In the weeks that followed December 7, 1941, the nation began a massive effort to build up troop and equipment levels to effectively take the fight to the declared enemies in the global war. The considerable influx of manpower into the various branches, combined with the considerable losses suffered at Pearl Harbor, underscored the enormity of the present and subsequent needs that would be faced by families of actively -serving naval personnel.
The overwhelming percentage of naval personnel killed at Pearl Harbor was enlisted and the United States Government Life Insurance program (USGLI), established in 1919, provided a nominal amount for their beneficiaries.. The Navy Relief Society addressed a myriad of needs beyond the reach of the insurance payout for families by stepping in and filling the gap.
Commencing with President Franklin D. Roosevelt’s “Greenlight Letter,” a response to a letter from Judge Kenesaw Mountain Landis, major league baseball’s commissioner, regarding the future state of the game during World War II, baseball experienced a monumental shift in manpower and objectives. With professional ballplayers heading into the armed forces, leaders within the Navy Relief Society recognized the coming needs and the opportunity to make a greater impact. On March 30, 1942, it introduced its new director of the national special events committee fund-raising campaign. Stanton Griffis, a World War I Army captain who served on the General Staff during the war, was chairman of the executive committee of Paramount Pictures, Inc. and was already involved in early war bond drives, starting in January. After the sudden, February 12 death of his wife, Dorothea, following a brief illness during a winter stay in Tucson, Arizona, Griffis propelled his efforts and attention into his role with the Navy Relief Society.
Formally incorporated by prominent society folks in 1904 in Washington D.C., the Navy Relief Society’s stated purpose was, “to afford relief to the widows and orphans of deceased officers, sailors and Marines of the United States Navy.” What set Navy Relief apart from previous endeavors was that the Society was formed with enlisted sailors in mind. Until the early twentieth century, enlisted personnel were managed under the Navy’s Bureau of Construction, Equipment and Repair, established in 1862, while officers were managed under the Bureau of Navigation. Enlisted personnel throughout the Navy’s existence until the 1920s were considered as mere equipment while officers were the backbone of the Navy and highly regarded in long-term planning and daily operations.. The Navy Relief Society’s move to recognize the needs of enlisted personnel along with officers was a ground breaking step, as stated in the organization’s incorporating mission statement. “It is also its purpose to aid in obtaining pensions for those entitled to them; to obtain employment for those deserving it, and to solicit and create scholarships and supervise educational opportunities for orphan children.”
“Sports leaders are giving wholesale support to Navy Relief fund-raising activities, it was announced today by Stanton Griffis, who heads the special events division of the Navy Relief Society’s $5,000,000 campaign. “Virtually every sport is represented in the drive,” Griffis said.” – The Casper Tribune-Herald, April 16, 1943
Navy Relief fund-raising games were commonplace in major and minor league parks during World War II. Whether the games were exhibition events involving service teams or regular season contests, the Relief games were highly successful in their fund-raising objectives. Stanton Griffis quickly established himself in his role. In a May 15 New York Daily News piece covering Griffis’ work, he was touted for his planning and organizing prowess, “The biggest promoter and supervisor of sports events in the country today is a chunky, hard-punching, ball of fire named Stanton Griffis, chairman of the special events committee of the Navy Relief Society’s fund-raising campaign,” the Daily News article described his efforts. “Among the sport programs planned by Griffis are Navy Relief baseball games in every minor league park in the country, all-star games, professional football games, and a comprehensive setup that will have practically every “name” boxer, footballer and baseballer performing in a mammoth drive that is expected to net close to $2,000,000 for the wives, widows, mothers and children of our Navy heroes.”
Recognizing the fund-raising campaign’s need for those who had a greater stake in the program as well as people who possessed name recognition and could shine an even brighter spotlight on the effort, Griffis enlisted assistance from the biggest name under the Navy’s sports banner: the “Fighting Marine” himself, Commander Gene Tunney. “The Navy thinks so highly of Mr. Griffis’ work that Commander Tunney has been temporarily assigned to the new sports program,” the New York Daily News described. “Gene has his famous physical education program flourishing now with 3,000 hand-selected specialists on the job from coast-to-coast hardening our Navy personnel. Griffis is a great admirer of the Tunney thoroughness technique.”
In collecting service game ephemera such as ticket stubs, programs, scorebooks and scorecards, one will assuredly encounter a piece that was used for a Navy Relief fund-raising event. The Chevrons and Diamonds ephemera collection features a few Navy Relief scorecards from exhibition baseball games that were played for the direct benefit of the charity, such as this piece from the July 15, 1942 game between the Toledo Mud Hens and the Great Lakes Naval Training Station Bluejackets); however, the opportunity to acquire one from a major league regular season game had yet to arise for us.
One of the earliest Navy Relief fund-raiser games took place on May 8, 1942 at Ebbets Field in Brooklyn, New York, with the Dodgers playing host to their crosstown National League rivals, the Giants. Brooklyn, the reigning champions of the National League, held a 1.5-game lead in the league over the Pittsburgh Pirates. The visiting Giants were already 5.5 games behind, sitting in fifth place after 22 games in the new season. When the game was played, it was one of 16 scheduled events to raise money benefiting the service relief organizations. The game at Ebbets was arranged by Brooklyn’s former team president, Leland “Larry” MacPhail, who had resigned his position at the end of September, 1941 and returned to the Army after an absence of more than 20 years, following his service during the Great War.
The pregame festivities set the tone for subsequent charity games with pageantry and pomp and circumstance on the field, with 450 recent graduates from the Naval Academy along with 500 enlisted sailors from the Navy’s receiving ship unit and officers from the recently commissioned Dixie-class destroyer tender, USS Prairie (AD-15), all in attendance. Commander Tunney addressed the crowd with gratitude directed towards those in attendance, along with the players and the Giants and Dodgers organizations, as every person in the ballpark required a ticket to gain access, including players, umpires, security, concessionaires, ground crew and press. Even the active duty personnel required tickets to enter the park, though their tickets were paid for through donations from the ball clubs or other contributors (including 1,000 tickets purchased by a contractor in Trinidad). Though the ballpark’s seating capacity in 1942 was 35,000, 42,822 tickets were sold for the game.
The game netted Navy Relief more than $60,000, which included $1,000 from the scorecard vendor, the Davis Brothers. When one of those scorecards was listed for sale in an online auction, we didn’t hesitate to make a reasonable offer to acquire the piece as it aligned well with the overall direction of our collection of baseball militaria ephemera.
Seated in the stands along with countless active duty personnel was Army Air Forces pilot, Joel Williams, who meticulously kept score of his baseball heroes on that Friday afternoon, taking in major league baseball’s first ever twilight game ( the first pitch was at 4:50 pm) in its history. No stranger to Ebbets Field, Williams attended games as a youth and saw some of the “daffy” Dodgers of old, despite his family not being able to afford the price of tickets. “As a kid, they had no money, so he used to sweep the stands at Ebbets Field for free bleacher seats,” Michael Williams wrote. Joel Williams’ duties saw him patrolling the Eastern Seaboard, scouting for approaching enemy units during the war. “He flew guard planes on the East Coast and did not serve overseas,” his son wrote. Williams joined hundreds of fellow uniformed comrades at the game on this day, no doubt as a guest of the Dodgers (or Giants), which purchased many of the troops’ tickets for the game.
Williams remained a true blue Dodgers fan and suffered the indignation of seeing his beloved “Bums” follow the Giants to the opposite coast. “Dad tried to be a Mets fan but was never completely satisfied with that,” Michael stated. “And the Yankees were from the Bronx and that was not for a Brooklyn boy.” Joel Williams never ceased his love for the old Brooklyn Dodgers. After reaching an amicable agreement and a few days of shipping, the scorecard arrived safely.
On the field, the game was exciting as the Giants got ahead of Brooklyn’s Whit Wyatt, 2-0, with a single and a run scored by Johnny Mize (driven in by Buster Maynard) in the top of the second inning and single and run scored by Giants pitcher Cliff Melton to lead off the top of the third (driven in on a sacrifice fly by Mel Ott).
Dodger bats came to life in the bottom of the third with singles by Wyatt, Billy Herman and Arky Vaughn (Wyatt was tagged out stretching for third base). Pete Reiser singled to load the bases, followed by a two-RBI double by Johnny Rizzo leaving Reiser at third. Joe Medwick reached on an error which also scored Reiser and Rizzo. Melton was relieved by Bill McGee, who coaxed Dolph Camilli into a comebacker, igniting a double play to end the Dodger feast and the third inning.
Wyatt’s pitching wasn’t as much of a story as was his bat. The Brooklyn starter followed Pee Wee Reese’s lead-off fly-out with another single and advanced to second on a throwing error. Herman singled and another Giants miscue plated Wyatt as Herman arrived at second. Vaughn flew out but Reiser singled to score Herman, putting the Dodgers up, 6-2, after four innings of play.
Wyatt struggled in the top half of the fifth inning after striking out the leadoff batter, pitcher McGee. A single by Dick Bartell, two free passes to Billy Jurges and Mize and a hit batsman (Willard Marshall) plated Bartell and cut the Dodgers’ lead in half, leaving the score in Brooklyn’s favor, 6-3.
May 8, 1942 Giants Line up:
|Dick Bartell 3B||Navy||1943|
|Billy Jurges SS|
|Mel Ott RF|
|Johnny Mize 1B||Navy||1943|
|Willard Marshall LF-CF||USMC||1943|
|Harry Danning C||USAAF||1943|
|Buster Maynard CF||Army||1943|
|Babe Barna PH-LF|
|Mickey Witek 2B||USCG||1944|
|Cliff Melton P|
|Bill McGee P|
|Babe Young PH||USCG||1943|
|Ace Adams P|
May 8, 1942 Dodgers Line up:
|Billy Herman 2B||Navy||1944|
|Arky Vaughan 3B|
|Pete Reiser CF||Army||1943|
|Johnny Rizzo RF||Navy||1943|
|Joe Medwick LF|
|Dolph Camilli 1B|
|Mickey Owen C||Navy||1945|
|Pee Wee Reese SS||Navy||1942|
|Whit Wyatt P|
|Bob Chipman P|
|Hugh Casey P||Navy||1943|
The Giants drove Wyatt from the hill in the top of the seventh after he struck out the leadoff batter, Bartell, and walked Jurges and Ott, bringing the tying run in power-hitting Mize to the batter’s box. Brooklyn’s Bob Chipman faced the challenge by walking Mize and loading the bases. Facing Willard Marshall with the sacks full, Chipman failed to deliver as the left fielder singled to score Jurges and Ott, though Mize was tagged out in his attempt to reach third base. Durocher had seen enough of Chipman and replaced him with Hugh Casey with two out, two runs in and Marshall at first. Casey coaxed Giants catcher Harry Danning into a long flyout to right field to preserve the one-run lead.
In the bottom half of the frame, Dodgers first sacker Camilli led off the inning by taking Bill McGee deep and putting Brooklyn up by two, driving in what would end up being the deciding run of the game. In the top of the 8th, Mickey Witek singled with one out. Babe Young pinch-hit for McGee, reaching on an error by second baseman Herman (his second of the game), allowing Witek to reach third.. Dick Bartell plated Witek with a 5-3 fielder’s choice. Jurges grounded out to Reese to end the inning. Hugh Casey allowed two hits to Mize and Danning in the top of the ninth but kept the Giants from scoring and preserved Wyatt’s first victory of the season.
For the 1941 National League champions, the 1942 season was shaping up to be a repeat performance and predictions for a Dodgers return to the World Series seemed to be coming to fruition until the St. Louis Cardinals overtook Brooklyn. With just fourteen games remaining in the season, the Dodgers were unable to retake first place and finished the season behind St. Louis by two games. Before the start of the 1943 season, the Dodgers lost Reese, Casey and Rizzo to the Navy and Reiser left for service in the Army. From the Giants, Bartell (Navy), Maynard (Army), Mize (Navy), Marshall (USMC) Danning (Army Air Forces) and Young (Coast Guard) were all in the service by spring training.
The game scorecard is two-color (red and blue), printed on thin cardstock and features 14 internal pages. Each interior page is predominated by advertisements for products and local businesses. The ads are positioned on either side of a one-inch band across the pages’ mid-sections that provides scoring instructions, the 1942 season schedule, divided into home and away games, and Brooklyn Dodgers historical details and records. New to baseball scorecards, located on page 12 are instructions and regulations in the event of an enemy air raid taking place during the game as well as the call for citizens to purchase “Defense Bonds.”
Of the 24 men who played in this first major league service relief game, thirteen served in the armed forces during the war, with several of them participating in other fund-raising games while playing for service teams.This further enhances the desirability of this scorecard as a baseball militaria piece. Considering all of the historic aspects of the game, this is one of the more special pieces of ephemera in the Chevrons and Diamonds collection.
After the 1990s decade of overproduction, excesses in options and over-saturation of the sports card cardboard marketplace caused a mass exodus of collectors from one of the oldest collecting hobbies. The sports card business in the 1990s represented all that was bad within the hobby despite the aspects that made it fun, still existing yet getting lost in the noise. Corrupted by money and the pursuit of fast riches, the hobby turned from the sheer joy of chasing down and trading for cards that would complete a set, to one of financial investment and price guides. Instead of discussing stats and favorite players, hobbyists began watching prices for inserts and specialty cards rising to three and even four digits based upon speculation that an 18-year-old draft pick would rise to the stardom of the game’s best and brightest.
Disillusioned by the greed of the hobbyists and card shops, not to mention the card manufacturers themselves, one can point fingers to a number of causes leading to the degradation of baseball card collecting. However, a common theme emerges from a large portion of collectors: over-saturation of the market which was spurred into action by the fervor surrounding the mercurial rise of a superstar player and the launch of a new generation of baseball cards that featured high gloss, crisp colors and graphics that awakened a stagnant industry.
The inaugural issuance of the once giant Upper Deck company was the 1989 baseball set that featured a rookie baseball player that was catching the attention of sportswriters and fans alike as he drew incredible interest due to his play while ascending through the minor leagues. The Seattle Mariners’ rookie prospect, Ken Griffey, Jr. adorned the front of 1989 Upper Deck Baseball, card #1 and created a stir like no other before or since.
“More than 1 million Griffey cards were printed. In Upper Deck’s original mailing to dealers, the company said it would sell 65,000 cases of card packs. With 20 boxes in a case, 520 cards in a box, and 700 different cards in the set, there would be about 965,000 of each card produced for the boxes. Combine that number with the amount of Griffeys in the untold number of “factory sets,” and you’d have your production run.
Given the number of Griffey cards in circulation, there have long been rumors of an illicit reason for the card’s ubiquity. Upper Deck, the legend goes, knew that printing the cards was just like printing money. As such, there was a sheet the company could run with 100 Griffey cards on it, instead of the standard sheet that had just one Griffey in the top corner along with 99 pictures of other players.” – Junior Mint: The enduring popularity (and ubiquity) of the 1989 Upper Deck Ken Griffey Jr. Card | By Darren Rovell
The 1989 Upper Deck #1 still garners the interest (though the card must be highly graded by an independent authentication and grading company, sealed into a plastic slab and labeled with the grade along with a unique identifier) and can generate sales transactions in the high three and sometimes four-digit ranges. As the 1990s wound down, there was a significant glut in the marketplace with the arrival of countless card manufacturers and the proliferation of products as businesses made a full-court-press for every consumer dollar. A Netflix film, Jack of All Trades, captured the reality of this dark era of card-collecting and the impacts still being felt by collectors (see: ‘Jack of All Trades’ on Netflix: A Baseball Card Documentary That Doubles as a Personal Father/Son Story).
While card collecting as a whole took a significant hit in interest levels in reaction to what happened prior to the turn of the new century and those cards manufactured during the 1990s were largely relegated to junk-status, cardboard manufactured prior to the 1970s remained stable in terms of perceived value (among collectors), attracting a new audience.
Baseball militaria collectors have few options available in terms of enhancing their collections with baseball cards. Two manufacturers, Tri-Star Obak (2011) and Panini (2012 and 2015) made military-themed cards as set inserts in the last few years that feature players who served during World War II, however they are of relatively limited production numbers. In 1959, Fleer produced a special, 80-card set to commemorate the end of Ted Williams’ career (1939-1960). As part of the Williams set, Fleer produced 11 cards that recognized the ‘Splendid Splinter’s’ World War II and Korean War service (see: A Set to Honor Teddy Ballgame’s Military Service) however, they only scratch the surface in any attempt to satisfy the collectors’ desire for military-related cardboard. Apart from building “veteran” themed groups from vintage card sets featuring cards from players who served, the option for cards recognizing baseball during the war are virtually non-existent, or so was the perception.
One of the card manufacturers of the 1970s and ’80s that was a bit of a dark horse among the big names (Topps Fleer and later, Donruss) laid the groundwork in addressing collectors’ desires for new treatments of vintage cards. The company’s founder, Michael Aronstein was ahead of his time with sets that turned younger generations’ attention to the game’s golden era, beginning with the reproduction of the 1936 Goudy cards in the 200-card 1972 TCMA 1936 Goudey Wide Pen Reprints set (see: Heritage before Heritage and Beautiful purple cards). Some speculate that TCMA’s popularity is what influenced makers such as Topps towards their re-issue and re-printing movement of the 1990s.
During TCMA’s 15-year-run, the company largely produced cards that paid homage to the game’s heyday directing attention to teams and stars from the 1920s through the 1950s. Some of the card sets that were produced centered on specific teams such as the 1927 Yankees (released in 1979), 1914 “Miracle” Braves and the 1959 Dodgers (both released in 1980). TCMA ventured into the minor leagues with sets such as the Rochester Red Wings and Wichita Aeros (1980) and into sets centered on the game’s greats with “Hitters,” “Pitchers” and “Sluggers” (1982). Unlike what is commonly seen within the sets produced by the major sports card companies, checklist inserts and set production data are not readily available.
As we continue in our quest to locate and secure photography associated with the military game, over the last 10 years, we have encountered a smattering of images listed (in online auctions) as photos or real photo postcards (RPPC) that were clearly printed (half-toned and containing labels on the image faces). “Photographs” of this type tend to be clippings from books or periodicals and are always absent the characteristics (such as good resolution, exposure or clarity that are hallmarks of photos printed from negatives) of type-1 images.
As we search and scour online sales and auctions for vintage military baseball photography, an occasional listing of a candid image (above) showing Pee Wee Reese, Johnny Vander Meer and Merrill May in their Navy baseball flannels in front of a tropical vegetation backdrop. The image appears to have postcard dimensions and, due to it being a half-tone printed item, the exposure appears to be of a low and “muddy” contrast that is typical of such material. While the subject of the photograph would capture our attention, we would routinely dismiss the items. Having only seen the front of the postcard-like photo, there was no reason to suspect that the image should have captured our attention.
In recent months, another listing of the Reese-Vander Meer-May photo appeared in a search however, this time, there were a few additional similarly themed postcard photographs included as part of a group. A closer examination of the additional auction listing images raised our eyebrows as we noted details printed on the backs of each card. The addition of the other cards drew attention to the presence of numerals on the face of each card along with the names of the players shown. Of the handful of cards, one of them truly stood out. On the front featured two men in their service uniforms – Phil Rizzuto (formerly of the New York Yankees) wearing his Navy service dress blues and Terry Moore (formerly of the St. Louis Cardinals) in his U.S. Army dress uniform – at the fifth and deciding game of the 1943 World Series at Sportsman’s Park. On the reverse of the card is what appears to be the introduction of an essay that was penned by Harrington Crissey, LT, USNR, entitled “Athletes Away.” Printed in smaller type in the lower right-hand corner of the card, “T.C.M.A” and a 1975 copyright date. We immediately acquired the few pieces that were listed and subsequently reached out to Mr. Crissey with an inquiry.
In the year since I became acquainted with Mr. Crissey, we have collaborated on considerable research of wartime military baseball – predominantly focused upon his area of expertise, the game played by professional ball players who served (and played) in the U.S. Navy – we discussed his three books, Teenagers, Graybeards and 4-F’s: Volume 1: The National League (published 1981), Teenagers, Graybeards and 4-F’s, Vol. 2: The American League (1982) and Athletes Away: A selective look at professional baseball players in the Navy during World War II (1984) along with his extensive research, interviews and correspondence with the players and his incredible library of photographs, documents and personal items (obtained from the men who played and served). Despite all our conversations and correspondence, there was no mention of the cards until I shared my “discovery.”
Without pause, Mr. Crissey explained how the set came into existence, mentioning how he came into contact with the founder of TCMA cards, “Mike Aronstein was a young man about my age who had collected a very large number of glossy photos of players and was selling them at reasonable (for those days) prices, “ Crissey wrote in an email. “I bought many of them from him both at card shows and later at his apartment in New York City,” Mr. Crissey continued. Crissey explained that the 18-card set was the result of a collaboration with Aronstein with photos from their respective vintage image collections.
The “Athletes Away” TCMA 18-card set shines a spotlight upon baseball during World War II, specifically Navy baseball with seven of the cards depicting the players either in their service team flannels or in their navy service uniforms. “The photos of players in major league uniforms plus the one of Phil Rizzuto and Terry Moore were from the Aronstein collection,” Crissey wrote. Aside from card #1 (showing the aforementioned Rizzuto/Moore photograph from Aronstein’s collection). Card number 2-6 and #12 were all made from Crissey’s photo collection. Most of the photos supplied by Crissey were given to him directly by former St. Louis Browns outfielder, Glenn “Red” McQuillen, one of the players featured on six of the TCMA cards, giving the set a more personal historical connection. The remainder of the set features photos of players who served in the Navy but are shown in their major league uniforms before they entered the service.
TCMA Athletes Away Set List:
- Phil Rizzuto and Terry Moore
- Action at Gab Gab, Guam
- Navy players warm the bench
- Merrill May, Pee Wee Reese, Johnny Vander Meer
- Navy players in working uniforms, Guam
- At Great Lakes with Manager Cochrane
- Del Ennis – Phillies
- Mace Brown – Pirates
- Reese, Gordon, Dickey – 1941 World Series
- Glenn McQuillen – Browns
- Mike Budnick – Giants
- Navy Pacific Tour Teams
- “Skeets” Dickey – White Sox
- Connie Ryan – Bees
- Hal White – Tigers
- Mickey Cochrane – Tigers
- Barney McCoskey – Tigers
- Ben Huffman – Browns
As the dialogue between us continued, Mr. Crissey inquired as to the cards that I was missing from the Athletes Away set. A few days after our conversation, a package arrived with the pieces that brought my set to completion. Mr. Crissey was unaware of the production size of the Athletes Away set nor was he familiar with the manner in which the cards were distributed to TCMA customers. If the present very limited availability is an indication, it appears that production was limited.
Aronstein, an avid collector of vintage photographs, ventured into other areas including the minor leagues before transitioning to his fully-licensed (through the MLB, NBA, NHL, MLS and NFL) photographic reproduction business, selling frame-able, autograph-ready retail sports photographic prints. We attempted unsuccessfully to reach out to Mr. Aronstein for input.
The Dodgers were and still are my all-time favorite baseball team if not of all professional sports. With the Red Sox being a close second to the “Blue Crew,” I experienced a bit of a dream (and nightmare) World Series in 2018 where it was a difficulty for me choose the team that I wanted to win the most between the two clubs as they faced each other in the championship. In 1991 when I made made my first trip to Cooperstown, New York to visit the Baseball Hall of Fame, I was astounded to artifacts from my favorite teams including items from men who played in the first World Series meeting (in 1916) between my two favorite teams. That visit to the Hall of Fame also stirred within me a desire to pursue other facets (besides sports cards) of the collecting hobby, namely autographs.
After visiting the Hall of Fame Museum, I walked around the small village and patronized a small shop that seemed more like an extension of the museum than a store as it was filled with antique baseball memorabilia ranging from autographed baseballs, photographs, bats and other artifacts dating from the 1920s through the 1950s and up to (then) present day. Clearly this business’ clientele was more well-heeled than an active-duty sailor in the U.S. Navy as I could scarcely afford to make a purchase of a baseball artifact. Motivated by the overwhelming inventory of autographed memorabilia, one piece in the store did manage to catch and hold my attention, hatching an idea for me to pursue an area of collecting that I never previously gave much thought. Without any sort of hesitation, I purchased a copy of The Sport Americana Series Baseball Address List by R. J. Smalling and started to make a list of players from the “golden era” of the game that I would target for signatures.
My visit to Cooperstown left a lasting impact on me that punched a few holes in my Dodger-blue colored glasses, leaving me with a significant reduction in my hatred for the Giants. I was able to see beyond the rivalry and recognize the contributions of the players from the game rather than to be limited by the myopia influenced by my passion for a team. This transformation translated into an activity that included writing to veteran players (Hall of Famers, included) and requesting their autographs on various piece that I would send to them. One such player was a big first baseman from Demorest, Georgia (where he was born and raised and returned to after his baseball career ended) who spent his entire career crushing Dodgers (and all other National League) pitching for the St. Louis Cardinals and New York Giants carrying a .324 batting average, an on base percentage of .409 while slugging .588 with and OPS of .997 and almost 300 home runs in ten seasons. His prowess against Brooklyn didn’t cease when he left the National League and donned the pinstripes of the Yankees. Mize faced the Dodgers in 10 World Series games making 23 plate appearances and batted .400 with a .600 slugging percentage and an OBP of .478 and was approaching the end of his career. It goes without mentioning that (as a Dodgers fan) I shouldn’t care for Johnny Mize or his signature.
Mize’s career was one that caught my attention both at the Hall of Fame and as I scoured my copy of the massive Baseball Almanac book (which I still have). What stood out to me among his impressive statistics was the absence of playing time (and stats) from 1943 through 1945. Admittedly, I didn’t know that Mize left his player salary and the life of sport for the uncertainty of life itself in order to don the uniform of the United States Navy. But that is what Mize did in March of 1943 following being notified of a change of status from 3-A (registrant deferred because of hardship to dependents) to 1-A (available for unrestricted military service) – at the time, Mize was the sole provider to one of his aunts however by 1943, the draft boards underwent a change in the way hardships were viewed, especially since fathers (sole providers for their families) were being drafted.
The Giants first baseman was purported to have a blood coagulation issue that precluded him from Army service. Reported by the Sporting News, March 18, 1943, Giants manager, Mel Ott mentioned that “he had heard something about John being listed clinically as a bleeder, “meaning that Mize suffered from a form of hemophilia. Cleared for military service, Johnny Mize’s eligibility was transferred from the Army and he opted to join the Navy. While undergoing basic training, Mize was picked up by the Great Lakes Naval Training Station Bluejackets manager, Lieutenant Mickey Cochrane, the former catcher for the Philadelphia Athletics and Detroit Tigers. By the end of May, 1943, Johnny Mize was appearing in the Bluejackets’ lineup as they competed against regional ball clubs and service teams. Mize remained at Great Lakes and on Cochrane’s Bluejackets roster until being transferred to Naval Training Center Bainbridge (Maryland). While he was playing for the Bainbridge squad, Mize fell ill requiring a break from physical exertion resulting in significant weight-gain during his convalescence. When he returned to duty, Mize was transferred to the West Coast.
In February of 1944, Athletic Specialist 2nd Class Mize departed San Francisco Bay aboard the fleet minelayer, USS Terror (CM-5) and by late Spring, Mize was suiting up for the Naval Air Station Kaneohe Klippers under manager Lieutenant Wes Schulmerich, previously of the Navy Pre-Flight Training program at the University of North Carolina, Chapel Hill (see: Navy Pre-Flight Round-up: The Growth of the Cloudbusters Collection Takes Flight). Though Mize’s impact would be felt, he battled injury for a fair portion of the 1944 season which led to his omission, along with that of the 7th Army Air Force’s Joe DiMaggio, from the Central Pacific All-Stars team due to reduced playing time. Both Mize and DiMaggio joined their respective branch’s All Stars team for the Army-Navy World Series held throughout the Hawaiian Island from September 22 to October 15, 1944 (see: Keeping Score of Major Leaguers Serving in the Pacific and Game 7 – Navy vs Army All-Stars Championship Series, October 1, 1944).
In his first two seasons of service team baseball (with the Bluejackets of Great Lakes and the Klippers), Mize didn’t slack off with his offensive production. In 1944 Mize was limited in his plate appearances at NAS Kaneohe due to a lingering injury.*
In early 1945, LT. Bill Dickey tabbed Mize for duty in the Western Pacific participating with other professional ball players (serving in the Navy) in a goodwill and morale-boosting tour. Servicemen on at Eniwetok, Kwajalein, Saipan, Guam, the Philippines, Admiralty Islands, New Guinea and Peleliu would be able to enjoy games being played between teams from the “Third” and “Fifth” Fleets (see: 1945 3rd Fleet vs 5th Fleet – Pacific Tour). With the main thrust of the Pacific offensive being fought in places such as Iwo Jima, Mize and his teammates found themselves on islands that still had an enemy presence. It was not uncommon for a Japanese sniper round to reach close proximity of a ball field.
Within a few weeks following the unconditional surrender of the Japanese, Mize was making his way back to the United States mainland and would be discharged from active duty in time to make an appearance as a spectator at the 1945 World Series between the Detroit Tigers and Chicago Cubs. It was noted by several reporters, ball players and coaches that Mize had dropped a significant amount of weight and appeared to be in top physical condition. Questioned about his health, Mize recounted his 1945 season of playing baseball five days a week for several months leading up to his separation from the Navy. Mize settled back into the routine of baseball with the Giants for the 1946 season, resuming his Hall of Fame career with a productive season despite his production drop from his 1942 season. In 1947, Mize led the National League in runs scored (137), runs batted in (138) and home runs (51), tying Pittsburgh’s Ralph Kiner. Despite Mize’s offensive prowess, his Giants finished in third place behind St. Louis and 13 games behind the National League Champion Brooklyn Dodgers.
While seated at my desk during a night shift at my last Navy duty station, I finished the letter that I wrote to the retired 80-year-old Hall of Famer, folded it and inserted the self-addressed and stamped envelope along with a few items for Mize to sign. I had no thoughts to the mortality of the immortal greats of the game until a few weeks later I learned that Johnny Mize had passed away and soon after, the envelope that I sent arrived in my mailbox was marked, “return to sender.”
Twenty five years later, I discovered a photo of Mize that, despite several flaws, caught my interest. The image was overexposed (either when the photo was captured or when it was printed in the darkroom) and has a discoloration blemish that is the result of improper darkroom chemical baths (the “stopbath” wasn’t fully removed in the rinse) leaving a residue that resulted in a dark patch on the surface of the print. The photo was captured by George Burke and might have been a cast-off print. Regardless of the condition, Mize, a prolific autograph signer, placed his mark on this vintage photo. It only took me a quarter of a century to finish what I set out to obtain.
About the Johnny Mize artifacts
In addition to the signed photo, the Chevrons and Diamonds Collection has gained other Johnny Mize-related artifacts that include multiple WWII scorecards from games that he played while serving in the U.S. Navy. Also, we acquired three photos of Mize during his time in the Navy starting off with him being fitted for his service uniform (undress blues), a navy-veteran’s snapshot of the slugger in Hawaii in 1944 (see: Matching Faces to Names: Identifying Four 1945 Navy All-Stars) and an official Navy publicity photo that came from the estate of Philadelphia Athletics and WWII Navy infielder, Al Brancato. Two other photographs shown here (copies of the originals) were provided to Chevrons and Diamonds from our collecting colleague, Mark Southerland who obtained the original vintage prints (many of which are signed) as part of a substantial group of photographs from the Bill Dickey estate. Lastly, the photograph of the Navy team posed in front of the B-29 is a Navy Department publicity print.
*Mize’s Navy playing stats compiled and provided by Mr. Harrington “Kit” Crissey