Vintage Leather: Catching a Rawlings Mickey Owen Signature Mitt

As the National Football League wound down the 2019 season with the final regular season contest at Seattle’s Century League Field on Sunday, December 29, the common description of the sport, that it is “a game of inches,” was on full display in the final play as the Seahawks tight end Jacob Hollister was tackled just shy of scoring the game-winning touchdown (the San Francisco 49ers captured the division title). Actor and Director Billy Crystal described his earliest memory of passing through Yankee Stadium’s grandstand tunnel during a pre-game batting practice for an early 1950s game. In his recollection, Crystal’s memory was relatable as he recounted inhaling such scents including the diamond’s freshly cut grass evoking some of my earliest ballpark memories.

As my age advances and the physical impacts resulting from the hazards of military service continue to emerge as greater challenges for me, I am becoming acutely aware of the changes. Of the many residual effects that I contend with is substantial hearing loss and its continual degradation which is emphasized when I attend a baseball game but I can still enjoy the fantastic sound of the crack of the bat when a hitter gets a solid connecting with a pitch.  One of the most unmistakable sounds from the game is the “thump” of a fastball striking the catcher’s mitt, indicating to all within earshot the sort of pitcher occupying the mound. As each hard-thrown pitch lands into the mitt, the distinctive sound is unmistakable.

When I played baseball, the last position that I wanted to play was behind the dish. The idea of donning the protective gear and spending the game crouched down behind the batters while attempting to put a glove onto the incoming pitches (to prevent them from skipping to the backstop, especially when there are runners on base), didn’t hold my interest. As much as I enjoyed pitching, I lacked the mechanics to deliver the ball with decent velocity which relegated me to playing in the infield or outfield. Taking stock of my interest within the game, I was always fascinated by the catcher position and that this role acted as the on-field manager. The catcher is responsible for positioning the defensive players as well as calling pitches. Hall of Fame catcher, Mickey Cochrane was a player-manager who led his Detroit Tigers to consecutive American League championships (1934-’35), winning the World Series in 1935 from behind the plate (he also led the dominant Great Lakes Naval Training Station Bluejackets baseball team during WWII). Catchers have ascended to become major league managers more than any other baseball diamond position.

Through the efforts of several wartime philanthropic endeavors, many thousands of pieces of sports equipment were purchased and distributed to troops throughout the combat theaters (see: Ted Williams: BATtered, Abused and Loved) for recreation and distraction from the intensity and monotony of the war. As we have been acquiring wartime military-marked, game-used equipment, catchers’ mitts have proven to be quite elusive. Our collection of marked-gloves consists of those used by position players or pitchers. In 2019, we acquired our first military-used catcher’s mitt, a late 1930s-early-1940s Wilson Professional model that was hand-marked by the original owner who served in the Navy during WWII, Pharmacist’s Mate 1/c Gerald W. Benninghoff (see: Catching Corpsman: The Search for a Ball-Playing WWII Pharmacist’s Mate). Since the Benninghoff mitt was only marked with the sailor’s name, it is impossible to determine if it was provided to him (through one of the wartime sports equipment charities) or if he purchased it.

Several years ago, we were watching an auction listing for a wartime Rawlings catcher’s mitt with “U.S.” markings.  When that auction closed well above our budgeted financial limit, we decided to exercise patience while waiting for another example to surface.  The mitt listed in that auction was a signature model that recognized one of the game’s rising defensive stars behind the dish. Though by the end of 1940, St. Louis Cardinals catcher, Mickey Owen had proven himself with his glove and command of the Cardinals’ pitchers, his offensive stats were mediocre leaving him expendable with the rise of his back-up, Walker Cooper. Owen led the National League picking off would-be base-stealers in 1939 and 1940, taking down 61 and 60 percent (respectively). Despite his consistent play, the Cardinals traded Owen to the Brooklyn Dodgers in December 1940 for $65,000, catcher Gus Mancuso and minor-league pitcher John Pintar.

Mickey Owen’s first signature model catcher’s mitt was a professional model as seen in this page of the 1938 Rawlings catalog (source: KeyManCollectibles.com).

For a major league catcher to have a player endorsement contract with an equipment manufacturer, he would have had to have been quite established in the league. However, for Mickey Owen, his first signature model appeared in the 1938 Rawlings catalog following his rookie campaign that saw him splitting the 1937 season with Bruce Ogrodowski behind the plate. Considering that Owen batted a paltry .231 and had a minuscule .265 slugging percentage, it seems that Rawlings saw the catcher’s upside, especially since he was playing on the storied St. Louis roster.

Though he was a decent major league catcher throughout his 13 season, Mickey Owen is more of a recognizable figure due to an unfortunate defensive misstep that is much on par with the Bill Buckner incident (in the 1986 World Series). In his first year with the Brooklyn Dodgers, Owen saw his team capture the National League pennant, edging out his former team by a slim, 2.5 game-margin, though his own offensive performance for the 1941 season was considerably off the pace of his previous campaigns in St. Louis.

The first year of the Rawlings model “MO,” Mickey Owen signature catcher’s mitt as shown in the maker’s 1943 catalog (source: KeyManCollectibles.com).

For their first appearance in World Series in 21 years, the Dodgers faced the Yankees (their first of 12 World Series match-ups with the “Bronx Bombers”). After Game 3, the Dodgers were hosting the Yankees and were trailing in the series, two games to one. Owen was producing at the plate, hitting .285 over the first three games (two hits for seven at bats and one walk and two runs-batted-in).  In Game 4, the Yankees grabbed the lead in the top of the first inning on a two-out single by Charlie Keller plating Red Rolfe. In the top of the fourth inning, Johnny Sturm knocked a two-out single that scored Bill Dickey and Joe Gordon giving the Yankees a 3-0 advantage. With two outs in the bottom of the fourth inning, Mickey Owen drew a two-out walk followed by another by Pete Coscarart. Both Owen and Coscarart scored on a double by Jimmy Wasdell. which pulled the Dodgers to within a run. Dixie Walker led off the bottom of the fifth inning with a double followed by a two-run Pete Reiser homerun which gave the Dodgers the 4-3 advantage over the Yankees which they held onto heading into the top of the ninth inning. Dodgers manager Leo Durocher left pitcher Hugh Casey in to finish the game after facing the Yankees since the start of the sixth inning. Casey consecutive ground-outs to Sturm and Rolfe before facing Tommy Henrich. Henrich worked Casey to a full count and was a strike away from seeing the Dodgers pull the series even. Casey threw a sharp breaking ball that coaxed a swing attempt by Henrich. Strike three was called which should have ended the game however, the pitch also got by Owen and rolled to the backstop as the Yankees right fielder reached first.

The wheels came off the cart for Brooklyn as Casey was rendered ineffective and the Yankees plated four runs as Casey allowed five more Yankees base runners on two walks, a single and two doubles before retiring Johnny Murphy for the final out of the top half of the ninth.  Pee Wee Reese, Walker and Reiser would be retired in order to close out the game and giving the Yankees a 3-1 lead in the series. The demoralized Dodgers lost game five 3-1 sending the Yankees to their ninth World Championship and Owen became the scapegoat for the Series loss.

This U.S.-marked Mickey Owen signature model catchers mitt by Rawlings dates from the early 1940s and displays well along with my signed photo of the former Cardinals and Dodgers player.

Mickey Owen’s signature model mitt was available in the Rawlings catalog from 1938 and through thought World War II. Model “MO” is a high end mitt the features leather edging, lace wrist strap with sheepskin (for comfort) on the underside. When we received the glove a while ago, the leather was fairly dry and was quite dirty from use on the diamond. After a light cleaning, the red clay dirt gave way to reveal much of the silver foil remaining in the manufacturer’s stamps. In addition, the “U.S.” was similarly marked. The only damage this mitt shows is the water stain in the palm and a few spots of mildew, caused perhaps by sitting on a garage or basement floor for too long. Treating the mitt with glove conditioner revealed many of the stamps that were previously indistinguishable due to the tight, dry leather. With only a single conditioning treatment (and more to follow), this U.S.-stamped Mickey Owen mitt will display quite nicely and it has already become a great addition to the our glove collection. Adding icing to this cake would be if the mitt had provenance or was attributable to a specific service member. Unfortunately, there are no other markings and the mitt had no connection to a veteran.

Mickey Owen’s selective service call-up didn’t happen until the spring of 1945 in his fifth season with Brooklyn and his last game in a Dodgers’ uniform was against the Cardinals at Ebbets Field on May 21, 1945. In the contest, a make-up game (rescheduled from May 10 due to a rain-out) was quiet in terms of his offensive performance, going 1-for-4 ( a double in the bottom of the 6th inning) at the plate. The Dodgers were shut out by St. Louis, 4-0. A few days later, Owen was reporting for duty in the armed forces.

Prior to Mickey Owen’s induction into the Navy, the catching position for the Sampson Naval Training Center‘s baseball team in the 1945 season was predominantly held by former Rochester receiver, Tony Ravish. By early June, Owen was donning Sampson’s flannels and making an impact for the team. According to The Sporting News, his June 10 debut, he clouted the longest home-run ever made at the Sampson Naval Training Center Field, slapped out two singles, walked once, reached first base on an error and stole two bases to score five times in five trips to the plate, helping the Bluejackets beat Cornell University, 13 to 1. In a June 28 match-up against the industry league team from Curtiss-Wright in Buffalo, New York, Mickey Owen connected for three hits which was half of the total compiled by his Sampson Naval Training Center team as he led the sailors to a 6 to 2 victory. Facing the Eastern League’s Grays of Williamsport, Pennsylvania (a class “A” affiliate of the Washington Senators), Owen went 2-for-2, including a double to help his team to an 8 to 2 victory on August 31st.

Now cleaned and conditioned, this U.S.-stamped Rawlings Model “MO” Mickey Owen Mitt is in excellent, though used condition.

After the surrender of the Japanese, bringing about the end of World War II, Dodgers president Branch Rickey went to work planning Brooklyn’s 1946 season roster. Rickey expressed concerns that Mickey Owen would not be released by the U.S. Navy in time for spring training and began seeking alternatives for the starting backstop position. Manager Leo Durocher recognized the glaring hole left by Owen’s absence in speaking about the 1946 roster, “Its catching that makes me wakeful at night. I’m not kidding myself.” the “Lip” commented, “I’d give a lot to find another Mickey Owen some place. But you can’t shake that kind of guys off Prospect Park trees. We need a high-grade, hard-hitting receiver more than we need anything else I can think of at the moment.” The Sporting News| December 27, 1945

By the end of February, 1946, word of Owen’s impending release from the Navy had reached Dodgers management and the press. Owen was expected to be discharged from the Navy on April 2 and spoke with a reporter as he was shopping for a camper trailer while on leave (near his home in Springfield, Missouri) to use.

Prior to his release from the Navy, Owen negotiated with Jorge Pasquel, president of the Mexican League, obtaining a five-year contract offer which included a $12,500 signing bonus. Unfortunately for Owen, he was still under contract with the Dodgers and in doing so, created incredible controversy and a legal fight between Major League Baseball and the Mexican League. Ultimately, Owen played for the Veracruz team in 1946 joining with 17 other former major leaguers who were summarily suspended (for five years) by Major League Baseball’s commissioner, A. B. “Happy” Chandler. Owen’s actions gained the ire of Branch Rickey who stated he would never play for the Dodgers again. After the 1946 season, Mickey Owen was unable to play organized baseball but would resume his career in 1949 with the Cubs. Having been was waived by the Dodgers and following reinstatement by a federal judge who sided with fellow Mexican League veteran, Danny Gardella who sued Major League Baseball, Owens played sparingly for four more seasons with the Cubs and Red Sox before retiring after the 1954 season.

Slipping a hand into this catcher’s mitt, one can imagine the “thumping” sound of a fastball slamming into its thickly padded leather while considering the events taking place around the war-torn world. The only thing that seemed to make sense back then was the game.

Photography Class: It’s What’s on the Back (of Vintage News Photos) that Counts

In the previous two installments of our vintage photograph collecting series, we discussed some basic concepts and outlined considerations for collectors who are new to old photographs (see: Photography Class: Vintage Photograph Collecting Tips). We also touched upon the need for standardizing and applying terminology consistently in this genre, especially surrounding old transmitted photographs that were used by printed publications such as newspapers (see: Photography Class: On the Wire). Though the article wasn’t specifically written in conjunction with this developing series, our article, A Negative Original: Vintage Photo Fraud discusses both the fraudulent side of this collecting genre and a few specific areas to pay attention to when considering a vintage photograph for purchase.

This installment in the series is a continuation of our discussion surrounding photos that were previously employed within the printed media process and provides an introduction into back-marked or back-stamped images.

This ACME Newspictures stamp was applied in 1941 and, as is quite common, has the accompanying N.E.A. stamp with the reference department number.

In our article regarding wire transmitted photographs, we touched upon some of the information that accompanies these photographs. In (almost) all situations with this particular type of photograph, the image will be marked on the reverse with stamps to indicate the source agency, date that the image was captured, date that the image was published and even the publications archival information. Much of this same information will also accompany press or news photos. The following list is a fairly complete collection of the most common marks found on Twentieth Century news photographs:

  • ACME, ACME Newspictures, ACME Photos: 1923 to 1952. Early on known as United Newspictures. Purchased by United Press in the 1950s.
  • Associated Press Photos (AP). 1926-93. AP wirephotos existed 1935-1970s. AP Laserphotos 1970s-90s.
  • Bain News Service, 1898-1930s. Founded by early baseball photographer George Grantham Bain, this was a pioneer news services.
  • Central Press Association of Cleveland was in service for many years and started in the first part of the 20th Century. Back stamps often include an accompanying date.
  • Culver Pictures Inc, of New York City, was formed in the early 1900s and exists today. This means the Culver stamp can appear on both an early and a modern photo. Culver acquired a significant portion of the Bain News Service archives adding their stamp to older Bain images.
  • Harris and Ewing: 1905-45 was a Washington D.C. photo service; subjects are predominantly sports and politicians.
  • International News: 1909-1957. Many of this major news service’s images bear the stamp, International News.  Back markings can be easily dated:
    • International News Service – 1909-15
    • International Film Service – 1915-20
    • International – 1915-1922
    • International Newsreel  – 1922-28
    • International News Photo – 1928-57
  • Keystone View Company, New York. Existed in the early 1900s.
  • N.E.A.: 1923-52. Synonymous with ACME Newspictures. An ACME photo will often also have an N.E.A. stamp.
  • Pacific and Atlantic Photos: 1921-31
  • Underwood & Underwood, aka Underwood: 1910s-30s
  • United Newpictures : 1923-25
  • United Press (UP). United Press issued news photos from the late 19th century through the 1958 when it merged with International News Service becoming United Press International (UPI).
  • United Press Association (UPA). A synonym for United Press, this  stamp was only used only during the 1950s.
  • Universal Press International (UPI), 1958 – Today. UPI made originals and modern photos of modern subjects. However, UPI also made ‘printed later’ photos of 1910s-30s subjects, noted as modern by the UPI stamp on back. These reprints can have high quality images, as UPI had a huge archive of new and old negatives. These UPI reprints of folks like Ty Cobb and Walter Johnson in their playing days have fooled many collectors, who don’t realize UPI is a modern company.
  • World Wide Photos, 1919 to Present.

SourceTips for Identifying Authentic Vintage News Photos

 

Aside from the glue and paper reside on the back of this Ferris Fain image, St. Louis photographer George Dorrill’s stamp is accompanied by markings from The Sporting News and their label that was applied at the time of deaccessioning.

Aside from the news-source stamps adorning former press photographs, collectors might also observe the presence of markings from the photographers who captured and printed the images. As these photos are deaccessioned from print media archives, they are often purchased in bulk re-sellers who scan and inventory each piece for reselling to the collector market.  As part of the process, re-sellers apply their own stamps, tags or both to the image backs making for quite an array of information for collectors to discern.

An early 20th Century press photo created by Burke and Atwell – a partnership of two Chicago area press photographers. This photographs shows the U.S. Army Baseball Club from the Chicago, Illinois Army Recruiting District command.

Photos that cover military subjects or were captured in or near sensitive combat areas could contain information that, if an image was to fall into the wrong hands, could have proven to be detrimental to operations or personnel. Depending upon the unit size, function or location, a layer of security control was established to provide oversight and approval of photographs prior to releasing to the media. This element separates vintage baseball photographs (from the armed forces) from those documenting the professional game with applied markings from unit or branch public relations or public affairs offices or even war department censor approval markings.

In many cases, vintage photographs will bear the markings of the photographer. The most well-known of the early photographers and perhaps the creators of the most collectible images were working in the early years of the Twentieth Century. Charles Conlan, George Grantham Bain and George Burke captured the most iconic photographs of baseball’s early stars. Photos bearing their markings are the most sought after and garner significantly higher values on the collector market. George Brace, the aforementioned Burke’s younger business partner, continued to reprint images from Burke’s archive (Burke passed in 1951, leaving his archive with his young apprentice) up until his death in the late 1980s. Most original prints from these four photographers were back-marked – Conlon’s photos with considerable inconsistency.

One aspect of collecting retired press photographs to be aware of is that many of the prints will have alterations applied directly to the image-surface by an editorial staff illustrator. In an era that predates digital photo editing (with applications such as Adobe PhotoShop), corrections were made by hand to ensure that the half-toning  (part of the preparation in the newspaper printing process) will translate the focus and details of the photograph will stand out on the newsprint. Enhancing details or spotlighting an individual is done by applying varying colors of paint (with artist’s brushes) providing definition to edges or creating masking around a person.  Collectors should be aware that these nuances might not be distinguishable on-screen in seller’s snapshots of the vintage photograph.

Although collecting retired and deaccessioned vintage press and news photographs has experienced a rise in popularity among hobbyists bring more attention and demand (which has impacted valuations), this area is still one of the more affordable avenues for building a baseball image archive. Depending upon the vintage photograph’s subject (the caliber of player, the setting, pose, etc.), collector-demand can drive the value into the hundreds and sometimes thousands of dollars. Vintage photographs of baseball players (including those who were then or became legends) in their military service uniforms or their military baseball flannels are typically more affordable, however their availability is considerably limited.

References:

See Also:

Keeping Score at Nuremberg: A Rare 1945 GI World Series Scorecard

Taking stock of the past three months’ worth of Chevrons and Diamonds articles, it is easy to discern a few emerging content trends that reflect the types of artifacts that are continually being added to our collection. In that span of time, three separate Chevrons and Diamonds articles have documented some of our recent acquisitions of noteworthy scorecards or programs originating from rather historic service team games that were played during World War II. Just as most parents can’t choose a favorite among their own children, none of the scorecards, programs or scorebooks within our collection receives such prized status, though there are some genuine stand-outs among the pack.

Collecting historic baseball military ephemera is far more rewarding than similar pieces from the professional game (or, at least that is our admittedly biased opinion). In terms of scarcity or rarity of items, those that were distributed at a major league game are of the most common by comparison to items distributed at a wartime service league or exhibition game. During the 1940s major league ballparks had seating capacities that ranged from the mid-30,000s in the smaller markets to 57,000 for the crown jewel of the big leagues, Yankee Stadium. One would have to assume that scorecards and programs printed for each game numbered in the range 30-50% of the capacity for each game, if not more. By WWII, teams employed the practice of limiting printing runs to a handful of editions throughout the season (changing only the actual scoresheets and specific rosters pages inside the booklets to reflect the current visitors and lineups). Despite these production factors, the sheer numbers of those individual-game scorecards that were printed increase the odds of having more surviving pieces to collect. In contrast, the pieces printed for a military game would number in the hundreds at best, resulting in far fewer surviving examples.

Survivability of military baseball ephemera (just as with those from the professional game) can vary dependent upon a few factors such as paper quality, modes of transporting the pieces home or just general handling (folding or being stuffed into a pocket). There is a notable difference in the quality of paper used by professional teams and the very rudimentary medium used to produce the service team pieces, especially for those printed in the overseas theaters. Due to these factors, the surviving military items are far outnumbered by their wartime major and minor league counterparts. Locating and acquiring a military scorecard, scorebook or program in excellent or better condition is next to impossible solely based on the the aforementioned factors.

Scarcity due to production, handling, transportation and storage are only part of the story to consider. Recognizing that as the last of the World War II veterans are passing, their heirs are often saddled with determining the disposition of the accumulation more than 70 years since their family member returned from the war. To the untrained eye, a piece of military baseball ephemera might appear to be nothing more than smelly old paper falling victim to a quick purge during a home clean-out and subsequently ending up in the trash. Those pieces that escape all of these situations and make their way into collections (such as ours) or to a museum are exceedingly scarce.

For the select few collectors of baseball militaria, items from notable games don’t typically slip past our watchful eyes undetected very often which is not to suggest that it never happens. However, when it does occur, the sheer joy of being the one to land such a piece with minimal (or without) competition from other collectors means that the acquisition costs are minimized. What determines the notability of a service team game and subsequently impacts the rarity (and collector-value) of military baseball scorecards?

The cover of the Third Army Baseball Championship series games score card. The 71st ID Defeated the 76th ID in five games that were played in early August, 1945.

During World War II, many significant service team games (or series) were played and were well-documented in the press by sportswriters (for domestic games) and war correspondents (for overseas games). Contests such as the 1943 exhibition game played between a combined team of Yankees and Indians (coached by Babe Ruth) versus the Navy Pre-Flight (UNC Chapel Hill) “Cloudbusters” or the 1944 Army versus Navy Championship series in the Hawaiian Islands have garnered significant attention both at the time of the games and, more recently, over the last decade. Scorecards from these games tend to surface on occasion though not nearly as much as their major league counterparts.

In more than a decade of researching, collecting and observing the baseball militaria market, we have been diligent in documenting and tracking artifacts (such as scorecards) that are listed for sale (or at auction) along with monitoring the corresponding pricing trends. During that period of observation, we have seen only three examples (two of which we acqired) of the scorecard (shown at right) originating from the 1945 Third Army Championship series played in Nuremberg, Germany. The August 11-13, 1945 (originally scheduled from August 7-9) series amounted to a preliminary play-off round in the run up to the overall championship of the European Theater of Operations (ETO) and pitted the “Onaways” of the 76th Infantry Division against the “Red Circlers” of the 71st Infantry Division (see: Authenticating a Military Championship Baseball and Third Army – Baseball Championship Series). Led by the dominant pitching performance of former Cincinnati Reds phenom Ewell Blackwell, the Red Circlers eliminated the Onaways in five games.

The pitcher (possibly Earl Ghelf) starts his windup in one of their US Army Ground Forces Championship Series Games against the 7ist Inf. Red Circlers.

Next up for the Third Army Champion-71st Infantry Division “Red Circlers” was the US Army Ground Forces Championship Series against the 7th Army Champion “Blue and Grays” of the 29th Infantry Division. This best of five games-series was played in both Nuremberg and Manheim, Germany with the ‘Circlers’ starting pitchers Ewell Blackwell and Bill Ayres dominating the opposing batters. The 71st swept the 29th in three straight to advance to the ETO World Series. While we have yet to uncover a scorecard or program, a significant group of photographs and other associated documents (along with a 7th Army Championship medal) originating from one of the 29th’s pitchers, former minor league pitcher, Earl Ghelf surfaced in early 2018 (see: Metal Championship: Two 7th Army Victors of the 29th Division and European Theater Baseball: the 29th Infantry Division Blue and Grays at Nurnberg for more details) which we were able to secure.

Baseball in Occupied Europe
In the weeks following the collapse and unconditional surrender of the Third Reich, U.S. Army leadership was successful in assembling one of the largest known baseball leagues featuring more than 200,000 soldiers and airmen filling rosters of bases and units stationed throughout the occupied European Theater. The autumn-1945 GI World Series was the culmination of the season-long competition throughout the continent with teams that consisted of regular soldiers playing alongside former minor and major leaguers, all of whom fought and served in the war in theater. By season’s end, some of the teams who made it to the lower level championships (such as the Seventh and Third Army series) had morphed, absorbing the top talent from their vanquished opponents within their leagues (for example, former Chicago White Sox infielder-turned-combat-medic Don Kolloway served in the 69th Infantry during the war and played for unit’s team before being tapped to join the 29th’s team after being defeated in the 7th Army Championships) as their commanders attempted to improve the odds of winning the championship for their unit.

Having eliminated the 76th ID’s Onaways and Blue and Grays of the 29th ID, the Red Circlers found themselves facing off against the The Advance Section, Communications Zone (ADSEC/COMZ) All-Stars based at Oise, France. This formidable opponent was led by a non-commissioned officer (who was a former major league pitcher), was unconventional with their roster. Named the Oise All-Stars, this group fought their way into the semi-final series that pitted them against the 66th Infantry Division and the 71st Infantry Division; three teams fighting for the two spots in the ETO World Series. This semi-final was a double-elimination contest of three games; the first of which was played on August 30 (71st Infantry Division versus Oise All-Stars) and a double-header on September 1 (71st Infantry Division versus 66th Infantry Division and Oise All-Stars versus 66th infantry Division). The 66th division was eliminated after sustaining losses to the 71st and Oise leaving the victors to advance to the GI World Series.

According to Gary Bedingfield, a military baseball historian and founder of Baseball In Wartime, there are a few questions surrounding the name of the Oise team. Bedingfield wrote in his Baseball in Wartime Newsletter Vol 7 No 39 September/October 2015, “Reims became the site of the U.S. Army’s redeployment camps, all of which were named after American cities. There were 18 of these “tented cities” scattered throughout the Reims area. This area was designated the Oise (pronounced “waz”) Intermediate Section by the U.S. Army, named after the local river and the Oise département, a French administrative division that covered much of the area.”

This scorecard was used when the GI World Series shifted for the September 6-7, 1945 games were played at Athletic Field in Reims, France (the Oise All-Stars “home field” for the series). This is the only other known example of a scorecard from the 1945 GI World Series.

The OISE All Stars baseball team was assembled by former Brooklyn Dodgers pitcher, Sergeant Sam Nahem and featured a roster populated predominantly with former semi-pro, collegiate and minor leaguers. Only one Oise player, other than Nahem, played at the major league level. Going against unwritten rules (both in professional baseball and in the armed forces), Nahem insisted on adding two former Negro Leaguers to his roster. Willard Brown and Leon Day, undoubtedly ruffling some feathers in the Army establishment. Aside from the unique composition of Nahem’s roster, the team’s name has been the source of confusion. As Bedingfield wrote, “A strange myth has appeared over the years – that I, myself, have used at one time or another – that Oise stood for Overseas Invasion Service Expedition. I can find absolutely no evidence to support this and maintain that the Oise All-Stars were named for the Oise Intermediate Section. Other Sections in France included the Loire Base Section and the Seine Base Section, home of the formidable Seine Base Clowns, a ball team operated by Pacific Coast Leaguer pitcher Chuck Eisenmann.”

The GI World Series was a five-game affair with games one, two and five being played in Soldiers Field at Nuremberg Stadium and the “road” games (three and four) being played at the (long-ago demolished) Headquarters Command (HQ) Athletic Field in Reims. Nahem’s Oise All-Stars were evenly matched with the “Red Circlers” of the 71st which resulted in a great series for the fans to witness.

  • Game 1 (September 2, 1945 | Soldiers’ Field): Oise All-Stars 2 – 71st Infantry Division 9
  • Game 2 (September 3, 1945 | Soldiers’ Field): Oise 2 – 71st ID 1
  • Game 3 (September 6, 1945 | HQ Command Athletic Field): 71st ID 1 – Oise 2
  • Game 4 (September 7, 1945 | HQ Command Athletic Field): 71st ID 5 – Oise 0
  • Game 5 (September 8, 1945 | Soldiers’ Field): Oise 2 – 71st ID 1

The specifics of each game and the men who filled the rosters are laid out in great detail in Bedingfield’s September/October 2015 newsletter.

Until just a few months ago, the only scorecard that we have seen is one that was used for the two games played at the Oise All-Stars home field, Headquarters Command Athletic Field in Reims. Unfortunately, no copies of this piece have surfaced to the collector market in more than a decade of our searching. The piece (shown above) bears similarities to the hand-illustrated piece used at the 1945 Navy World Series in Hawaii. Regardless of any and all searching and maintaining watchful eyes on the market, nothing from the GI World Series has become available; not even the HQ Command Athletic Field scorecard.

A few months ago, one of our online auction searches that seldom produces results that are worthy of deeper investigation, finally listed an item that caught our attention. A strange title that read, “WWII GI  Scorebook Nurnberg Field USFET W1945 Unused Baseball,” with an accompanying-yet-tiny image (that was barely discernible) was enough to prevent me from performing my routine action of deleting the results. Upon opening the link and viewing the photos of the item, we were still unsure of what was listed. Very clearly, the piece shown was a service team baseball scorecard that was printed on the typical low-grade paper that was commonly employed for this purpose in all wartime theaters but the printed information wasn’t registering as we inspected each associated image. For some reason (perhaps due the lack of documented examples), the most obvious information printed across the cover didn’t immediately stand out. The interior pages featured blank scoresheets that were devoid of commonly seen team rosters or game line-ups which offered no further clues. Returning to view the lead image in the auction listing, something finally clicked and the reality surrounding this piece suddenly materialized. For the first time in more than ten years, a scorecard from the GI World Series had finally come to market.

How could anyone not notices the substantial lettering that seemingly broadcast that this scorecard was from the 1945 GI World Series?

With only two days remaining until the auction’s close, there was a lone bid which was incredibly low for such an important piece of baseball history.The seller’s starting price was merely $7.00. Not knowing the experience level of the bidder that I was hoping to wrest the scorecard away from left me wondering if his maximum price was in the sphere of reality as to the value of the scorecard. Noting the other bidder had a feedback count of less than two hundred, we coupled that with the behavior of early bidding (perhaps one of the most common mistakes made by inexperienced bidders) and decided that we would prepare a sniped bid and hope that it was enough to supplant the competition. Anxiously awaiting the auction’s close and the bad news that we were going to miss out on this piece due to its rarity and collector value, the congratulatory email regarding our bid arrived along with the invoice for payment. Our surprise at winning the auction was immediately surpassed by the sale price: $10.50 which was just $3.50 above the listed price and, $0.50 greater than the competing bid (maximum)! The seller listed the shipping price as $4.06 which was a bit lower than what we typically encounter with these items but it wasn’t so low to cause any sort of concern…until it actually became a concern.

This scorecard was most likely printed ahead of the teams being decided (by playoffs). The date as indicated by the “2” is printed in a silver-ink leading to the idea that the dates were applied as needed .

Note: In prefacing the next sequence of events, please understand that this article was not written admonish or to chastise the seller. Sharing details regarding all aspects of the transaction is done so with the hope that our readers consider what transpired as they engage in their own selling activities (we have omitted the seller’s name and altered the listing title to preserve their anonymity). 

After more than two weeks since submitting payment for the scorecard, the seller still hadn’t updated the listing with any shipping details (it was still marked as not being shipped) and was completely silent with regards to communication, an inquiry was dispatched through the auction provider’s messaging system. The brief response from the seller, “No tracking number. Mailed with a stamp which is why I gave you a partial refund,” was a little strange since I hadn’t asked for anything more than a status and a tracking number. The partial refund from the seller was $0.50 causing further confusion for us.

The beauty of this Nuremberg GI World Series scorecard lies with both covers as the interior is lacking team information. At least one can learn to score a game with this piece.

What amounts to a sponsors’ page, the GI World Series program’s back cover features adverts from AFN-Munich and the Southern Germany Stars and Stripes.

A few days following the seller’s strange message and partial refund, the letter carrier delivered the package containing the scorecard with $0.45 postage due. True to his message, the seller did exactly as was stated; the piece was stuffed into a thin and appropriately-sized paper envelope with a $0.55 Forever stamp affixed. There was no padding, backing boards or anything to protect the piece from moisture damage, inadvertent folding or from harm inflicted by postal sorting machinery which left this priceless artifact almost entirely exposed. Without purchasing postal insurance, there was no tracking. The envelope did receive damage (possibly from the sorting equipment) that tore and creased the envelope. Concern for the scorecard itself was put to rest once it was determined that the piece suffered only curling without being creased. In desiring to pass along the information regarding the arrival of the package, the condition and the additional postage that was paid to receive the envelope, we reached out to the seller. Rather than to address the concerns, the seller responded, “I will give you a full refund instead of the partial refund already provided,” closing out this intriguing saga (which included a fantastic result).

Our intention was to merely point out the issue and hope that subsequent shipments are better protected and postage is properly funded rather than to receive a refund. In the end, we received this incredible artifact without cost. Perhaps we should consider this a gift? Moving on, we were able to press the curl out of the scorecard and add it to the growing collection of baseball militaria paper.

The significance of the GI World Series scorecard (from the Nuremberg-hosted games) lies within the covers. The artwork and the two-color (red and blue) printing (the silver date appears to be applied subsequent to the initial printing) makes for stunning visual imagery on the front cover. The back was printed in three-color (adding black to the mix) and includes an advertisement for the Armed Forces Network (AFN) for radio coverage of the games. Beneath the AFN ad is a colorful advert for the Stars and Stripes newspaper (Southern Germany Edition).

One aspect of the scorecard and the GI World Series games was that it was hosted (at Nuremberg) by USFET (U.S. Forces, European Theater) which was known, during wartime combat operations, as ETOUSA (European Theater of Operations, United States Army). It makes sense that the GI World Series would be hosted at Nuremberg Stadium by the overall theater command, however prior to discovering this scorecard, this aspect was not known.

Located on the lower left edge of the program is the information detailing the date and the Army unit that produced the piece.

Confirmation of our assessment regarding the the game date being applied during a secondary printing is located at the bottom edge of the back cover. The date, 30 / Aug. 45, indicates that the scorecard was being printed as the first game of the semi-finals was being played.  The date on the cover, September 2, 1945 also indicates that this scorecard was printed for Game One of the GI World Series.

The Chevrons and Diamonds trend has continued with yet another article detailing a service team scorecard however, with the acquisition of this incredible find, we are certain that our readers will be just as fascinated by the discovery if this historic piece. In shining a spotlight upon scorecards that were previously undocumented, we are perhaps effectively increasing our competition for the still-needed HQ Command Athletic Field piece. However with the circumstances surrounding the acquisition of e the Nuremberg piece, we aren’t too concerned about our chances.

Resources:

 

 

Score-Keeping: 1944 6th Ferrying Group versus Hollywood Stars at Gilmore Field

The 6th Ferrying Group baseball team, managed by Corporal Charles “Red” Ruffing (image source: “Sixth Ferrying Group, Long Beach, California | USAAF Air Transport Command Ferrying Division” retrospective book, 1944).

Following the June, 1942 American victory at the Battle of Midway that resulted in the loss of four principle aircraft carriers, the Empire of Japan was reeling from a resounding defeat that was only the beginning of the the Japanese forces contracting from the extent of their territorial gains. The United States was still ramping up with the construction of machines and the transformation of civilian young men into a fighting force and the demand for more of both was still increasing to meet the needs in multiple theaters against three distinct enemies. Though many professional ballplayers had already begun to enlist or were drafted into service, still many more were continuing to play, providing Americans with an inexpensive form of recreation.

“I honestly feel that it would be best for the country to keep baseball going. There will be fewer people unemployed and everybody will work longer hours and harder than ever before.

And that means that they ought to have a chance for recreation and for taking their minds off their work even more than before.

Baseball provides a recreation which does not last over two hours or two hours and a half, and which can be got for very little cost. And, incidentally, I hope that night games can be extended because it gives an opportunity to the day shift to see a game occasionally.” – Excerpt of letter from Franklin D. Roosevelt to Kenesaw M. Landis, January 15, 1942

Under heavy public scrutiny, two of the game’s biggest stars, Ted Williams and Joe DiMaggio, relented and entered the service following the conclusion of the 1942 season (Williams enlisted in May but was inducted into wartime duty after the season’s end while the the Yankee Clipper enlisted on February 17th, 1943). Still many more ball players would continue to join or wait until their selective service boards decided their fate. With the influx of ballplayers into the armed forces, many were not fit to serve in combat capacities due to residuals from injuries or other maladies that would have otherwise exempted them from service. Recognizing the value that professional athletes brought to the armed forces (aside from the men who served in combat units), War Department leadership pulled professional baseball players into athletic and physical fitness instructor roles along with service on base or unit baseball teams that met the needs as both morale boosts and as a fund-raising force used to finance sending athletic equipment to deployed GIs.

With the successful service team baseball campaigns in 1942 by such teams as the Norfolk and Great Lakes Naval Training Station teams, command staff personnel from other domestic bases, camps, forts and training facilitates followed suit, establishing their own teams of former professional ballplayers. Also in 1942, the U.S. Army Air Forces began transforming the air logistics arm of their branch, establishing the Air Transport Command (ATC) and placed the former Air Corps Ferrying Command as the ATC’s subordinate. With a new agreement between the City of Long Beach, California, the USAAF established the Long Beach Army Airfield (LBAA) at Long Beach Airport creating a civilian-military joint use facility. The USAAF placed LBAA under their Technical Services Command with the 348th Army Air Force Base Unit as a principle unit. Considering the close proximity to the Douglas Aircraft Company the USAAF assigned a unit to manage taking delivery of C-47, A-26 and B-17 aircraft that were being manufactured for the Army Air Force: The 6th Ferrying Group.

Los Angeles, December 29, 1942 – Charles “Red” Ruffing, New York Yankee pitcher, is X-rayed by Pvt. Jack Levey during his physical examination for induction into the Army here today. The 37-year-old ball player has been working for the Vultee Aircraft Company until he was called up by his draft board (Associated Press Wirephoto/Chevrons and Diamonds Collection)

With the arrival of the 1943 new year, more players were setting their baseball careers aside to take up arms, many of which landed in the U.S. Army Air Forces (USAAF). One of the most recognizable names to enlist into the USAAF was Charles “Red” Ruffing who only months previously, helped the Yankees secure their only win in the 1942 World Series (no-hitting the St. Louis Cardinals through seven and 2/3 innings when Terry Moore singled to right field). In that series, Ruffing Set a record for starting a sixth opening game and for seven World Series victories (Yankees pitcher, Whitey Ford would eclipse both marks in the early 1960s).

On January 5, 1943, 37-year-old Ruffing was inducted into the army for non-combatant duty; due to his age and the absence of four toes on one of his feet (he lost his toes in an accident while working at an Illinois mine years earlier – the same mine in which his cousin was killed and his father suffered a broken back). Once into the Army Air Forces, Ruffing was assigned to the 348th Air Base Squadron, under the Sixth Ferrying Group where he was part of the Athletics and Recreation (A. & R.) Department as a physical fitness instructor and would take on the management of the air base’s baseball team.

As additional former major and minor league players joined the USAAF, some were assigned to the 348th creating a pool of talent from which Ruffing began to assemble a baseball team, representing the Sixth Ferrying Group. Major leaguers Chuck Stevens (St. Louis Browns) and Max West (Braves) were inducted in March followed by “Nanny” Fernandez (Braves) and Harry Danning (Giants) in April, were subsequently assigned to the 348th with Ruffing as the future Hall of Fame pitcher assembled the team for which he would both pitch and manage. Aside from providing the service men and women in the region with entertainment, the Sixth also played a rigorous schedule with Pacific Coast League opponents. The five former major leaguers (plus one former minor leaguer) on the roster were joined by such stars as Johnny Pesky and Joe DiMaggio as the area’s Service All-Stars were pitted against the Los Angeles Angels and Hollywood Stars in a charity game for the All Pacific Recreation Fund.

The 1943 team would dominate the Southern California Service League, securing the championship. As the season wound down in September, the Ferrymen sustained a 23-game winning streak that was ended by the reigning 11th Naval District champions, the San Diego Marines, led by former St. Louis Cardinals minor league pitcher, Ray Yochim. The Sixth would exact revenge on a different team of Marines, defeating the leathernecks of Camp Pendleton on Ruffing’s pitching in the 4-1 league championship contest.

6th Ferrying Group battery-mates, Harry “the Horse” Danning, former New York Giants catcher (left) and former New York Yankees pitcher Charles “Red” Ruffing” discuss strategy and signs ahead of a game (Chuck Stevens/Chevrons and Diamonds Collection).

The following year saw the Sixth Ferrying Group team, with a roster that was practically unchanged, picking up where they left off with 1943. As they did in the previous season, members from the Sixth reprised the All Pacific Recreation game against the two Pacific Coast League teams in August. Aside from their league schedule in the Southern California Service League, the Sixth Ferrying Group played a number of exhibition games against defense industrial teams and regional PCL franchises to raise funds for various charities including the Relief organizations including both Army and Navy as well as for the bat and ball funds.

1944 6th Ferrying Group Roster (bold indicates prior major league service):

Player Position Former Team
Art Lilly 2B Hollywood
Chuck Stevens 1B St. Louis Browns
Nanny Fernandez SS Boston Braves
Max West 3B Boston Braves
Ed Nulty LF Montreal
Red Ruffing P NY Yankees
Ollie Olsen P San Diego
Willie Werbowski P Semi-Pro
Woody Bell* CF San Antonio
Harry Beardo U
Wilbur Wise 3B
Thomas Fouts RF
Harry Danning C NY Giants
Swede Jensen RF San Diego
Roy Pitter P Newark
(Note: All of the above service profile images obtained from the “Sixth Ferrying Group, Long Beach, California | USAAF Air Transport Command Ferrying Division” retrospective book, 1944)

Former St. Louis Browns first baseman, Private Chuck Stevens steps prepares for batting practice ahead of a game at the Long Beach Army Air Field. Steven’s 6th Ferrying Command manager and teammate, former Yankees star pitcher, Corporal Charles “Red” Ruffing confers with Corporal Joe DiMaggio of the opposing Santa Ana Air Base squad, behind Stevens.

Corporal Chuck Stevens sprints to first base after driving the ball for his 6th Ferrying Group team.

Over the course of this year, Chevrons and Diamonds has been acquiring artifacts from the estate of a former professional ballplayer who enjoyed a 17-year career with a three-year pause to serving in the Army Air Forces during World War II. During his wartime service, the former St. Louis Browns first baseman, Chuck Stevens was an airman in the USAAF and was tapped to play baseball along with his duties. Judging by the volume and diversity of the artifacts that Stevens preserved throughout his playing career (and his lengthy service as an executive with the Association of Professional Baseball Players of America), he quite obviously loved the game and his part in its history. Among the many artifacts that we acquired was the bulk of his wartime pieces that includes original photographs (some, published in this article), scorecards and programs.

Ruffing gets a rub-down following a pitching outing for the 6th Ferrying Group.

Two of the programs that were part of Steven’s estate were from separate exhibition games hosted by the 1944 Hollywood Stars at Gilmore Field. Each program shares several components including the patriotic front and radio station advertisement on the back. What differentiates the books are some of the internal pages including the scoring sheets (all unused), rosters and season analysis commentaries. Using the information, I was able to determine that one of them was created for the June 19th game in which the Sixth dominated the Stars on Ruffing’s pitching and a bevy of singles by the batsmen.

Both 1944 Stars program covers are identical with Uncle Sam batting and Stars’ manager, Charlie Root in the beautifully-patriotic two-color printed image.

Ruffing and Mates Win Bond Game
Hollywood, California – Sgt. Red Ruffing, former New York Yankee ace, and his big league helpers of the Sixth Ferrying Group, Long Beach, California, breezed to a 7 to 1 victory over the Hollywood Stars of the Pacific Coast League here the night of June 19, boosting the Fifth War Loan Drive approximately $1,750,000.

Ruffing hurled the three-hit ball for five innings and struck out seven before finishing in right field, to share honors with Comedians Abbott and Costello and Screen Lovely Jinx Falkenberg, who entertained in pre-game ceremonies. It was a “no-expense” game, with the Hollywood club donating the park, while players gave their services, as did all Gilmore Field attendants.

Ruffing was nicked for the lone Hollywood run in the fourth. Roy Pitter, Ruffing’s successor, was touched for a single by the first man facing him, then pitched hitless ball. Rookie Earl Embree went the route for the Stars and was raked for 12 hits, all singles.

Three singles sent the Ferriers off to a two-run lead in the first inning. Two walks, a sacrifice and single game them another pair in the fourth, and three singles and a passed ball produced the final trio of markers in the sixth.” – John B. Old, The Sporting News (June 22, 1944)

Player Position AB H O A
Art Lilly 2B 5 2 1 1
Chuck Stevens 1B 5 2 8 4
Nanny Fernandez SS 3 1 3 2
Max West CF-3B 4 2 2 2
Harry Danning C 5 1 10 1
Swede Jensen LF-CF 5 3 1 0
Ed Nulty RF-LF 3 0 2 0
Red Ruffing P-RF 3 0 0 0
Roy Pitter P 2 0 0 2
Fauts RF 0 0 0 0
Wise 3B 2 1 0 0
Totals 37 12 27 12

The excellent condition of both programs is due to Stevens’ meticulous care in storing his baseball artifacts, though there are some visible indications of usage and handling. The covers are heavier weight paper with a slight coating lending to a lustre finish. The internal pages are similar to newsprint showing some yellowing and oxidizing. Rather than black ink, all of the monochromatic printing is done using a navy-blue. Each book features 20 pages (including the front and back covers) of text, photographs, illustrations and advertisements.

*Lt. Col. Woodrow “Woody” M. Bell
Following his professional baseball career, Woody M. Bell’s path in the the armed forces differed from those of his Sixth Ferrying Group teammates, extending well beyond the war. His service to the United States spanned more than three decades (31 years in total). The Bellville, Texas native and graduate of Texas A&M signed with the St. Louis Browns in 1939 and was in their farm system starting that season with the Springfield Browns of the Three-I League. as he progressed upward through the Browns’ minor leagues, he was assigned to his hometown San Antonio Missions playing alongside his future Sixth Ferrying Group teammate, first baseman Chuck Stevens in 1940.

After spending the 1940-41 seasons with the Missions, Woody Bell enlisted into the U. S. Army Air Forces and was commissioned a 2nd LT and was assigned to the Ninth Ferrying Squadron (part of the Sixth Ferrying Group), serving as the squadron operations officer and advancing to the rank of captain.

Woody Bell retired from the Air Force having attained the rank of lieutenant colonel and returned to the San Antonio area. Bell would spend some of his retirement years serving as the San Antonio Missions as general manager of the team having come full circle with his love for the game. According to his obituary, Bell passed away on February 28, 2009.

Dutch Raffeis: the “Flying Dutchman” of U.S. Navy Service-Team Baseball

Baseball researchers face many hurdles and challenges in their pursuits of deeper and greater knowledge of professional baseball players. In the past 150 years of Major League Baseball, nearly 20,000 people have donned a uniform and signed to a roster (according to researcher and author, Jeremy Frank in 2016) and the members of the Society of American Baseball Researchers have an ongoing project to author biographies for every one of these players (see the Baseball Biography Project at SABR.org). Specifically stated (on the SABR site), the endeavor is an “effort to research and write comprehensive biographical articles on people who played or managed in the major leagues, or otherwise made a significant contribution to the sport.” The lion’s share of the completed biographies encompasses the names that even the most passively interested fans will easily recognize and the volume of accessible research for these players is considerable, affording researchers with, in many cases, the ability to be selective in documenting facts. Researching lesser-known players is a far greater challenge.

In a July 10, 1962 Newport (Rhode Island) Daily News article spotlighting the batting prowess of the (then) leading hitter (of the Naval AIr Station Quonset “Airbees”), Norman Teague who was (then) leading the Sunset League’s hitters with a .531 average, a reference was made to another utterly dominant batter from the league, 35 years earlier. “Teague is by no means the first lead-off hitter to punish Sunset League pitching. One of the best was Raffeis, ‘the Flying Dutchman’ of the champion 1927 Torpedo-Hospital club” the article stated. In describing this star of the Newport league player, the “militant ‘Dutch’ Raffeis, a shortstop, batted .460, scored 33 runs and stole 24 bases in 16 games. The Torpedo-Hospital combination lost only one game that season.”  Of the two ball players mentioned, one name stands out among service team baseball history.

On this panel of the signed 1943 Pearl Harbor Submarine Base Dolphins team-autographed ball is the signature of long-time Navy Chief Torpedoman, Henry A. “Dutch” Raffeis who was a force with his bat, glove and feet on the diamond throughout his naval career that spanned more than three decades (image source: eBay image).

Inscribed among the signatures on a 1943 baseball, several of whom were signed by major league ballplayers (including Walt Masterson and Arne “Red” Anderson), is a very-legible autograph from Dutch Raffeis. Though a concerted and lengthy effort ensued in the process of researching the names on this baseball, the team it wasn’t until several months later that we were able to determine which team these men played for and positively identify each player. Armed with the Dutch’s first name following an assist from fellow military baseball historian, Harrington E. “Kit” Crissey, a wealth of research surrounding Raffeis, his naval career and baseball prowess was unlocked. Henry Raffeis’ life would otherwise be insignificant in the sphere of baseball history and probably wouldn’t raise an eyebrow of any SABR researcher, statistician or author, but he nevertheless had an impact upon the game as well as the U.S. Navy.

Who is “Dutch” Raffeis and why should anyone care? Henry A. Raffeis was born (on November 14, 1897) five-and-a-half months before Commodore George Dewey’s nine-ship flotilla engaged and defeated Spanish Rear Admiral Patricio Montojo’s 13-ship fleet (on May 1, 1898) in Manilla Bay. Depending upon which census record one reviews, Dutch was the son of immigrants: his father originates from Austria (1910) or France (1920, 1930) while his mother hails from Holland (1910), Vienna (1920) or France (1930) making him a first-generation American. In possession of only a seventh-grade education, Henry Raffeis enlisted into the Navy at the age of 17 on January 22, 1915 as war raged in Europe and just 100-days before the RMS Lusitania was blasted by torpedoes from a German U-Boat on May 1 of that year.

Apprentice seaman Raffeis has only a few months of naval experience when he found himself playing baseball at the 1915 Panama–Pacific International Exposition in San Francisco, though details are considerably ambiguous. However, his level of baseball play must have been quite notable and reminiscent of one of the stars of the era, Honus Wagner (nicknamed “the Flying Dutchman” due to his German Heritage and prowess on the diamond) whose Hall of Fame career was waning. By 1920, Dutch was assigned to the U.S. Submarine Base Los Angeles (at San Pedro), the first of its kind on the Pacific Coast where he played at the hot corner (third base) for installation’s league championship team.  Raffeis was rated as a gunner’s mate (torpedo) which all but guaranteed his service in the Navy’s silent service. During the 1920s, Raffeis was assigned to submarine bases (in addition to San Pedro and the aforementioned Quonset Point) at Coco Solo (Panama Canal Zone) and Pearl Harbor where he helped his teams secure championships (Coco Solo – 1925, Honolulu City League – 1926, the Battle Fleet Championships 1927-28).

“The Torpedo Station, battled-scarred veteran of 16 campaigns, has won the most titles, four, although it had to share the laurels with the Richmonds in its first conquering season of 1922. But the ‘Torps’ won in convincing style the following year when their battlefront was manned by such doughty players as Eddie Harrington, B.J. Smith, Stubbs, Witherspoon, Brewster, Holly and Hart. They won 32 out of 40 games in two seasons.

Combined with the Naval Hospital, the Station captured the bunting going away in 1927, harpooning 15 victories against only one defeat. Jarvos, Chief Horace Davis, Charley Mitchell, “Dutch” Raffeis, and Templeton were some of the figures who engineered that steamrolling junket. In 1935, a fence-denting, courageous Station array, managed by Charley Mitchell bagged the tars’ fourth pennant, despite a porous defense.” – Brief History of the (Sunset) League

Though details are a bit scarcer for Raffeis during the decade of the 1930s, there are still some great discoveries regarding both his navy career and his baseball exploits. In April of 1930, Raffeis, now a chief petty officer (torpedoman), arrived in San Francisco having detached from the submarine base in the Panama Canal Zone but where he subsequently served is unknown until his name appears on the May 29, 1933 Honolulu Star Bulletin’s sports page. A box score from the paper details a game between the Navy and a local city league team comprised of men of Chinese ancestry.  In the 12-6 win for the Gobs, Dutch was still a force at the dish at the ripe “old” age of 36 as he batted 4-for-6 with two doubles and scoring two of the team’s 12 runs.

Navy (vs Chinese): May 29, 1933: Line-up/Box score:

Name Pos AB R H PO A E
Raffeis LF 6 2 4 1 0 0
Rose 2B 3 1 1 2 0 0
Bench SS 4 1 0 1 3 0
Halloran 1B 4 1 2 11 0 0
Henry P 5 0 0 0 2 0
Cerillo 3B 5 1 2 1 2 0
Meagher CF-2B 5 2 1 3 1 2
D’Uva CF-2B 4 2 1 6 3 0
Johnson RF-CF 4 2 3 2 0 1
Reed RF 0 0 0 0 0 0
Scherruble 2 0 0 0 0 0
42 12 14 27 11 3

Following a year-long assignment on the Big Island (at Hilo), Raffeis was again transferred back to the Pearl Harbor Submarine Base, rejoining the team. Leading the already strong team of players, LT. Frank (Max) Leslie, who at the time, was serving with VP-4F, flying patrol aircraft (note: at the Naval Academy, Leslie played for the midshipmen baseball squad under team manager, Chief Bender in 1926). LT Leslie would later lead the dive bombers of VB-3 in their highly successful attack on the Japanese carriers in the Battle of Midway.

No further data is available detailing Henry Raffeis’ service or his activities on the diamond for the remainder of the decade though his active duty naval career concluded, having spent at least 20 years in uniform. By April of 1940, Raffeis was working as the superintendent of traffic for a Honolulu, Hawaii taxicab company. Dutch was a resident of the Terada Hotel (on Westervelt Street) that was owned and operated by Jukichi and Sen Terada who also lived on site with their two daughters (Kinue and Doris).

In the summer of 1940, 46-year-old Raffeis was recalled from his inactive reserve status (on August 10, 1940) and assigned to the Porpoise-Class submarine, USS Pompano (SS-181) for the next six months (note: Pompano’s first combat patrol commenced 11 days after the Japanese attack on Pearl Harbor and she would be lost with all hands in September of 1943).

Seemingly picking up where his Navy baseball career left off, Raffeis reported to Pearl Harbor Submarine Base (from the Pompano) on February 9, 1942 and re-joined the team that he spent many years manning the Dolphins’ infield and taking on duties as an assistant head coach, backing up Lieutenant O. D. “Doc” Yarborough. After the conclusion of the 1942 season, Doc Yarborough was reassigned to the mainland leaving Dutch Raffeis to assume the helm of the team for 1943.

1943 Pearl Harbor Submarine Base Baseball Team

Easily recognizable among the 1943 Sub Base team are Walt Masterson (4th row, 2nd from left). Arnie “Red” Anderson (4th row, 3rd from left) and Jimmy Gleeson (3rd row, far right). Combat veteran Oscar “Chicken Hawk” Sessions is seated in the front row, far left. Chief Torpedoman Henry “Dutch” Raffeis is seated in the second row, 5th from the left.

1943 Rosters: Pearl Harbor Navy Sub Base

The team is listed as Pearl Harbor Navy (vs Schofield Barracks Red Landers) though, due to the team members listed, it is quite easily determined that this is the 1943 Pearl Harbor Submarine base team. Dutch Raffeis is listed as the team’s manager and coach.

Under the “Flying Dutchman’s” helm, the Navy team competed heavily in the Hawaii League and faced stiff competition from city teams that were well-stocked with talent (the “Athletics” team featured former minor league pitcher, Eddie Funk who would be part of the 1944 7th AAF juggernaut team that dominated the Islands, winning the championship) . By July of the 1942 season, Dutch’s boys were already eliminated from contention. As the armed forces were expanding with the influx of young men, Raffeis was beginning to see an influx of talent into the area commands and so, he began to bolster his team, however it was not in time to salvage the season.

With the 1943 season in full swing for the Pearl Harbor Submarine Base Dolphins, Raffeis continued to see professional ballplayers-turned-sailors arrive as he continued to bolster his team’s roster with baseball talent and experience. By late Spring, Dutch saw the arrival of Jimmy Gleeson, Walt Masterson and Ray Volpi following their brief tenure with the Norfolk Naval Training Station’s Bluejackets earlier in the season. Winning the 1943 season championship would be the “Flying Dutchman’s” swansong as management of the team was taken over by former Senators pitcher, Chief Athletic Specialist Walt Masterson.

Henry “Dutch” Raffeis, seated at the center of his league champion, 1943 Pearl Harbor Submarine Base Dolphins team.

With the service team rosters in Hawaii being flooded with formerly professional level baseball talent, it is remarkable to see positions still maintained by career sailors such as Raffeis or Oscar Sessions  (see: Sub-Hunting: Uncovering the Pearl Harbor Sub Base Nine) who was included by the Navy for the 1944 Army vs Navy World Series).

Following the 1943 Sub Base Pearl Harbor Championship, Army brass on Oahu cherry-picked top baseball talent from domestic air bases and transferred them to Hawaii, forming a veritable all-star team under the command of the Seventh Air Force (7th AAF) led by Joe DiMaggio, Red Ruffing, Mike McCormack, Walt Judnich, Dario Lodigiani and Ferris Fain. The 7th AAF won the Hawaii League championship going away while the stalwart Navy ballplayer, coach and manager, Raffeis slipped behind the scenes for the 1944 season. Forty-seven-year-old Henry Raffeis was transferred to sea to finish out his naval career, serving aboard the submarine tender USS Holland (AS-3) for his last few months of service. A few months shy of his 48th birthday, Henry “Dutch” Raffaies was transferred from the USS Holland back to the continental United States. He was released from active duty on June 11, 1945, 35 days after German surrendered to the Allied forces.

Between June 11, 1945 and sometime in 1968 no records are available regarding Raffeis’ post-Navy life nor are there any indications of what he may have done as a Navy retiree. In 1968, California voter registration shows the 71-year-old’s home address to be in San Diego, a “Navy town,”  in a neighborhood populated by an abundance of World War II veterans. Less than three years later, Henry “Dutch” Raffeis passed away at Frente Cooperativa Las Cabanas, San Rafael de Santa Ana, Costa Rica on December 10, 1971 and was laid to rest in that city’s Central Cemetery.

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