In the decade that we have been researching artifacts and players, we have encountered the occasional baseball fan bearing a measure of bitterness and animosity towards the men who played baseball on service teams during World War II. While it certainly is understandable when comparisons are made with players such a s Warren Spahn or Gil Hodges participated in and witnessed some of the most horrific battles of the war. It is far too easy to look at the stories surrounding players like Joe DiMaggio or Ted Williams who seemingly entered the war with significant hesitation that appeared to some to be evasiveness when other ballplayers such as Bob Feller, Hank Greenberg, Sam Chapman and Al Brancato volunteered days after the Pearl Harbor attack. Perhaps with perspective and insight into the wartime service of these professional ballplayers and the positive impact they had on their fellow servicemen, that bitterness may lessen.
The very first Norfolk Naval Training Station artifact that landed within the Chevrons and Diamonds collection was a magnificent team photograph of the 1943 Bluejackets. The condition of the vintage type-1 photograph is less than desirable, and the image was a bit overexposed. Regardless of these detractors, the faces of each player are clearly identifiable in the high-resolution scan that we made from the photo. Soon after the acquisition of the photograph, we sourced a scorecard from the first games at Norfolk’s McClure Field against the Washington Senators (see: Discovering the Norfolk Naval Training Station Bluejackets Through Two Scarce Artifacts).
One of the featured players of the Norfolk team was already a budding star in his two-year major league career with 10 games in two trips to the World Series (1941 and ‘42) along with a championship ring. Phillip Francis “Scooter” Rizzuto played his last professional game on October 5, 1942, a loss to the St. Louis Cardinals in the Fall Classic. Two days later, “Scooter” was in Norfolk for boot camp having reported for duty in the U.S. Navy on October 7, 1942. By the spring of 1943, the former Yankee shortstop was filling the same position on Bosun Gary Bodie’s Norfolk Naval Training Station Bluejackets.
With many of the stories of baseball players finding their way onto service team rosters versus serving alongside other Americans in conventional armed forces roles (including combat), there are those who view these professionals with disdain seeing men who found a path to remain outside of harm’s way. Even today, there are those detractors who view these men with great animosity. Perhaps it is safe to make such an assumption that there were at least a few baseball players who could be judged in this manner, however it is far too simplistic and considerably easy to disregard what any of these men thought, felt or actually did, in addition to simply playing baseball. One must consider the impact that the games had on fellow servicemen. To stand shoulder to shoulder with the likes of Pee Wee Reese, Bob Feller, Joe DiMaggio or any of the hundreds who served and played the game to uplift the GIs and give them respite and a taste of home.
Newspaper Enterprise Association (NEA) writer, Harry Grayson penned a rather sarcastic commentary (published in syndicated newspapers in mid-October across the U.S.) regarding Cardinals’ pitcher, Murry Dickson being granted a 10-day furlough (from his Seventh Service Command duties) in order to participate in the 1943 World Series versus the Yankees. However, the same opportunity was not afforded to Johnny Beazley, Howie Pollet or Enos Slaughter who were also serving on active duty. What made the inconsistency stand out more, according to Grayson was that Phil Rizzuto was on furlough in New York (to spend time at home before being sent for duty in the South Pacific) and played in a series with the legendary semi-professional Brooklyn Bushwicks as they took on the New London (Connecticut) Coast Guardsmen on September 26. Rizzuto, wearing his Navy service dress blues, was joined by airman (and former Cardinals center fielder) Terry Moore at Yankee Stadium (also dressed in his service uniform). The author mentioned Major League Baseball Commissioner Landis’ prior refusal to accommodate Navy Lieutenant Larry French’s request to pitch for his former club, the Brooklyn Dodgers, while he was stationed at the nearby Navy Yard, illustrating further contradiction. However, Grayson’s punctuating closing sentence that ballplayers, who had been scheduled for an exhibition tour of the Pacific, were left without excuses for duty (other than baseball).
Rizzuto’s time at Norfolk didn’t conclude with the baseballs season as he spent the winter months on the court with the NTS basketball team along with former Dodgers shortstop, Harold “Pee Wee” Reese. By early March 1944, Bosun Bodie was left to rebuild his baseball club due to the departure of Benny McCoy, Charlie Wagner, Tom Earley, Vinnie Smith, Don Padgett, Dom DiMaggio and Phil Rizzuto for new duty assignments. Scooter, Vinnie Smith and DiMaggio landed in San Francisco Bay Area Sea Bees base known as Camp Showmaker (located near present-day Pleasanton). While further assignment, Dom DiMaggio and Rizzuto were added to the Shoemaker baseball team, the Fleet City Bluejackets. DiMaggio was handed the managerial reins to the club that also included Hank Feimster (former Red Sox pitcher) and former Cincinnati Reds outfielder, Hub Walker. the rand faced the Pacific Coast League San Francisco Seals on April 4 for an exhibition game.
Since late January 1942, the Island of New Guinea was one of the Japanese Empire’s strategic targets with its natural resources and more importantly, its proximity to the Australian continent. With their invasion of Salamaua–Lae, the Japanese began to take a foothold on the island. By the time that Rizzuto and his former Norfolk Teammate, Don Padgett arrived on the Island in the spring of 1944, the Allied forces were amid the Reckless and Persecution operations against the Japanese. During his time in New Guinea, Rizzuto contracted malaria and suffered with a severe bout of shingles requiring his removal to U.S. Navy Fleet Hospital 109, located at Camp Hill, Brisbane, Australia. One serviceman wrote of Rizzuto’s time at the hospital and how he would interact with the American wounded mentioning (Ruby’s Report, The Courier-Journal, Louisville, Kentucky, July 13, 1944) that Phil would do “everything to keep the patients’ minds off the war. Wrote the young sailor from Kentucky, “I have seen him sit down and answer questions by the hour and never once try to avoid a session of baseball grilling as only a bunch of hospital patients can put on.”
Once he recovered from his ailments, Rizzuto took on duties as an athletic instructor, managing baseball service league while down under. “You’d be surprised how much sport can do to help the men who have just returned from battle.” the shortstop mentioned in an interview with sportswriter, Blues Romeo. Rizzuto’s primary duty in Australia was to organize games and tournaments for the battle-wounded sailors and Marines. “The physically handicapped boys in the hospital got together and formed athletic teams, “said Rizzuto. “They call it the ‘Stumpy Club.’ It’s made up of men who lost legs and arms in battle.” For those critical of baseball players who “got a free pass” from the war might consider the positive impact that many of the former professionals had on their peers. “Despite their handicaps, the men put everything they have into the game.” Rizzuto told the reporter. “At first it’s not a pleasant sight, watching so many guys with crutches, but that’s the kind of stuff that keeps their mind at ease.” the shortstop mentioned. “What guts those guys have!”
Joining Rizzuto in Brisbane were fellow major leaguers, Don Padgett, Dom DiMaggio, Charlie Wagner, Benny McCoy along with a handful of minor leaguers.
Navy leadership had no intentions of losing bragging rights to the Army heading into the Service World Series after watching the heavily stacked Seventh Army Air Force team dominate the 1944 league play on Oahu. While the 7th was busy handling the competition and planning for the fall series, the Navy began assembling top major and minor league talent from the continent and the Pacific Theater.
Rizzuto and DiMaggio were recalled from Australia in September to Oahu in anticipation of the Service World Series (September 22 through October 15, 1944. Ahead of the series, Navy All-Stars manager, Lieutenant Bill Dickey plugged both Dom and Phil into their normal positions (center field and shortstop, respectively) for a Friday night (September 15) exhibition game against the Pearl Harbor Submarine Base Dolphins at Weaver Field (the Navy All-Stars won, 7-4). Two days later, DiMaggio and Rizzuto switched teams as the Pearl Harbor Submarine Base Dolphins for a regular season game against the Hawaii Leagues champion 7th Army Air Forces squad on Sunday, September 17.
While the Army roster consisted of the 7th AAF team (augmented with players from other Hawaiian base tames) For the series, the Navy fielded a team of All-Stars that would be the envy of either major league. To maximize the top-tier talent, some players were re-positioned from their normal spots on the diamond. Rizzuto was moved to the “hot corner” to allow for Pee Wee Reese to play at short.
1944 Hawaii Service World Series Results:
- September 22 – Furlong Field, Hickam (Navy, 5-0)
- September 23 – Furlong Field (Navy, 8-0)
- September 25 – Schofield Barracks (Navy, 4-3)
- September 26 – Kaneohe Bay NAS (Navy, 10-5)
- September 28 – Furlong Field (Navy, 12-2)
- September 30 – Furlong Field (Navy, 6-4)
- October 1 – Furlong Field (Army, 5-3)
- October 4 – Maui (Navy 11-0)
- October 5 – Maui (Army 6-5)
- October 6 – Hoolulu Park, Hilo (Tie, 6-6)
- October 15 – Kukuiolono Park (Navy, 6-5)
With the Army All-Stars defeated handily in the Service World Series, Rizzuto returned to Brisbane and resumed his duties with the service baseball leagues and the “Stumpy Club.”
Following the completion of his duties in Brisbane, Rizzuto was transferred back to New Guinea to the small port town of Finschhafen (which was the site of a 1943 Allied offensive led by Australian forces) that ultimately secured the town and the harbor. Rizzuto was subsequently assigned to the Navy cargo ship, USS Triangulum (AK-102) serving once again on one of the shipboard Oerlikon 20-millimeter cannons anti-aircraft gun mounts as the vessel ferried supplies within the region. As the Triangulum was constantly steaming to keep the troops supplied in the surrounding Bismark and Western Solomon Islands, General MacArthur and the American forces were keeping his promise to return to the Philippines and dislodge the Japanese forces that had been in the Island territory since December of 1941.
By January of 1945, Rizzuto was serving on the Philippine Island of Samar (three months earlier, the Japanese Navy was dealt a deadly blow by the small destroyers and destroyer escorts of Taffy 3 just off the island’s coast) and remained in the region until he was returned to California by the middle of October. Rizzuto was discharge on October 28, 1945 and returned to the Yankees for training camp the following spring having been tempted by a lucrative contract and incentives to play in Mexico.
Whether it was the thousands of cheering service personnel attending the games in which Rizzuto played or his hands-on service rendered to the recuperating combat wounded in Australia, he served in ways that are entirely ignored by critics of wartime service team baseball.
- O Holy Cow!: The Selected Verse of Phil Rizzuto, by Phil Rizzuto
- Scooter: The Biography of Phil Rizzuto, by Carlo DeVito
- The October Twelve: Five Years of Yankee Glory 1949-1953, by Phil Rizzuto and Tom Horton
- The Phil Rizzuto story, by Milton J Shapiro
- The Scooter: The Phil Rizzuto Story, by Gene Schoor
Not all of the Chevrons and Diamonds artifacts and treasures fall neatly into traditional collecting categories. One of the most collected areas of the militaria hobby centers on artifacts (trench art) made by GIs in the field. For our baseball memorabilia collectors who are unfamiliar with soldier or sailor-made artifacts, we have published a few articles that discuss this very common GI practice (see: Following the Flag and Researching After You Buy – Sometimes it is the Better Option). “How could trench art possibly tie into baseball memorabilia (or baseball militaria),” one might ask?
The game of baseball has a long and storied history and was spawned from games that were played in the American Colonies. Perhaps the seminal establishment as the game played by members of the armed forces occurred during the American Civil War with soldiers forming teams and competing on either side of conflict (though there are no accounts of opposing forces facing off on the diamond). Short on recreational equipment during the Civil War, troops had to improvise in order to have a ball or bat to play the game. While baseballs weren’t mass-produced nor did there exists sporting goods manufacturers, the rules of the era dictated the construction of the small orb.
“The ball must weigh not less than five and three-fourths, nor more than six ounces avoirdupois. It must measure not less than nine and three-fourths, nor more than ten inches in circumference. It must be composed of india-rubber and yarn, and covered with leather, and, in all match games, shall be furnished by the challenging club, and become the property of the winning club, as a trophy of victory.” – The Rules of 1860, as adopted by the National Association of Base-Ball Players.
Commonly referred to as the “lemon peel” ball, these baseballs were created following a specific pattern using standard materials. However, what was used by troops in the field might vary depending upon the resources that were available. A soldier of that era who crafted a baseball would have been forced to improvise the materials and the results would have born little resemblance to what we see on today’s diamonds (to get glimpse of a baseball purportedly retrieved from the Shiloh (April, 1862) Battlefield, see: A Baseball Salvaged From A Civil War Battlefield).
In the tight-knit community of baseball memorabilia collectors, we have encountered some incredible people who are leaving their indelible marks upon the hobby with their attention to history and passion for sharing their knowledge and love of this game. Some of these folks have knowledge that transcends authoritative publications. Among this group are highly knowledgeable (if not experts) in player autographs, identifying equipment such as bats, gloves, mitts and catchers’ equipment. One can gain insights in how to stabilize the leather of 70-100-year-old glove or mitt or how to clean a player’s game-used bat without removing the game-wear. Breathing new life into a glove by re-lacing according to the original manufacturer’s specifications is an art form that only a handful of craftsmen and women possess and one will find such talent among this group.
True craftsmanship is revealed within small segments of collector groups among those who merge the skills of artifact preservation with history and creativity. One such innovator has taken a step into a different direction. The East Tennessee craftsman, a passionate Civil War reenactor and former assistant baseball coach organically developed the skills necessary to accurately restore vintage gloves to their former glory. Having restored more than 500 vintage gloves as he strives to maintain the historical integrity, Don Droke has encountered a considerable share of baseball leather that were beyond saving only to begin to see an accumulation of battered and decayed vintage gloves and mitts.
“’This all came about by a fluke,” Droke said. “My wife and I are Civil War reenactors, and all of the sudden out in the middle of a field, (other reenactors) were playing baseball, so I walked over, looked at their baseball and thought, ‘I can make that.’” – Piney Flats man has unique way of re-purposing old baseball gloves
Don Droke approached me with the idea of creating a handmade baseball from the salvageable leather remnants of a wartime service glove that was stamped with “U.S. Special Services” markings. The ball that Don created is an amalgamation of Civil War ingenuity, necessity and World War II history. As with all of his projects, Droke began mine with a dilapidated WWII- glove that was issued to and used by soldiers. Working around the glove’s damage and decay, Droke sought out the best areas to cut usable material taking caution to preserve the stampings (including model number, maker, player endorsement signature, etc.) as possible before he applies the sections over the re-purposed windings of a donor baseball. The pieces are cut and pulled tightly so that they lay flat against the inner surface of the ball (picture a globe-shaped, three-dimensional jigsaw puzzle) finishing the work off by stitching them together. The end-result is a one-of-a-kind work of art that showcases the features of the former military-veteran glove.
Over the next several months, Mr. Droke’s artistry and skills evolved as word got out to other collectors. As demand increased for his work, so did his ideas which further inspired creativity. Don reached out to me about doing another ball however, this time it was to pay homage to one of my favorite players, Ferris Fain, former American League first baseman (1947-1955 for the Philadelphia Athletics, Chicago White Sox, Detroit Tigers and Cleveland Indians) who won back—to-back batting titles in 1951 and ‘52. The basis for the ball would be a Ferris Fain signature model (MacGregor brand) first baseman’s glove (Trapper design) from the mid-1950s that was worse-for-wear. What made this project even more unique was the addition of tooling to some of the panels to honor Fain’s battle crowns, his first major league team and his World War II service.
When the ball arrived, I was overwhelmed not only by the craftsmanship in the fitment of the leather and stitching but also by his skills in illustrations on the leather. Among all of the vintage jerseys, gloves, bats, scorecards and programs, vintage photographs and medals, Mr. Droke’s creations are some of my favorite pieces in our collection.
Last week I mentioned (see: My First Baseball Militaria At-bat; I Lead-off with the Marine Corps) that I was preparing for a public showing of my collection of baseball militaria at a local minor league ballpark. As a brief follow-up (ahead of an upcoming article about that experience) I should say that the experience and reception was incredible and a great success! Since I am on the subject of reviewing my recent open ended articles that may have left some readers wondering, I did have a great experience with my first restoration of a vintage baseball bat (read: Nothing To Write? I Think I’ll Just Restore a Vintage Bat, Instead).
In recent years, I connected with a few groups of fellow baseball memorabilia collectors with the idea that I wanted to learn from and share my own information among a gathering of others who have a wealth of knowledge. Sharing with and drawing from others who have been collecting for decades longer and in areas that I hadn’t previously committed much energy has served me well and opened my eyes to the extent of passion that others possess. In terms of collecting bats, I only had a smattering of pieces of lumber that I either acquired in anticipation of obtaining a player’s signature or that I landed while working at the aforementioned minor league ballpark, decades ago. Though my scant collection included some game-used wood from players who never went far with their professional careers, it was fun to have their bats (which were signed at one point since I obtained them). The other sticks in my collection were vintage store-model (they look very similar to what professional players receive from manufacturers but are sold in sporting goods stores for amateur use or autographs) bats.
Last year, I obtained an early 1950s store model, Ferris Fain signature bat that had seen a lot of use and abuse. In addition to the heavy wear, accumulation of dirty grime and house paint spills, the bat had extremely faint manufacturer’s stamps and the player’s signature mark was nearly impossible to see. Professional model bats (for game use) have deep and distinct, burned-in markings that are quite difficult to obscure with use and time but the same is untrue for these lightly-marked store-purchased pieces of lumber. Rather than the burned-brands, thes Louisville Sluggers have foil-stamped (the stamps are subtle) marks that get worn or rubbed off with use. By no means am I a vintage bat expert but I have some excellent resources to draw from. In terms of Hillerich and Bradsby (maker of the most famous brand, Louisville Slugger), this reference is very detailed in providing information to discern age and models of ‘Slugger bats.
Store model bats, though sought after by collectors, are quite affordable and can be great display pieces when shown with other items (jerseys, caps, gloves, autographed photos, cards, etc.) when costly game-used bats are unavailable or unobtainable. Player-signature store model bats were made bearing the autographs of the more prevalent stars of the game. Some signature models were continued far beyond the career years of players that transcended the game. However, with some of the more mercurial stars like Fain whose career burned brightly and faded quickly due to his all-out style of play and propensity for injuries (and fighting), signature bats are considerably more scarce. Scarcity doesn’t necessarily drive demand or values upward as they do for well-knowns such as Mantle or Williams (with store-model bat production in orders of magnitude far above Fain models) however, for collectors like me, landing one of his bats in any condition is a bit of a boon. In terms of baseball militaria, a Fain signature (store model) bat would not be a part of any collection as he wouldn’t have had such a bat made for him until he was established in the major leagues in the years following his wartime service in the Army Air Force.
When I brought this bat home and shared it among my fellow collectors, the reception for such a beat-up old stick was mixed with one collector (whom I greatly respect) offering the suggestion of unloading it in favor of one in better condition. The recommendation was that my bat wasn’t worth any restorative effort. Taking this input with a grain of salt, the collector also gave me guidance on how I should proceed and the careful steps that I should take along with the products that I should use in order to protect the patina and signs of use while cleaning it up.
Removing the grime
This bat was quite darkened by usage and years of handling and storage (no doubt in someone’s garage among the paints and garden tools). The surface was heavily oxidized to a dirty gray hue and had a variety of stains and markings from various objects that made contact with the bat. Soaking a small area of a paper towel with Goo Gone, I began to gently massage the handle of the bat exercising a bit of caution and hesitancy as the dirt began to slightly dissipate on the wood’s surface. Moving around the handle and downward (towards the barrel), I continued to wet the paper towel and lift away the dirt a little bit at a time. After nearly an hour, I completed the entire surface and noted that very little was removed despite the appearance of the nearly blackened paper towels that I had been using. After a few more hours of working the bat and noting only slight improvements (while absolutely none of the paint was removed), I decided that something more aggressive than paper was required to cut through the years of soiling.
Needing something with a bit more abrasive power, I grabbed a section of 0000 steel wool, wetted it with the Goo Gone and repeated the cleaning cycle. The steel wool began to peel away the layers of dirt with relative ease leaving a warm, aged color to the wood while retaining the usage markings and indentations in tact. The paint required a bit more attention but was no match for the fine grit of the steel pad.
Restoring the Foil Stamps
Fortunately with store-model Louisville Slugger bats, the brand and signature markings can be distinguishable even if the black foil (which resembles the burned-in brand has faded or been worn off. Since none of the black foil remained on my bat, I decided to replace it with something indelible and that would hold up to the final step in the restoration process (reconditioning the wood surface with oil). Any novice restorer might be convinced that locating an extra fine tipped pen (to re-trace the near-needle-thin lines) would be well-suited for such a task. However, ink would be problematic when met with linseed oil. If one were to forego the oil-reconditioning, the ink would be subject to oxidation and fading with time. What my fellow collector recommended was to use a pen that, instead of paint as its medium, acrylic black paint would be used to fill in the stamps and markings. The challenge that I faced in seeking a paint pen marker was to locate one with an extra-fine head and unfortunately, the best option was a 1.5mm tip. I used the Molotow ONE4ALL Acrylic Paint Marker, 1.5mm and a boatload of patience.
At my age, free-hand tracing of fine lines required the use of ample light and magnification to be able to see the original markings. Using a jeweler’s magnifying lamp afforded me with the best opportunity to carefully guide the pen through each stamped indentation. For those who are not familiar with the mechanics of paint pens, they can be quite a challenge as they require depressing of the tip (in order to draw the paint downward) which can be a bit messy and cause more paint to flow onto the bat’s surface than intended. I recommend using a newspaper to press the tip of the pen to the desired paint-saturation. I spent a few hours, stopping to rest my eyes and hand at intervals and to allow the paint to dry and avoid transferring it to my hand and to other areas of the bat.
Once the painting was done on both the brand and the signature stampings, I didn’t like the crispness of the paint. I also had a few spots where I was unable to keep the pen tip within the lines. I followed the painting with careful and deliberate application of dry steel wool removing the over-painted areas and the shiny paint surface to match the used and aged condition of the bat.
All that remains with the restoration of the Ferris Fain bat is to carefully apply linseed oil to properly treat the surface of the wood. Looking through my wood finishing supplies I see that I am lacking in linseed oil which will leave this Fain bat unfinished at present.