remain in the care of the family and the documentation that I provided to them (the unit and veteran’s history and instructions in how to obtain the specific details of his service) will help to properly tell the veteran’s story for future generations.
I remain ever vigilant watching for these historic military baseball uniforms, hoping that they find their way into the hands of collectors who see both the military and baseball historical values as I do should I be incapable of landing them for my collection. I also hope that family members are able to see past the emotions in order to properly gauge the market value in order to achieve their goals.